Rules Of The Game, Fish Cheeks, And Two Kinds

Amy Tan, born February 19, 1952, was an American writer whose works explore mother-daughter relationships and the Chinese-American experience. As a child Amy Tan believed her life was duller than most. She read to escape. Her parents wanted her to be a doctor or a concert pianist, however, she secretly dreamed of becoming an artist. She began writing fiction when she was thirty-three.

What pressures an individual to conform? Two short stories by Romesh Gunesekera and Amy Tan inform the readers of the effects that society and culture has on an individual. They introduce two characters whom are affected: Amy Tan, a teenage Chinese girl living in the United States, and a young Sri Lankan woman whose name is unidentified. Ultimately, society and culture affect an individual by pressuring them to conform as seen throughout “Carapace” and “Fish Cheeks” with the use of vivid language and profound narration.

In The Joy Luck Club, the chapter "Waiting Between the Trees" illustrates major concerns facing Chinese-American women. Chinese culture is a male dominated culture that leaves women little freedom. Their only job is to make their male spouses content. Living with their traditional culture in American society, Chinese-American

There is a common theme of hope throughout the stories of The Joy Luck Club by Amy Tan. Even in the face of immeasurable danger and strife, the mothers and daughters in the book find themselves faithful in the future by looking to the past, which is only helped by the format of Tan’s writing. This is shown specifically in the stories of Suyuan and Jing-Mei Woo, Lena and Ying-Ying St. Clair, and Lindo and Waverly Jong. The vignette structure of The Joy Luck Club allows the stories to build on one another in a way that effortlessly displays both the happy and dark times in each mother’s life, which lets their experiences act as sources of background and guidance to their daughters in times when they need it most.

In the article,” Why Chinese Mothers are Superior," author Amy Chua describes how parenting is approached in Chinese culture as compared to "Western parents." She compares Western and Chinese parents on how they approach their children’s' upbringings. She gives examples from her experiences raising her own daughters. Chua's daughters were not allowed to attend sleepovers and could not score grades any lower than an "A" in school classes. Chua also forced her kids in learning a piece for the piano. In separate story, author Amy Tan discusses the mother-daughter relationship in Chinese-American culture in "Two Kinds." This story is told from the viewpoint of an American-born Chinese girl named Jing-mei. Her immigrant mother, Mrs. Woo, believes that being in America is freedom and wants her daughter to take advantage of that freedom. Her mother has her try several activities in an attempt to

Communication between generations has always been an issue and with that, a misunderstanding of the past and culture comes along. In Amy Tan’s novel The Joy Luck Club, she shows the stories of four Chinese mothers and their American born daughters. Throughout the novel, the characters encounter both external and internal conflicts in order to contrast the different relationships held by the mothers and daughters with their past and where they came from. The mother-daughter pair of Lindo and Waverly Jong shows the gap between the generations very clearly. Everything is different, from language to name to marriage.

Characterization is a widely-used literary tool in Amy Tan’s The Joy Luck Club. Specifically, each mother and daughter is a round character that undergoes change throughout the novel. Characterization is important in the novel because it directly supports the central theme of the mother-daughter relationship, which was relevant in Tan’s life. Tan grew up with an immigrant mother, and Tan expresses the difficulties in communication and culture in the stories in her book. All mothers in the book are immigrants to America, and all daughters grew up living the American lifestyle, creating conflict between the mothers and daughters due to miscommunication. Characterization of the mothers and daughters in Amy Tan’s The Joy Club creates and

Amy Tan was born in 1952, in Oakland, California to Chinese immigrants John and Daisy Tan. Her family eventually settled in Santa Clara. When Tan was in her early teens, her father and one of her brothers died of brain tumors within months of each other. During this period Tan learned that her mother had been married before, to an abusive husband in China. After divorcing him, her mother fled China during the Communist takeover, leaving three daughters behind who she would not see again for nearly forty years.

There is a linguistic gap between the mothers, who are the first generation of Chinese immigrants, and their American-born daughters. The mothers speak only fragments of English and their daughters speak little or no Chinese at all. So the communication often becomes a matter of translations and leads to misunderstandings. The first misunderstanding with translation is shown when Jing-mei tries to explain the significance of the club’s name,

The biographical connection that the author “Amy Tan” draws in her short story “Two Kinds” with her main character Jing-mei, crosses in more than one side. First of all, they both are Chinese American whose struggle in their identities with their Chinese immigrant mothers. “Due to a cultural conflict and lack of proper understanding of each other’s perceptions” (Priya 1), and as a big gap developed between the two daughters and their two mothers, in which resulted a complex relationship between them.

In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American,

Tan shows that she is embarrassed in her family for their lacking of proper American manners. Although at the time she felt ashamed, the words spoken by her mother, “Inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” became better understood later in life. In Amy Tan's work, the strong use of description of both the event that are occurring and Amy’s feelings about them, draws the reader in and makes them feel as if they are part of the action. Tan's Chinese-American culture and life stories are imprinted in her writing which gives the reader an opportunity to gain knowledge about the way of life in her family, friends, and even the Chinese culture. Tan's main purpose of writing is to inform and educate people about growing up as a minority in the American society.

In the essay "Fish Cheeks" it says, "For Christmas I prayed for this blond-haired boy, Robert, and a slim new American nose." This statement proposes that Amy thinks if she looks American to the outside world she will become American. Amy Tan is very embarrassed by her family who does not try to change to fit in, but shows their culture proudly. "At the end of the meal my father leaned back and belched loudly, thanking my mother for her fine cooking. "It's a polite Chinese custom to show you are satisfied" explained my father" (Tan 6). She then goes on to wonder what Robert would think of her family's "shabby Chinese Christmas" (Tan 2) because that night for dinner, they would be having her mother's strange Chinese menu instead of the traditional roasted turkey and sweet potatoes. In conclusion Amy Tan is scared that her family and the menu will reveal that she is indeed Chinese so she won't be able to hide it from her crush any

Amy Tan’s A Pair Of Tickets is a story concerning family and roots. June May, like the author herself, was a Chinese born in USA and grew up with an American background culture, whereas her mother grew up in China and then immigrated to America. Looking at the repeated words, we discussed that one there are many words such as mother, sister, father and Aiyi. Most of the characters in this story belong to one family, June May’s family. It suggests to us that the tale is about relations and where we stand in our family. Even Aiyi brings practically her whole family to see her brother and niece. This is also one of the stronger traits of the Chinese cultures where there are many family occasions.

In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.