Run-DMC Themes

He mentions the fight in the House of Representatives that broke out, in relation with the civil rights bill. He also about the equality between black and white people in the 1960’s. At this point this is being read the words “all is calm, all is bright” this completely contrast from the subject about racism but the song is representing a sense of tranquillity as if everything is okay when it is not.

The rise of Soul music was a product of the particular environment of that time in which the musicians who created it lived, a period much paralleled with the Civil Rights Movement (CRM) and Black Power Movement (BPM) (Maultsby, 1983, 54). The objective of this research was to examine any existence of political and social messages delivered in Soul music around the civil rights movement era in America, which would lead to a better understanding of the role of Soul music having served in the process of political and social changes in the country.

Popular singer Elton John once said; “music has healing power; it has the ability to take people out of themselves for a few hours”, and for most, music is the portal to an out of body experience. African American lyricists especially have been found to use the art of music to escape the real world, commencing from the slavery era and onward. The blues song titled The Tracks of My Tears does just that; expresses the ability to remove your soul from a treacherous reality. Similarly, the lyrics from popular modern songs, written by black artists, speak volumes about what is presently going on in the country, parallel to the way African American slavery songs did. Music written at an earlier period have been found to correlate to music of the past through providing strong emotion toward present day commentary.

African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.

“Traditionally, most blacks lived” in the South, but in the twenties, lot of African Americans “moved to the cities in the North.”(Blacks Set Out). They were in search for a better life and more opportunity. A lot of them got good jobs as factory workers or even business men. In fact, “On the eve of World War II, Ford employed more than 10,000 black workers,” which was “a far larger number and a far greater representation than at any other firm in the automobile industry”, since many other companies jus gave them the “menial positions”. (Employment segregation ). Reports have proved that “African American small businessmen enjoyed a measure of success in the 1920s economy” (Consumerism). A lot of African Americans became very wealthy, including Bessie Smith. When this song had come out, it was just a few weeks before the Great Depression hit.The Great Depression hit after the the stock market fell dramatically on October 1929, “which sent Wall Street into a panic and wiped out millions of investors” and caused unemployment to skyrocket because of “failing companies” firing workers that they could not afford to keep ( The Great Depression). Once that hit, it made the song even more relatable because everyone had

Amidst the development of a private society, African-Americans had created a large music scene that aided in the raising of their spirits and creating hope. Music that was heavily inspired by their ancestors Negro spirituals. In the close-knit, southern community brought comfort to the African-Americans as well. Maya Angelou describes the use of music in her autobiography Gather Together in My Name as “Harmonious black music drifts like perfume through this precious air, and nothing of a threatening nature intrudes.” (Gilyard & Wardi, 319)

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

David K. Shipler’s The Working Poor: Invisible in America presents a focus on the struggles taking place in society among people, particularly the poor. The author uses perspectives from the citizens’ lives to support the main idea. The beginning of the book focuses on how the poor are often treated by their more powerful employers. The treatment of the poor includes being mistreated, abused, and taken advantage of. The first chapter of the book talks about an Earned Income Tax Credit and how much the poor are helped from this.

According to Robert Stolorow, “[The blues] has origins in spirituals, work songs, field hollers, etc., all of which are types of music associated with enslaved people attempting to deal with their painful situation” (5). Even though modern blues singers do not have personal experience with slavery, their music is greatly influenced by the slave songs. The slave songs are first-hand accounts of the inhumane treatment of blacks and blues musicians use these spiritual narratives to reach deeper essence in their music (Wright 418). The blues is such a power form of music because it comforts and unites suffering people with its words and rhythm (Stolorow 7). When people are suffering, they look for a way to escape from that suffering and the blues grants them the peace of mind they are searching for.

The next verse in the song addresses privileged class in American culture, the wealthiest of Americans. The song states that, “Some folks are born silver spoon in hand, Lord, don’t they help themselves, oh” criticising the rich who live easier life where things are often given to them and the song also calls them greedy by saying that “they help themselves”. Fogerty further criticizes the rich by saying how they do not help the poorer citizens with the lyrics, “But when the tax men come to the door, Lord, the house look a like a rummage sale, yes” showing how the high class “tax men” are coming to take away the belongings and the livelihoods of the common man. Fogerty’s distrust of the rich in this verse stems from the law which stated that active members in a university, be it undergraduate, graduate, of law school,

The poem addresses an issue I am familiar with, referencing a white man in poverty being taken advantage of: “I am the poor white, fooled and pushed apart” (Hughes). Many of my family members are like this man: white Americans working minimum-wage jobs. They struggle to afford necessities due to their employer’s desire for profit. These family members are like another man referenced in the poem, “who never got ahead” (Hughes), as they were held back by poverty-stricken childhoods with no college education. Still, similar to those discussed in the poem, these poor family members are the ones who have worked the hardest and continue to dream.

This judgment began unexpectedly to spread as African American music, especially the blues and jazz, became a worldwide sensation. Black music provided the pulse of the Harlem Renaissance and of the Jazz Age more generally. The rise of the “race records” industry, beginning with OKeh’s recording of Mamie Smith’s

Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.

Nowadays the blues revolve around the meaning of sadness but doesn’t have a true message of fighting for survival or deprivation of freedom. In the process of searching for the modern day blues, it was discovered that the music is compiled by mostly Caucasian artist compared to the past where it was conceived by blacks to prompt their practices and beliefs.

The early vernacular traditions didn’t only consist of religious, spiritual, and sacred practices, but there were secular forms of acts that existed in their lives. The early African Americans composed many superb narrative rhymes that really influenced the culture today. They could also be known as poets, and these writers created a foundation for the modern day artists. The different stories and tales that these passages were describing, had a strong impact on the blues, which is a part of the secular songs. Rap, a modern day form of rhyming music, has been influence greatly by the earlier secular songs and stories that the African Americans practiced. These songs started out as humor for the African Americans, and then sporadically evolved into sex, violence, and drugs over the past century. The children’s games song also has special meaning to them when they are used. The little messages that are implanted in these songs really try to impact a message to the listener. The different songs also portrayed the ongoing violence and abuse that is present in the American society. The hardworking slaves also had a series of songs that they sang, in order to express their hardships and perseverance in the work