Rorschach, By Alan Moore

When read with a critical eye, the world of superhero comics often offers a lens with which we can examine society, our values, the meaning of justice, and the role of the individual in regards to the greater community. If all of this information is garnered from critical reading, then the way in which the medium of comics constructs these meanings will reflect an embrace or a rejection of the common symbols and ideology of it’s source culture. In the case of Alan Moore and Dave Gibbon’s 1987 graphic novel, Watchmen, the second approach is used, as Moore’s writing draws upon the common cultural understanding of superheroes and exaggerates or tweaks them, exposing their underlying ideals. In this way, Watchmen functions not only as a

Superheroes can be defined in many ways by many experts. Clare Pitkethly’s academic background consists of comparative literature, culture and communication as she also speaks and writes comic books and superhero, defines a superhero to be different. In Pitkethly’s article “Straddling a Boundary: The Superhero and the Incorporation of Difference,” talks about

A hero is universally seen as a selfless individual who puts the needs of others before themselves. Heroes usually hold the same values; honor, nobility, integrity, and strength. Now what happens when a person does not hold those heroic values? What if their motivations did not have good intentions? These are the questions that will be answered using the deconstruction critical lenses. “Today, it is much harder to detach the concept of heroism from morality; we only call heroes those whom we admire and wish to emulate.” (Lebarge web) The Greek myth of Theseus and the Minotaur has evolved into the modern trilogy of Batman which, when deconstructed, reveals how the selfish motivations of

Friedrich Nietzsche was a well known German philosopher in the late 1800’s. Nietzsche’s great philosophy was of the idea of a man that has surpassed all human limitations as far as intellect, body, emotions, and even mortality. Once he or she has surpassed all human limitations, he or she reaches the level of godhood. Nietzsche has given a name to the man or woman that has broken the chains of humanity and that name was the Ubermensch. Ubermensch in German translation means “the over man” or “the super man.” For generations many people, most notably artists, have been inspired and awe struck by this idea of gods amongst men. The Ubermensch has been depicted in many art works such as Edvard Munch’s The Scream. Even in modern pop culture the idea of “the super man” has carried over into comic book superheroes such The Flash, The Incredible Hulk, Green Lantern, Spiderman, and of course Superman, whose name was

or this project we viewed the original 1957 version of Twelve Angry Men, an American Drama, adapted from the teleplay written by Reginald Rose with the same name starring Henry Fonda as the lead role.

In Ken Kesey’s book, One Flew Over the Cuckoo’s Nest, there were two main characters that were in a battle to have the majority of control over the ward. Throughout the story, they engaged in different acts of stubbornness to see who could display the most power and which of the two could stand their ground the longest without giving in to the other. These two characters were: Randle McMurphy, a new patient who was determined to change the ways of the ward, and Nurse Ratched, the head nurse of the asylum who preferred to have complete control over everyone and everything.

The documentary “Merchants of Doubt” directed by Robert Keener describes the unethical practices of manipulating scientific data to market unsafe products. It explains the use of public relations and media to divert the health risk involved in smoking in order to protect the industry. The documentary exposes how companies hire a third party, presented as credible scientific expert, to mislead people about the company’s unsafe products. Those people selling lies to cover for the company’s wrongdoing are called “merchants of doubt”. They create a sense of doubt in the veracity of the scientific data and results collected by the scientist. This strategy of creating doubt and confusion causes delay in government regulation. The documentary shows

Works of literature innately embody the author’s ideology and the historical context of the given time period. Within the novel, One Flew Over the Cuckoo’s Nest, by Ken Kesey, the author furthers his ideals against the issue of oppression as he attempts to take stabs against its deteriorating effects and support those who rebel. Set in the microcosm of a small mental hospital, he establishes man’s external struggle to overcome tyranny. At the head of the head of the ward is the corrupted character of Nurse Ratched, who rules with an iron fist and the help of her machine like aides. It also features the nonconformist character, McMurphy, as he works to break Nurse Ratched’s endless cycle of tyranny. Although the novel shifts between the

Often heralded as the world’s greatest nation, the United States is also considered home to the world’s greatest authors. Reputable authors such as Fitzgerald, Twain, and Steinbeck remain relevant even through the washing waves of time. One such timeless author, Ray Bradbury, ventured the hazardous path of taboo to write of change. Through his novels of innocent youths evolving into children enlightened beyond their years, Bradbury utilizes the motif of time, innocence, and the philosophical movements of existentialism, transcendentalism, and romanticism to describe catastrophic events the American culture could face if existing destitute judgments continue to prevail. Ray Bradbury dared to reveal his voice.

Many times throughout one of Ken Kesey’s most famous novels, One Flew Over the Cuckoo’s Nest, the book uses animals as symbols to represent the story’s plot. The animals usually relate to individual characters and their current struggles within the story. Animal imagery provides us with great insight to the themes that Kesey is trying to have us explore, and is a very good tool that the reader can use to help better understand and relate to the characters.

In the article “The End of Men,” Hanna Rosin offers several examples of women overpowering men. The inequality between men and women has become a critical issue in today’s society. According to Rosin, women are slowly surging ahead in the workforce and family life while men are left behind struggling to meet expectations. Rosin argues that this role reversal is taking place because women are simply better suited for postindustrial society.

The literary element setting includes the time when the story happens and location where the story takes place. Some stories use variety of settings to initiate an interesting beginning. However, the 12 Angry Man has only one fixed setting – the jury room, which is not commonly used in a novel. The author, Reginald Rose, overcomes the limitation in setting by describing changes in weather, initiating different types of character and imitating the events of the murder.

Watchmen is a revolutionary piece of literature. It is technically a comic book, some prefer to call it a graphic novel. There is a negative connotation that goes along with that. Graphic novels are frequently presumed too childish and fantastic to actually teach any insightful lessons or even make you ponder them at all. Watchmen is a graphic novel that transcends this undue criticism of comic books. It is, “One of the first instances ... of [a] new kind of comic book ... a first phase of development, the transition of the superhero from fantasy to literature." (Klock, pgs. 25-26)

Subsequently, while most superhero plots involve an element of fantasy, the characters in Moore’s graphic novel are, for the most part, embedded into pessimistic version of reality with only lifelike traits. Obviously, the one glaring exception in Watchmen is Doctor Manhattan, who is transformed into a being capable of a number of otherworldly abilities. However, the other five heroes in the story are regular humans who take the initiative to aid in the protection of society. This is unlike most superheroes in previous comics, who are often blessed with a divine power that allows them to conquer all evil. Additionally, referring to the society in which Moore’s heroes are immersed in, it is situated in a location known to its readers, with a certain twist. While Superman has his Metropolis and Batman has his Gotham City, the six costumed adventurers are based in New York City, or more accurately, a filthy parody of it. The universe in which Moore sets his story is the closest to reality, with a hyperbolic emphasis on the evil in society, in which superheroes have been set it. Hence, the problems presented to the superheroes are not something to be combatted with fantastical talents, but more nuanced with realistic obstacles without a clear solution. In Watchmen, the imminent threat of nuclear war is a state of affairs that would have been realistic for readers, particularly during the time period of the graphic novel’s release in 1987. This, coupled with the urban violence

Allen Moore’s sordid depiction of twentieth century life presents a complex world, where the distinction between a virtuous hero and a villainous wrongdoer is often blurred. In stark contrast to the traditionally popularized portrayal of superheroes, whose unquestionably altruistic motives ultimately produce unrealistically idealized results; the realistically flawed characters of Watchmen exist in a multi faceted world characterized by moral ambiguity. America’s imperialistic ambitions have long been justified as an expression of American idealism. Much like the portrayal of superheroes in popular culture, America’s intervention in foreign affairs was portrayed as the result of a clearly defined problem, where American intervention was