Ruben R Murrillo

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

In Ruth Gomberg-Muñoz’s book, Labor and Legality: An Ethnography of a Mexican Immigrant Network, she allows us to enter the everyday lives of ten undocumented Mexican workers all living in the Chicago area. Ruth Gomberg-Muñoz refers to Chuy, Alejandro, Leonardo, Luis, Manuel, Omar, Rene, Roberto, Lalo, and Albert the ten undocumented Mexicans as the “Lions”. This book shares the Lions many stories from, their daily struggle of living as an undocumented immigrant in America, to some of them telling their stories about crossing the border and the effects of living in a different country than their family, and many other struggles and experiences they have encountered. Ruth Gomberg-Muñoz’s book delves into

Ruth Gomberg-Muñoz’s, Labor and Legality is a book written on the Mexican immigrant network in the U.S. She centers it on the Lions, a group of Mexican men from Leon, Mexico that all share their lives and help explain the many networks and strategies that are used in order to excel and gain happiness. There have been many different sorts of misconceptions about immigrants, and in recent years about undocumented immigrants from Mexico. The U.S. has made a sort of war on illegal immigrants and has made it a seemingly high priority in the media and in politics. Therefore, many Americans have been mislead and ill-informed about the history of immigrants/undocumented immigrants. Gomberg-Muñoz’s Labor and Legality helps set us straight. She unveils undocumented immigrants for the people that they are instead of the criminals that the media leads many to believe. Although she doesn’t have a wide range of participants for her study, I believe that she addresses many of the misconceptions and just plain ignorance that American people have of people that are undocumented; why stereotypes are supported by the people themselves, why politicians include stronger illegal immigration laws, and everything in between. Many of her topics reveal a sort of colonialism that the U.S. practices on Mexico; the exploitation of undocumented peoples to the benefit of the U.S. through economics, hypocritical laws and campaigns, and the racist and prejudice consequences.

The novel Signs Preceding the End of the World by Yuri Herrera brings to light many issues faced by immigrant women. The novel follows the young Makina in her quest to find and bring home her brother from what she imagines to be a mystical far away land. While the novel focuses on the challenges of immigration, the underlying meaning is much more complex. In Yuri Herrera’s Signs Preceding the End of the World, the common misconception that women cannot be the strong character in the novel is challenged. This is achieved by having the female protagonist, Makina, go on a quest to save her brother, be a vital individual in her community, and fight the misogynistic society she lives in.

In the film “Mi Familia,” we follow the story of the Mexican-American Sánchez family who settled in East Los Angeles, California after immigrating to the United States. Gregory Nava and Anna Thomas introduce the story of this family in several contexts that are developed along generations. These generations hold significant historical periods that form the identity of each individual member of the family. We start off by exploring the immigrant experience as the family patriarch heads north to Los Angeles, later we see how national events like the great depression directly impact Maria as she gets deported, although she was a US citizen. The events that follow further oppress this family and begins separate identity formations. These

Juanita says, 'I feel my isolation alone in a big house full of people" (Romero, p. 22). The social norms and values surrounding the domestic service was a possible cause of Juanita's loneliness. These problems that Romero mentions are not confined to just Juanita. It applies to all the invisible workers working in the domestic service. At last Romero highlights that the class of domestic workers comprises mostly of women. Romero talks about her own experience working as a domestic worker, how she learned these domestic services through her mom. On weekend Romero would go clean houses along with her mother. Invisible workers are not found among all socioeconomic aspects. They are concentrated among the lower social

Jose Antonio Vargas, a Pulitzer Prize winning author, shares his life-long journey as an undocumented immigrant in his text, “My Life as an Undocumented Immigrant.” As the title suggests, Vargas attempts to convey to his audience, who likely never has and never will experience anything similar to what he has, what it is like to live as an immigrant in the United States of America. Skillfully, Vargas details the perfect number of personal stories to reach the emotional side of his audience, which is anyone who is not an immigrant. Through the use of his personal accounts Vargas is able to effectively communicate that immigrants are humans too while simultaneously proving his credibility, as he has experience and a vast amount of knowledge

Throughout the various books that we have read, one of the many concepts that stood out for me was the well-being and healthcare of undocumented workers. Due to the current criminalization of immigration, most undocumented workers live in a constant state of fear and anxiety. This really made me think about the psychological and somatic outcomes of fear, stigma, trauma, and prejudice for undocumented workers. This brought into question the structural and symbolic violence that causes undocumented workers to suffer from mental and physical illnesses and how the treatment, if any, is administered.

Gomberg-Muñoz’s book provides the reader with an inside prospective of the lives of undocumented Mexicans. It shows what it is like for people working to help forward themselves and their families in Mexico and The United States. Contrary to some Americans belief that Mexicans want to take over the United States, the majority of the Lions just

The book Fresh Fruit, Broken Bodies: Migrant Farmworkers in the United States illustrates the fieldwork of the author Seth M. Holmes by explaining the myriad aspects of migrant workers’ lives in the U.S.—from the politics to the social environments to the physical body. By not only studying, but living, the lives of these migrant workers, Holmes brings the reader a view unseen by the vast majority and provides the opportunity for greater understanding through the intense details of his work. The voices of vastly different characters—real people—are captured and expounded on without judgment but with deep consideration for all factors that contribute to each person’s life, opinions, and knowledge. Ultimately, a picture of intersectionality is painted in the colors of migrants, mothers, fathers, children, doctors, soldiers, executives, the poor, the rich, and more.

The book ‘Labor and Legality: An Ethnography of a Mexican Immigrant Network’ by Ruth Gomberg-Munoz explains the hardships that surround the Mexican immigrant network. Over the years the ‘undocumented’ workers coming to America from Mexico has increased which has gained the attention of the American government and the media, as it is ‘illegal behavior’. Gomberg-Munoz attempts to create an understanding of the lives of these workers by telling individual’s personal stories. The author reports the workers undocumented lives rather than reviewing their status as this is already covered in society. The author’s main topic revolves around the principle that undocumented workers strive to improve their quality of life by finding employment in the United States (Gomberg-Munoz 9). Gomberg Munoz also presents the daily struggles the works face daily, and how these struggles “deprives them of meaningful choice and agency” which effects their opportunity and futures (Gomberg-Munoz 9). This ethnography shows their social identities through work, the reasons why their position is illegal and how they live their everyday lives under the circumstances.

Currently Sandra Cisneros resides in San Antonio in a purple house and she describes herself as “nobody’s mother” and “nobody’s wife.” Both Frida Kahlo’s and Cynthia Y. Hernandez’s works convey the idea of having one’s culture limit one’s freedom and individuality. Cisneros and Esperanza are both victims of this idea and realize that the only way to live one’s life freely is to defy the roles and limitations created by one’s culture.

A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Educated at Loyola Law School in Los Angeles, California, Nadia Lockyer has been licensed by the California State Bar since 1997. Her areas of professional expertise range from fundraising and executive management to public relations and policy development. She is also firmly dedicated to assisting disadvantaged populations and promoting victims’ rights. Nadia Lockyer’s early work with organizations such as the Center for Human Rights & Constitutional Law and the Mexican American Legal Defense & Education Fund helped prepare her for a long career in community service.