Our pasts shape our future, unless we never leave our past to pursue our future. In an ever changing world, humans must adapt and conform to the transformations around them or else they will be left behind. In the short story “A Rose for Emily,” William Faulkner uses the deep inner conflicts of the protagonist, Miss Emily, and her parallelism to the setting, her mansion, to convey the struggles and isolation that accompany a mind and life that refuses to escape the past. Miss Emily struggles with her inner self as she continues to grow older on the outside, but refuses to let go of her past. Her tragic history is filled with a selfish, controlling father who denied Emily any chance of getting married, mainly on account of her father wanted …show more content…
The narrator states “We did not say she was crazy then. We believed she had to do that. We remembered all the young men her father had driven away, and we knew that with nothing left, she would have to cling to that which had robbed her, as people will.” (Faulkner 732). Miss Emily’s life with her father was the only world she knew, so when her father died she felt like she had nothing left and she endeavored to hold on to the past life she recognized so well. Furthermore, in Miss Emily’s dusty, timeworn parlor “On a tarnished gilt easel before the fire place stood a crayon portrait of Miss Emily’s father.” (731). The childhood drawing of her father being displayed in her house symbolizes how Miss Emily is stuck in her childhood, since the only love she knew was her father’s harsh, controlling affection. Consequently, Miss Emily was completely frightened of being abandoned again. The reader can identify this fear through Miss Emily’s and …show more content…
This tragic transformation of Miss Emily seemed “to be expected too; as if that quality of her father which had thwarted her woman's life so many times had been too virulent and too furious to die.” (734). Not being able to release herself from her father, Miss Emily takes on her predecessor’s controlling role and eventually loses her identity. In the end “Miss Emily beneath a mass of bought flowers, with crayon face of her father musing profoundly above the bier…” (735) her appearance at the conclusion of her life shows the reader just how much she has transformed into the demanding father figure that selfishly snatched her life away. One must pity the miserable Miss Emily- from the beginning, her life was tragic. Miss Emily’s father kept her captive, so she had no experience with people and was never able to find
In “A Rose for Emily”, Charles Faulkner used a series of flashbacks and foreshadowing to tell Miss Emily’s story. Miss Emily is an interesting character, to say the least. In such a short story of her life, as told from the prospective of a townsperson, who had been nearly eighty as Miss Emily had been, in order to tell the story from their own perspective. Faulkner set up the story in Mississippi, in a world he knew of in his own lifetime. Inspired by a southern outlook that had been touched by the Civil War memory, the touch of what we would now look at as racism, gives the southern aroma of the period. It sets up Miss Emily’s southern belle status and social standing she had been born into, loner or not.
Miss Emily's relationship with her father is a key factor in the development of her isolation. As she is growing up, he will not let anybody around his daughter,
Miss Emily is also decaying, but it is subtle and internal--the awful smell that begins to permeate from her dwelling is a reflection of the withering woman within rotting. Perhaps most tragically, Miss Emily’s isolation is far from self-inflicted. Her blind devotion to the ones she loves; her father, her husband, her home; only serves to further condemn her actions. Her neighbors disregard toward her inabilty to let go of her father after his death, despite the delicacy of her being, caused for her madness to fester. “She told them her father was not dead.
Emily's father suppressed all of her inner desires. He kept her down to the point that she was not allowed to grow and change with the things around her. When “garages and cotton gins had encroached and obliterated…only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps” (Rose 217). Even when he died, she was still unable to get accustom to the changes around her. The traditions that her and her father continued to participate in even when others stopped, were also a way that her father kept her under his thumb. The people of the town helped in
Madness and desperation can motivate some of the most extreme actions of individuals. For instance, when faced with a loneliness she was forced into by her overprotective father, Miss Emily Grierson in “A Rose for Emily” struggles to cope with a changing environment after his death. Her mental deterioration even culminates into the murder of her significant other Homer Barron to keep him from leaving her as well. In his story, William Faulkner foreshadows Miss Emily’s mental instability from the very beginning with specific hints. Some of those tactics are portrayed in the description of Miss Emily’s family history, the words and actions of the community, and her inability to distinguish between the past and the present.
7) What is the significance of Miss Emily’s actions after the death of her father?
Miss Emily could also have schizophrenia as a response to the demanding conditions in which she was living as a Southern woman from an aristocratic family. Miss Emily decompensated because she was unable to develop healthy and adaptive coping and defense mechanisms. When her father dies, Miss Emily avoids all contact with others and other psychotic symptoms become evident. Immediately after her father’s death, ladies from the town came to Miss Emily’s home to offer condolences and aid, and observe that she had “no trace of grief on her face” (pg. 775). Perhaps, Miss Emily insisted to the visitors that “her father was not dead” (pg. 775).
In “A Rose for Emily," by William Faulkner, the main character Emily Grierson is stuck living in the past within the isolated reality that she’s been forced into and that she herself created. Throughout the story, a major theme, (meaning what the story is about) is Emily’s resistance to change which leads to isolation. This Faulkner classic shows us how Emily became isolated because of her families, community and tradition.
The very beinning of the story is extraordinary. It begins with the burial of Emily, the residents around her coffin did not feel anything, most of them were curious. There were neither friends nor relatives, nobody who was in mouring for her, only inquirers. The readers can ask, what kind of person was Miss Emily? Why the others did not feel sadness? Perhaps there is a bigger question: what was the reason that nobody went to her house more than ten years (except her slave, Tobe).
Emily was kept confined from all that surrounded her. Her father had given the town folks a large amount of money which caused Emily and her father to feel superior to others. “Grierson’s held themselves a little too high for what they really were” (Faulkner). Emily’s attitude had developed as a stuck-up and stubborn girl and her father was to blame for this attitude. Emily was a normal
William Faulkner’s short story, “A Rose for Emily,” was written after the civil war and is often considered a piece of Southern Gothic literature (Davis). Southern Gothic is a subgenre of the gothic culture, which typically relies on the use of supernatural, unusual, and ironic events to drive the plot, all of which can be seen as a driving force throughout the story development of Faulkner’s “A Rose for Emily” (Davis). Through Faulkner’s ingenious short story, “A Rose for Emily,” he demonstrates the powerful yet internal conflict that comes with change, and the tension it creates between the realms of the past and the future. Upon further analysis, we come to see the story as a representation of the fallen south coupled with societal commentary and a depiction of the characters as spirits from the past stuck in a present time they struggle to come to peaceful terms with. We can see the powerful message Faulkner creates illustrated throughout his use of symbolism, his protagonist Emily, the community that surrounds her, and the incongruent timeline of events he depicts throughout the telling of his story.
She, Emily, is physically living but not in the present; she is stuck living in her past. We first see this when her father dies, “She told them that her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body.” (Faulkner). This depicts that she is enamored of the dead which is why she resists in letting them bury her father. Emily did not want to kept denying her father’s death so she decided to hold onto him. By the description Faulkner gives, one may say Emily just did not know how to adapt to change. With that being said, she feared change so she did not want to let go because she was so dependent on her father and now he was gone. Once Emily passed on and was buried, people from her town go into her house and discover a decomposed corpse along with the strand of gray hair on the pillow next to what was formerly Homer Barron. Faulkner explains in detail yet again what was found, “…What was left of him, rotted beneath what was left of the nightshirt…Then we noticed that in the second pillow was the indentation of a head…we saw a long strand of iron-grey hair”. With this being said it is discovered that she, Emily, had been sleeping next to his dead body for years. These two examples are prime reasons one could conclude that she had an issue letting go of her past. Throughout the short story Emily seemed to not want to
This reality sends panic and fear through her because now she has nowhere to turn and no one to tell her what to do, no one to command her life. Not only is she stricken with the loss of her father but now she is cut off to the outside world, because her only link has passed on. Emily immediately goes into a state of denial; to her, her father could not be dead, he was all that she had and she would not let him go.
The day after her father's death, the women of the town went to give their condolences to Miss. Emily. To their surprise, Miss. Emily was "dressed as usual" and had "no trace of grief on her face (Perrine's 285)." Emily told the women that her father was not dead. Finally after three days of trying to hold on to her father, "she broke down, and they buried her father quickly (Perrine's 285)." The town's people tired to justify Miss. Emily's actions, by saying that she had nothing left, and was clinging to the one thing that had robbed her for so long they convinced themselves that she was not crazy.
In spite of her suffering, it is almost shocking how Emily behaves extraordinary well even in stressful situations. When she is left at nursery school, she acts unexpectedly contrary to most kids her age. “‘She did not clutch and implore “don’t go Mommy” like the other children’” (Olsen 291). She prefers to stay at home but even while trying to convince her mother to let her stay, she does it subtly, “‘Never a direct protest, never rebellion’” (Olsen 292). Does Emily behave well by choice? Her mother is worried and wonders, “What in me demanded that goodness in her? And what was the cost, the cost to her of such goodness?” (Olsen 292).