Romeo And Juliet, The Balcony Scene : As Interpreted By Franco Zeffirelli And Baz Luhrmann

The balcony scene is the most well known scene in Romeo and Juliet the theme; love has no boundaries, was best interpreted in Zeffirelli’s film. In the text the theme is shown when Romeo says “with love’s light wings did I o’erperch these walls; for stony limits cannot hold love out, and what love do, that dares love attempt, therefore thy kinsmen are no stop to me” (541.) in this scene Romeo is telling Juliet that the kingsmen can’t stop him not even a stone wall which love lets him fly over. In the film the visual representation matched the text and showed Romeo’s ability to easily climb over the stone wall with love's help and the fearlessness he portrayed are examples of the theme that love has no boundaries and prove that nothing can stop Romeo from loving

William Shakespeare’s 'Romeo and Juliet', is the most well-known classical piece of sentimental literature in the world. Throughout the years, it has been adapted into films by directors from an extensive range of dialect backgrounds. Among those, Franco Zeffirelli’s 1968 version and the modern version directed by Baz Luhrmann in 1996, are both unquestionably the most successful and popular variations.

“William Shakespeare’s Romeo + Juliet”, as portrayed in Luhrmann’s 1997 film, reveals that the cause of love will always lead to the consequence of death. Luhrmann focuses on highlighting this connection through the usage of props, costumes, and symbols, the foreshadowing of Romeo’s and Juliet’s fate, and Romeo’s compassion for his friends and family throughout the film. These aspects of the film emphasize the connection of love and death and explore the harsh realities and truths relating to this connection.

Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is

Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespreare's Romeo and Juliet

Romeo and Juliet is a timeless story about two ill-fated lovers. Originally written by, Shakespeare, this story has been adapted by different directors who all commonly try to add their own unique twist to it. Two of the most prevalent adaptations of Romeo and Juliet have been done by Franco Zeffirelli and Baz Luhrmann, who have taken this love story to the big screen. Franco Zeffirelli’s movie, which was produced in 1968, is extremely authentic and stays true to Shakespeare's vision, whereas, Baz Luhrmann’s version produced in 1996, is contemporary and appeals more to younger audiences. There are various differences and a couple of similarities between Zeffirelli’s and Luhrmann’s movie versions such as the costumes, their interpretations of

Contrasts between Zeffirelli and Luhrmann’s Romeo and Juliet There are many differences, large and small, between Zeffirelli and Luhrmann’s version of Shakespeare’s Romeo and Juliet. After seeing the first scene of both of these films, some notable contrasts became clear.

Romeo and Juliet is a timeless, classic love story written by the incomparable William Shakespeare. Many of Shakespeare’s works are considered literary classics, but none are more loved than Romeo and Juliet. This play masterfully tells the love story of two teenagers in Elizabethan England. The title characters Romeo and Juliet are members of two feuding families, Romeo is a Montague and Juliet is a Capulet. There are different stylistic ways of portraying Romeo and Juliet, and the two most popular film versions portray two very different styles of this one play. Zeferelli's Romeo and Juliet was made in the 1970s, and is the film version most commonly shown in high school classrooms. The newest film version of this play is Baz Luhrmanns

Of the two cinematic portrayals of the climax, in Act II, scene i, of Romeo & Juliet, the Luhrmann version from 1996 is superior to the Zeffirelli version. When comparing the two one can notice that there are many differences, and similarities. While these two films are telling the same story, it is the differences between the two that lead to Luhrmann’s 1996 version being superior. Due to its more dramatic settings, and character interactions and actor

William Shakespeare’s play, Romeo and Juliet, tells the story of the tragic love between Romeo Montague and Juliet Capulet. The play has been reinterpreted throughout time and Baz Luhrmann’s film version, William Shakespeare’s Romeo + Juliet, uses a modern setting to tell the tale. Luhrmann’s cinematic understanding reinforces the key themes of love, fate and hate as he explores Shakespeare’s famous play.

Love plays a crucial role in telling the story of Romeo and Juliet, clearly shown in the appropriated Luhrmann film. Using film as a new medium, cinematic techniques explore the love between Romeo and Juliet. The balcony scene is a clear example of how Luhrmann expresses this. To show his love for Juliet, Romeo decides to sneak into the Capulet mansion to confess his love for her. When Romeo sees Juliet through his window, light shines around her and he describes it as, “ the sun.” This suggests that Romeo is calling Juliet the brightness in his life. Luhrmann decided to portray Romeo

Shakespeare’s classic Romeo and Juliet has been reimagined many times across different mediums. One interpretation that stands out among the rest is Baz Luhrmann’s 1996 film of the same name. The most shocking and powerful difference between Luhrmann’s work and other films or stage productions of this piece, is the movie’s setting. Luhrmann’s Romeo and Juliet is set in the modern city of Verona Beach, New York, ruled by two powerful business families, the Montagues and the Capulets. Themes, language, and ideas remain the same, while places, props, and wardrobes are updated to the twentieth century. This compelling change helps emphasize the violent, fast-paced, and chaotic society of the play, which comes to precipitate the tragic demise of the two main characters.

Shakespeare’s Romeo and Juliet – popularly considered by many to be the quintessential love story of all time – is a play that we are all familiar with in one way or another. Whether it be through the plethora of portrayals, adaptations and performances that exist or through your own reading of the play, chances are you have been acquainted with this tale of “tragic love” at some point in your life. Through this universal familiarity an odd occurrence can be noted, one of almost canonical reverence for the themes commonly believed to be central to the plot. The most widely believed theme of Romeo and Juliet is that of the ideal love unable to exist under the harsh social and political strains of this world. Out of this idea emerge two

sea , my love as deep , the more I give to thee , the more I have,

The play of Romeo and Juliet obtains its status as the most tragic love story in literature with its imagery and spark. William Shakespeare uses love in many guises to thread together the intricate and multifaceted love between the star-crossed lovers. Although Romeo and Juliet share a love of intensity and compassion, their whirlwind romance exhibits reckless and pernicious actions. The lack of authenticity between Romeo and Juliet’s love illustrates how teenage love is not true love. Shakespeare enforces this idea by fully describing this type of mutual attraction with Romeo’s relations to love with physical appearances, Juliet’s naivety due to her inexperience with romance, and how the two does not have the breadth of experience to behave more moderately.