Roxana Saberi

However, some may argue that the extent to which Satrapi can challenge conventional beliefs about Iran is limited by her perspective. Satrapi writes from the first-person point-of-view and a child’s nonetheless. Those same people might argue that when Satrapi is challenging generalizations by using personal examples she is manipulating fact, confusing them with opinion, and asserting her bias in a persuasive manner. Historically writing of this kind is often discarded for more specific and omniscient information. However, Satrapi never hides from her bias and desire to introduce the West to her version of Iran. In any persuasive writing a bias is implied and one might influence just as to which examples they choose include to support their argument, this essay for example. She may be employing a persuasive tone, but the extent to which she accomplishes her goal is not altered by such beliefs.

For readers who live in different countries with a huge difference in comparison to their governments such as America. Readers in America would most likely interpret this book as a call of pity or rather an eye-opener to other countries as “Persepolis” shows the culture and economy of Iran. In American they have a democratic government meaning that people have the right to fight and speak up for their ideas and beliefs, in other terms they have the right to freedom of speech, unlike in Iran when people protest to the government or ruler they get shot right in the spot or rather imprisoned and torture.

Marjane Satrapi, in Persepolis writes about a memoir of a little girl growing in Iran. She refers to a secular pre-revolutionary time through contrast, the oppressive characteristics of the fundamentalist government upon women in specifics. In comparison, her work is very similar to Margaret Atwood’s, A Handmaid’s Tale, in which the central character, Offred, reflects upon her former life’s freedom, cherishing her former name and in doing so, emphasizes the isolated and enslaved live that she must now endure. Although Both Margaret Atwood and Marjane Satrapi show how a totalitarian state oppresses women in different ways by

Marjane Satrapi’s Persepolis recounts the conflicts and disillusionment as a result of living through the tyrannies of the Shah’s and the Islamic regimes. Her main motive was to keep alive the spirit of those Iranians who lost their lives in wars fought for freedom, suffered under repressive regimes or who were forced to leave their families. It highlights the daily conflict between tradition and modernity, West and East, dictatorship and individual freedom. Marjane has used several motifs, such as the veil, the mirror, background panels to emphasize on the situation in Iran and this essay focuses on how the veil becomes the dominant motif for portraying the suppression of individual freedom, knowledge

Persepolis by Marjane Satrapi is a graphic memoir that reveals the life of a woman growing up in pre and post Iran, as well as her experiences in Western countries. In this book, Marjane utilizes historical events that affect her life during her upbringing in Iran. These include the oppression of the Shah, as well as the rise and effects of the regime. These events’ integration into the story showcase how they affect Marjane and the other citizens of her country. Additionally, these events are important for the context and understanding that they grant readers unfamiliar with the text.

Earlier this month, we were very excited to have the opportunity to meet with Sonia Galaviz when she visited our main office. As a 5th grade teacher at Garfield Elementary School here in Boise, Idaho, she’s been steadily making a name for herself in the education world. In 2009, she was named Idaho Woman of the Year by the Idaho Business Review, and in 2011 she was one of five educators nationally chosen to receive Teaching Tolerance’s award of Excellence in Culturally Responsive Pedagogy, and this year, Galaviz’s devotion to her students has once again been recognized.

Sweet, fun, smart, and spunky are just a few of the words that come to my mind when I think about Alyssa Tirado. Alyssa was born on August 23rd, 2001 to Jeffrey and Danielle Tirado in Deltona, Florida. She also lived in St. Augustine before she moved to Naples in 5th grade. Alyssa has a great relationship with her older brother Julien who she looks up to. She is new at FBA this year, but is very social and has made many friends. Alyssa is an amazing cheerleader and has cheered since she was in 5th grade. She cheers for both the football team and basketball team. When she graduates high school, Alyssa plans on attending USF and becoming a radiologist. Alyssa likes to spend her free time at the beach, shopping, and with her boyfriend Daniel Marquina.

Throughout the Iranian Revolution, many events and changes took place that largely affected the views of Iranians by other nations. The graphic novel, The Complete Persepolis, written by Marjane Satrapi (Satrapi, 2003), conveys many of these events and changes through the eyes of a child growing up in the 1980s in Iran. Satrapi’s main purpose for this book is to describe how the Iranian government was corrupt, causing foreign nations to have a tainted view of all Iranian citizens. The Complete Persepolis does so by presenting major events and changes in a manner that is directed towards audiences that are willing to have an open mind about ethnicity and false stereotypes, and an audience that is young and can relate to the “coming of age” aspect of this novel. By exhibiting a credible first hand account of how Satrapi and many others were affected by the events that took place during the Iranian Revolution, The Complete Persepolis can effectively persuade a reader to eliminate the “Islamic extremist” stereotype that the corrupt Islamic Republic gave all Iranian citizens.

“Iran was the epitome of evil” This was the world’s view of Iran during its revolution. Persepolis is the autobiography of Marjane Satrapi, and it is written from a child’s perspective. Telling Persepolis from a child’s perspective affects the empathy a reader would have for Marji because people often feel more sympathy for children than other adults. Children are often seen as innocent, impressionable, and kind. This places them in a separate category where they are often judged as innocent until proven guilty because they typically do not have the experience nor the will to lie, hurt, or deceive people. Adults, unlike children, can have all or some of the aforementioned characteristics that cause them to be judged as guilty until

Carla Reiter writes this article “Molecular Scientists Unexpectedly Produce New Type of Glass” about a new type of glass that is a scientific excitement. The article’s purpose is to inform the reader about this new discovery. Reiter talks about how this can change things for the future of technology. She writes about how the process has been changed to make the new sand. A further analysis will show how Reiter used different appeals to capture her audience and if she did so successfully.

Dana Raigrodski is a Lecturer and Director of the General LL.M. Program at the University of Washington School of Law, as well as the Executive Director of Global Affairs at the Law School. She serves as a Commissioner on the Washington State Supreme Court Gender & Justice Commission and as member of the University of Washington Women’s Center Anti-Trafficking Task Force. Dr. Raigrodski’s scholarship and research interests examine human trafficking, migration and globalization, criminal procedure and jurisprudence, feminist legal theories, and law and development. She teaches courses on law and globalization, American legal system and research methods, and comparative legal studies. Prior to joining academia, Dr. Raigrodski practiced law for

1.      Why have the negotiations so far failed to result in an agreement?  Is the formation of the JV between Nora and Sakari the best option for both companies to achieve their respective objectives?

This book, “Iran Awakening”, is a novel written by Nobel laureate Shirin Ebadi. Ebadi weaves the story of her life in a very personal and unique way, telling the account of the overthrow of the shah and the establishment of a new, religious fundamentalist regime in which opposition to the government are imprisoned, tortured, and murdered. By simply reading the Prologue, one can see the love Ebadi has for Iran and her people. This love that Ebadi has for the oppressed of Iran is a theme that appears throughout the book and seems to be a large factor behind her drive to stand up for those who cannot stand up for

What is exceedingly contradicting is that the crime rate in Iran is moderate, but the government of Iran is preaching violence and selfishness. The government in the book shows no mercy to the Iranian people, many innocent people are dead and the Iranian government is the one to take the blame. The government would cause violence to scare the citizens, this would restrain the citizens to try to overthrow the government for its tyrannical ruling.

Utilizing nego-feminism, questioning subordination and preexisting understandings of culture, and the stark depictions of a graphic novel, Satrapi makes a compelling case in humanizing Iranian women like her. In this way, Satrapi reclaims the space of her identity and how it is represented and the ethics of doing so, and alters it in order to provide a more representative picture of her life in Iran. Satrapi tells her story with images of privileged characters whose politics, financial situation, and values well match those of liberal Westerners. Further, she demonstrates her autonomy, independent of the regime, in which she also is able to demonstrate her passion for spirituality and nationalism. She begins her story from a child’s perspective in order to alter preexisting perceptions about Iranian women overall proving her strong love for her family in a way that echoes American values.