Rosenquist's Painting 'F-111': An Analysis

Within a painting, the watercolors and each discrete stroke of the brush gives each element a diverse connotation. The Parade By Abraham Rattner, was painted in 1969 to illustrate the protests of the Vietnam war that the United States was involved in.This exceptional piece of art work exhibits the warm colors of the crowd and the fiery blazes colored across the skies, highlighting the widespread conflicts the nation had against this horrendous battle. During this time, individuals were protesting against the government’s actions in order to conserve tranquility. This painting captures the scenery that had taken place during these frightful days of war and the disputes happening internationally.

Where innumerous catastrophic events are simultaneously occurring and altering the mental capability of its viewers eternally, war is senseless killing. The participants of war that are ‘fortunate’ enough to survive become emotionally distraught civilians. Regardless of the age of the people entering war, unless one obtains the mental capacity to witness numerous deaths and stay unaffected, he or she is not equipped to enter war. Kurt Vonnegut portrays the horrors of war in Slaughterhouse Five, through the utilization of satire, symbolism, and imagery.

Art in World War I was observed in many forms, from photography to art movements on the home fronts of many countries. What many people did not realize is that art was also used in the war for battle. Propaganda and camouflage were crucial to the success on the battlefield and they were used and produced in ways not normally seen in history before. Propaganda had existed before WWI but was used heavily in this war and was often negatively themed, to promote involvement in a war against the evil enemy. Complex camouflage of machinery, ships, and uniforms also arose during the Great War, and this

An artist's job is to interpret, and express the aspects of life in a creative fashion. War has played a big part in shaping our human history, and many artists have portrayed their feelings about art through paintings, and even monuments. Whether it be to show; the joy of victory, the sorrow of defeat, or to educate the public on the gory realities of war. Art about war can also show us a great amount of history of the kinds of weapons that were used at the time. It is necessary for artists to interpret, and criticize all aspects of life; even ones as tragic as war, It can make the public more aware of what goes on in times of war.

The artist’s overall message portrayed in the poster is ultranationalism. For instance, the poster depicts a clenched fist symbolizing unity, strength and defiance. Furthermore it conveys feelings of bondage to the Germans who are viewing it because of the chain. As a result of these two images which overshadow the factory in the background, a desire to free the Germans from the Dews plan grows within the hearts of the

Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches with a five-inch gold wood frame surrounding it. The medium is oil on stretch canvas. Everything within the painting centers on the king 's turned head and Daniel 's pointing finger. According to the placard next to the painting, the artwork depicts a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. The painting portrays a seated king, a dozing courtesan and Daniel. The three figures exist as the focal point of the composition. Hirsch applies a strong

Christ Hedges, war correspondent and Pulitzer Prize winner, in a chapter titled “The Destruction of Culture” from the book War is a Force That Gives Us Meaning, asserts that in war a state’s interest is in the extermination of discordant peacetime culture. Hedges asserts his claims that war transforms art, writing, and literature, that people, in disbelief of the consequences of war, favor a myth, and that the state manipulates education and media to reinforce their narrative. Meanwhile, he uses first-hand personal experiences and historical evidence to demonstrate these effects of war. Hedge’s goal is to expose that ugly nature of war in contrast to our natural glorification of it in our perceptions of history in order to propel the cause

World War I was a war that shocked the world and brought about new emotions that created a large wave of “-isms” as well as the “lost generation” of writers. Modern art was catalyzed by World War I and without a thorough study of the various forms of art that resulted from it, modern art and the tremendous effect that World War I had on the people of the world cannot be fully understood. This historical investigation will cover a few aspects of the art that resulted from World War I so that a general idea of the emotions shared by the people of the world can be known. A few paintings that represent specific movements will be studied to understand the artistic movement. A number of museum exhibitions will be studied along with government websites, databases, and museum websites, especially from the Museum of Modern Art.

All three of these pieces represent a firm standing on the effects of War on humans. When examining Damon Winters photo of Sgt. Brian Keith features of a visual argument appear. The picture is a representation of an implied statement. The picture shows a Soldier with his family in the last moments before he is deployed to Afghanistan.

During both of the World Wars, the United States was short on money and supplies for the soldiers overseas, so they made posters to gain support from the people still at home. The posters showcased government bonds that Americans could buy that were essentially loans to the United States government. In order to get people to spend the small amounts of money they had, the posters used emotions and tone to persuade the American citizens to buy the bonds. The term used for the emotional looking pictures to showcase the author’s message is pathos. Many of the posters used during the wars used pathos to get their message across.

Franklin has developed an awesome essay addressing the evolution of technology used in Americas` wars also the media’s presentation of theses wars to the public in the U.S. He emphasized mostly the media’s presentation of war, the forms and methods that it has gradually evolved to, and its lies and biases. Franklin discusses, however, how the projection of the war was romanticized at the beginning since paintings was the only way to visualize and express the war . However when photographs and videos were invented, it was a normal effect that the image of war was deglamorized. One of the results that, these images showed more truth than the previous romanticized paintings of old wars. Unfortunately, not all of these wars were candidly projected like the Civil War, but do not please be surprised to know that, the American government manipulated that technology only to their favor to portray a fake victory for America rather than a big failure.

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the

The exhibit contained upwards of 20 photographs and at least 60 paintings. One of the most agreeable things about the works of art that I witnessed is that collectively, they assisted in recounting the sentiment that gripped the country during the war that threatened to sunder it. One could almost feel the initial enthusiasm as the war broke out, that was swiftly prolonged by numerous clashes over a period of years. There were works that alluded to an impending war, ones that depicted that war, and numerous ones that hinted at a hoped for ending in which the mightiness of the country would someday be restored.

Tremendous technological advance and tremendous slaughter leave an artistic waste land of atrocity, emasculation and pointing posters used to manipulate the public into recruiting men to join the military around the globe. Skilled illustrators in America, less inventive but artistic allegory’s in Canada and France and plain typography in Britain leave many artists busy with supporting the war effort. On the outskirts of war were a contingency of international peoples with little means and a negative view of European culture and war that chose to defect to Switzerland where they created the art movement known as Dada.

Images, such as paintings and photographs, are intensely visually striking and evoke strong emotions in those who view them.“Into the Jaws of Death” provides a perfect example of that intensity, having been taken by Robert F. Sargent during the early morning hours of the D-Day invasion of Normandy. Even today the famous photograph evokes strong emotional reactions in many people who view it. This photograph served a purpose more significant than was realized at the time, to the point of becoming a pivotal point in support for the war effort. How was this accomplished? By conveying personal themes of heroism, patriotism, and mortality through devices such as angles, colors, uniforms, and proxemics.