Russian Fyodor Dostoyevsky Notes From Underground

The Underground Man is alone because he has chosen to be; he is hyper-conscious, meaning he is too aware and over analyses everything – his biggest worries are petty compared to what is going around him. As a society, we worry so much about ourselves and our own persona, we sometimes become paranoid. A perfect example is given when the Underground Man is on the verge of having dinner with his old comrades and he notices a stain on his trousers “The worst of it was that on the knee of my trousers was a bug yellow stain. I had a foreboding that that stain deprive me of nine-tenths of my personal dignity.” (NU 48) He immediately panics as he worries about whether his friends will see it, and goes as far as to consider forgetting dinner because he is so embarrassed. As shameful as it is to admit, we too have reached the point where we are so concerned with out outer appearance that we let it dominate most of our life – there are several instances where we dictate who we associate with and who we befriend based on their appearance. He is severely misanthropic, marked by hatred, distrust, and disdain toward the human race; he believes himself to be more intelligent and perceptive than most other people, and this contrast with the fact that he despises himself and frequently feels inferior or humiliated. Due to his lack of loving relationship growing up, he goes through life full of shame and self loathing, often falling into existentialism. The Underground Man’s urge for

The battle between society and man, the social creature, would be a definition of social alienation. As a result of the wounds casted upon a man from society, that man begins to alienate himself and retreat. Fyodor Dostoyevsky, in “Notes from Underground,” shows us the Underground Man who, after expecting the world to work like it does in literature, finds himself being isolated for the last twenty years of his life. Ralph Ellison, in “Invisible Man,” shows us an Invisible Man who, in the beginning has social hopes and aspirations, eventually becomes completely alienated on. While Dostoyevsky and Ellison show us somebody alienated from society in different eras and environment, they differ on why one becomes alienated.

“I loved to fall into the common rut, and had a whole-hearted terror of any kind of eccentricity in myself.” This quote from Notes from the Underground, by Feodor Dostoevsky inspired the theme for my first paper. While the underground man displayed more of the tragedy of life, Emily Dickinson’s poem showed the beauty behind the tragedy. The underground man and Emily Dickinson have experienced isolation towards society.

In Dostoevsky’s The Brothers Karamazov, Rakitin responds to a central question throughout the novel, “What is permitted?” when he proudly states to Dmitry that “An intelligent man can do anything he likes as long as he’s clever enough to get away with it” (788). While Rakitin has found his answer to this question, multiple characters in the novel are still stuck on that question. Throughout the novel, Dostoevsky seems to separate these characters into two groups: the characters like Dmitry who wonder if all actions are permitted and the characters like Ivan who wonder if all thoughts are permitted. These groups seem completely separate until Book 10 when a boy named Koyla Krasotkin comes onto the scene who seems to be in both groups at once as he tests for himself exactly what thoughts and actions are permitted. In Dostoevsky’s The Brothers Karamazov, Dostoevsky uses Book 10 and Kolya to introduce the idea that the “free thinkers” and the “free doers” are one in the same in that they are wondering who will punish those who go beyond “what is permitted” and by extension sets up an argument between moral and legal punishment throughout the rest of the novel.

The novel ‘Notes From the Underground’, written by philosopher Fyodor Dostoyevsky, is a narration of ideology and life experience written by a male character who calls himself the underground man. The underground man’s ideology is a personalized application of Kierkegaard’s existentialist theory to his life. It is my belief that the underground creates this ideology after learning of his imminent death from liver disease in order to prove to himself that his life was successful and

The Man Who Lived Underground by Richard Wright is full of symbols. The story is that of a man who after being accused of a murder starts living in underground sewers, in an attempt to escape the law. There are several themes in the story, however, underground life is a powerful major theme in it that has several meanings and implications in the context of the story. Underground can be seen as a potent symbol meaning an escape from the social institution and its bondage, as a relief from inequality and racial divisions, as solitude and self-discovery and many more similar things. Underground is also the stage for the most of the drama that takes place as a part of the story. However, underground also appears as a symbol of repulsion and revolt. Overall, the writer has used the symbol of underground to expose the corruption and chaos in the society in a brilliant manner.

Would you want to be thrown out of a window? In the novel, Notes from Underground, Fyodor Dostoevsky talks about a scene where the underground man wanted to be thrown out of a tavern window after seeing another man get tossed out of it. The social control theory does a good job at explaining the underground man’s need to fit in with society. Do you want to be constantly in debt that you never have money and are a burden to your friends? The strain theory explains really well the scene in the book where the underground man does not get invited to the going away party and does not have the money to pay for it. Both of the theories had interesting histories and more than one theorist has had some input on both.

Fyodor Dostoyevsky paints Underground man as someone who is tortured in his novel Notes From Underground. Despite everything that Underground man says he is lost and has no sense of his identity. When the character of Liza is introduced the reader gains some hope that the Underground man can find love. Although Underground man ultimately pushes Liza away, he really loved her through his own idea of love. Underground man shows this love for her through his first conversation with Liza, his trying to save Liza, and, ironically, through his cruelty towards Liza.

Fyodor Dostoevsky, who was considered to be a genius of his time, was spared from a death sentence he received for his involvement in a literary group that discussed banned books. As he was close to being killed, this experience provides an explanation for his belief that killing is unjust and does not better society. In Dostoevsky’s book Crime and Punishment, this belief is developed through a criticism of the theories and actions of the main character Raskolnikov. Raskolnikov believes that he has the right to kill an old pawnbroker because he views himself as extraordinary and her as a negative member of society. Porfiry, an older, logical detective, invalidates Raskolnikov’s extraordinary man theory through his questions and his own

my capacity for life” (Dostoyevsky, 19) By using himself as an example, and describing reason as only “one twentieth” of a person’s capabilities of life, the Underground Man emphasized the small role that reason plays.

Fyodor Dostoyevsky’s novel, Notes from the Underground Man, uses the idea of a modern dystopia by depicting a story that revolves around a distressed older man. Throughout the novel, the main character has a narcissistic belief that he is better than everyone else because of his acute sense of consciousness. His awareness however, also causes him to believe not only are people ignorant to the world around him but that they are also against him. In contrast, critics believe that the main character, the underground man, actually suffers from psychological disorders that causes him to reason this way. Psychological disorders are defined as a wide range of conditions that can affect mood, behavior and thinking, and based on his conduct in the novel, the underground man presents himself as an individual who is subjected to obsessive compulsive behavior, social repression and paranoia.

Fyodor Dostoyevsky’s Notes from the Underground (1864/2008) comes across as a diary penned by a self-described “spiteful” and “unattractive” anonymous narrator (p. 7). The narrator’s own self-loathing characterized by self-alienation is so obvious, that he is often referred to by critics as the Underground Man (Frank 1961, p. 1). Yet this Underground Man is the central character of Dostoyevsky’s novel and represents a subversion of the typical courageous hero. In this regard, the Underground man is an anti-hero, since as a protagonist he not only challenges the typical literary version of a hero, but also challenges conventional thinking (Brombert 1999, p. 1).

In this paper, I plan to explain Dostoevsky’s criticism of Western Individualism. Dostoevsky’s first criticism resides in the idea to “love life more than the meaning of it, “which is presented by the character Alyosha (Dostoevsky 3). Allowing this character to discuss this topic, along with the commentary of Ivan, demonstrates their mindset to solely focus on their own lives, opposed to caring for others. This leads to them living for the now, and not focusing on how their decisions will affect their future or others. Dostoevsky disapproves of this notion because living by this mentality encourages the guidance of logic, which is dangerous because it could tell you to kill yourself. From Dostoevsky’s Eastern Orthodox background, he believes that the only way from living from this situation is to deny it. By denying this way of living, the focus toward life will not be directed toward yourself, but toward the way you can impact the environment around you. Ivan clearly does not believe in these values, due to his intentions to commit suicide at the age of thirty. As said before, living by the idea to “love life more than the meaning of it” leads to death, and Ivan indulges in this to the fullest (Dostoevsky 3).

“Nothing has ever been more insupportable for a man and a human society than freedom.” –The Grand Inquisitor” “Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.” - Father Zosima. These two quotes voice the polarized philosophies that impregnate the book, The Brothers Karamazov. Ivan, the second of the three sons, and Zosima, the old monk, are huge commentators on the question, “Is the burden of free will to much for a human to bear?”

The critically acclaimed American author, William Faulkner, once said, “We must be free not because we claim freedom, but because we practice it.” The concept of free will has been a widely discussed topic that presents both end of the spectrum to bring forth their own point of views. In Notes from Underground by Fyodor Dostoevsky, the idea of freedom is argued against a deterministic view that actions and decision are predetermined and can be calculated using advancement of humanity through “present day” technology. The debate between the two-opposing side will be analyzed through a recount on the deterministic point of view, an exploration about free will with its connection to the provided text, and an opinion piece of the matter.