Rosalind Krauss - Photographys Discursive Spaces

The site is of major geoconservation significance because of being the only place on earth where rocks from the earth’s mantle - 6 km

The study is carried out in Bicentennial Park to investigate and analyse the local area and expand on the understanding of geological and climatic concepts that can be identified through careful analysis of the area.

In “Why We Take Pictures,” Susan Sontag discusses the increase use of technology and its ability to impact the daily lives of mankind. Taking pictures is a form of self-evolution that slowly begins to shape past and present experiences into reality. Sontag argues how the use of photography is capable of surpassing our reality by helping us understand the concept of emotion, diversity, and by alleviating anxiety and becoming empowered. Moreover, according to her argument, people are able to construct a bond between the positive or negative moments in life to cognitively release stress through reminiscing. Therefore, Sontag claims that photography itself can help with reshaping individual’s perspectives of reality by being able to empathize with the emotions portrayed through an image. Thus, giving

Alex Kotlowitz met Lafeyette and Pharoah Rivers in 1985 while working as a journalist. He was interviewing them for a photo essay in Chicago magazine on children living in poverty. The violence that occurred every day where the brothers lived in Governor Henry Horner Homes, or Horner, disturbed Kotlowitz. Lafeyette and Pharoah are 12 and 9 years old at the start of the book but have experienced more than many kids their age. The boys did not seem sure of what life held for them. Lafeyette told Kotlowitz, “If I grow up, I’d like to be a bus driver,” Lafeyette was not sure that he would grow up at just 10 years old (x). Kotlowitz wanted to show what it is like for children growing up in urban poverty after seeing the brothers’

The illustration in #7.16, Trestle Work, Promontory Point, Salt Lake Valley by Andrew J.Russell is an image of a railroad track connecting two paths with men working on the site. Russell believed that the west was a great location to conduct his work because of the openness and freedom that was out there. Also to observe the natural scenery that it has to offer, which many have traveled to obtain such freedom and visual aspects of nature. As for #7.17, El Eaches or Three Brothers by Carleton E. Watkins is a description of a landscape winter forest by a lake, his purpose for this image was to capture the viewer's attention with the richness and the detail of the forest. For an individual to absorb the composition of the mountains in the picture

Around the world our water supply is depleting. Our water is becoming contaminated making it harmful for both mammals and aquatic life. Today over one billion people go without adequate water supply and every fifteen seconds a child dies of waterborne illness. Sources of water that once supplied water to millions can no longer meet the supply and demand of the water need. Scientist predict that the amount of useful water will keep depleting greatly in the years to come. In the next couple of pages it will talk about both the geological and human reasons as to why are water supply is depleting.

The Coso Mountain Range is located at the intersection of the Great Basin and California culture area just above the eastern California desert. This region was left with arroyo walls, lava flows and pyroclastic boulders covered with petroglyphs of zoomorphic and anthropomorphic images (127). Petroglyphs are images created by carving, pecking or incising images into rock surfaces. The most common rock art element found in the Coso Range is that of bighorn sheep (129). Although bighorn sheep images were common in other parts of the Great Basin and the Southwest, these elements were seen in far greater quantities in the Coso Range. The bighorn sheep image represents more than half of the 100,000 rock art elements discovered in this region. Many

The objective of the trip to Blount Springs, Alabama was to observe and gather data on the geological structure of the area. Blount Springs is located in the northern part of Alabama just 33 miles north of Birmingham, and lies on the southernmost part of the Appalachian fold belt. The field work began on the morning of Saturday April, 7th at 8:50am. The weather was cloudy with temperatures in the mid 40’s, and the area was wet from rain the previous night. Our materials included a map of the area, list of formations, a Brunton compass, and a Rite in the Rain field book. The procedure of the field work involved 12 stops at outcrops to gather data, one stop was omitted from the original plans. This data gathered included bedding and joint orientations

During my own excursion to this geological phenomenon, I marvelled at the sheer vastness and unorthodox beauty of the formation, which I was severally reminded by the park’s agreeable staff is not classified as a mountain. If not a mountain, though, what is Enchanted Rock? As I was fairly young at the time of my visit and did not raise questions concerning Enchanted Rock’s identity, I only recently uncovered the nature of the dome, when conducting research for this essay.

As I recently drove on Interstate 80, from Colorado to Iowa, I could not help but think of John McPhee’s book Rising from the plains; and how from a different perspective a boring piece of land in the plains could reveal a rich history of geological cycles. McPhee is able to bring to life the study of geology in a way that is relatable by creating relationships between the landscape, people, and history through the use of transforming the same plot of land across eons of time. He uses several pages to discuss geology, followed by stories about the love family ranch as an overview of life on the very same plains four million years ago. This format for reading allows the author to build layers of science facts with story so that the humanistic element does not get distracted by the complex material. The reader develops a sense of the formation of the specific terms such as; the system, period, stage and age names, and thus overcomes the barrier of reading just geology facts. The passage for which all the specialized knowledge comes from is a man named David Love.

Kathleen’s first archaeological experience was in the Great Zimbabwe in Southern Rhodesia as a photographer where she was joined by Gertrude Caton-Thomson. This expedition had been made possible by her father’s facilitation and connections along with Margaret Fry’s persuasion. As she would prove useful on this excavation, being both industrious and reliable, her duties would expand beyond taking pictures to overseeing the workers assisting at the site. After she returned to England, at the completion of the Zimbabwe expedition, Kathleen joined Sir Mortimer Wheeler’s staff at his excavation at Roman Verulamiun (St. Albans), north of London. While there she would study Wheeler’s method of stratigraphic excavation. Wheeler’s findings were based on the concept developed by geologist William Smith where materials accumulate on a site through a sequence of layers that explain the historical timeline

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Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp

Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher

Susan Sontag said photographs sends across the harmlessness and helplessness of the human life steering into their own ruin. Furthermore the bond connecting photography with departure from life tortures the human race. (Sontag 1977:64)