Séamus Heaney's Mid-Term Break Essay

In Midterm Break, Heaney reflects on the memory of his younger brother’s death, and returning home for his funeral. The poem as a whole has an overall

The loss of loved one is a tragic event in one’s life that causes a deep feeling of depression, but through his letter, Shaw does not express this. Through his diction and use of detail, Shaw conveys a peaceful and at times, comical attitude towards the passing of his mother.

Most people would not associate a joyous event and death. For instance, when someone is on a roller coaster, they hang on tight out of fear. The second stanza gives the details of how the father was knocking over pans and shelves. No fun event would require continuous destruction to the house. The reader also sees the mother in a seemingly helpless state as the father continues to damage the house. She seems to be in a state of dismay as her husband carries on his behavior. Her frown shows that his actions sadden her but she is powerless to stop him. One would think that a smile would be more appropriate. This supports the abuse aspect because she would not be frowning if it was a joyous exchange between the son and father.

The poems ‘Limbo’ and ‘Bye Child’ by Seamus Heaney are poems that evoke the casualties of sexual and emotional repression in Ireland, as well as and the oppression of both women and un baptized children, in a time where religion was most prominent and people were confined to the guidelines of the church and it’s community, as it was the ruling power. Both poems present this idea through the use of a child, representative of innocence and vulnerability. Through his poetry, Heaney gives a voice to those who have been silenced by society. Heaney manages to create this extended voice and

The last line in the poem “and since they were not the ones dead, turned to their own affairs” lacks the emotions the reader would expect a person to feel after a death of a close family member. But instead, it carries a neutral tone which implies that death doesn’t even matter anymore because it happened too often that the value of life became really low, these people are too poor so in order to survive, they must move on so that their lives can continue. A horrible sensory image was presented in the poem when the “saw leaped out at the boy’s hand” and is continued throughout the poem when “the boy’s first outcry was a rueful laugh…the hand was gone already…and that ended it”, this shows emphasis to the numbness the child felt. The poem continues with the same cold tone without any expression of emotion or feelings included except for pain, which emphasizes the lack of sympathy given. Not only did the death of this child placed no effect on anyone in the society but he was also immediately forgotten as he has left nothing special enough behind for people to remember him, so “since they were not the one dead, turned to their affairs”. This proves that life still carries on the same way whether he is present or not, as he is insignificant and that his death

Abstractly, it almost seems as though the other characters in the book look down on his for this not because he is not mourning, but rather because he is not mourning in the way they are. This sheds light on the overall theme of the novel, that of people being cast out of society because their views and methods do not line up with the accepted ways of society.

Edward Hirsch starts off the elegy by writing about when they were at the funeral home, and shocked by the sight of recently deceased son. Hirsch says, “And for a moment I was taken aback/Because it was not Gabriel/ It was some poor kid/ Whose face looked like a room/ That had been vacated”. He uses these descriptive words to set the emotion and sensitivity for the rest of the poem, which is bitter and disheartening.

When she first begins the poem, the sense of sorrow is present. The author speaks of what her brother has done wrong, but she does so with an attitude that shows she does not care about those actions. She speaks like this until the near end, where she openly expresses her endearment for her brother and sheds a more positive outlook onto him. The last stanza demonstrates that, as a person who has made poor decisions, he was a caring brother until the end. It also shows how, regardless of what others think, she will always view him in her own way.

“In the Loop” by Bob Hicok and “Mid-Term Break” by Seamus Heaney are comparable in terms of their symbolic titles, speaker’s perspective, and tragic themes. These two poems diverge only in their physical structure, as neither has rhyme nor meter.

Heaney’s attitude towards death is presented in different perspectives within Funeral Rites. A pun, based on a homonym, embedded within the title itself, suggests one’s right to have a funeral : for there to be an occasion for family and friends to mourn one’s death whilst celebrating their life. In Funeral Rites, Heaney demonstrates the beautiful serenity associated with death, while also highlighting the tragic aspect of death and dying. Funeral Rites is composed of three parts (the first of which I am going to focus on in this essay), with Heaney focusing on different attitudes towards death and dying within each section. For example, in the first section, Heaney concentrates on funerals in the past, as established by use of the past tense. The transition to present tense in the second section is confirmed by the strong adverb ‘Now’, and future tense in the third section highlights the change in customs within the change in time period. With Funeral Rites’ distinct structure, Heaney is indicating his nostalgia for the past, as well as highlighting his outlook on the situation in Ireland.

This poem Spring Sorrow by Rupert Brooke might have connected with Ireland because of his somewhat lonely childhood. He lost both his parents by the age of 15, and lived both world wars. This seems like a sorrowful lifetime. The subtle dissonance in the piano part illustrates the meaning, but it goes a step farther to highlight specific words in the text, like “pain,” “heart” and “spring.” This dissonance also often comes at the end of lines, showing that the sorrow will never truly end, but will be dreaded until it inevitably comes back next spring.

The author uses several types of poetic terms in this poem to develop the theme of a person accepting grief in their life. One poetic term she used was a metaphor. The metaphor is “Ah, grief, I should not treat you like a homeless dog.” Although grief is not a type of dog, the author wants us to think of grief in the same way that we would think about a homeless dog. The same phrase can also be considered a simile. The author intends for us to think of grief as being like a homeless dog. Another way that the author expressed her theme was by using a specific kind of repetition like anaphora. Several words are repeated at the beginning of two or more lines and sentences in the poem. These words are “you,” “your,” “my,” and “and.” There are also several phrases that are repeated throughout the poem. These phrases are “your own,” “I should,” and “you need.” She uses these repetitive words and phrases in the poem to describe a conversation that a person is having with grief.

This poignant dichotomy is seen explicitly in two poems in Seamus Heaney’s Field Work. One poem, “The Strand at Lough Beg” is written for “Heaney’s cousin Colum McCartney (ambushed and shot in a sectarian killing)” and is rich with pastoral scenery, dark tones, and religious imagery (Vendler 60). Another poem, “A Postcard from North Antrim” is about “his friend the social worker Sean Armstrong (shot by a ‘pointblank teatime bullet’)” (Vendler 60). These two elegies, both with a strong presence of Heaney’s personal voice, are imbued with a sort of ambiguity as Heaney struggles with the death of two people who were both very close to him. In both poems, Heaney “tries to converse with and question the dead” in an attempt to rationalize, or at least display his sentiments on the untimely deaths (Parker 159). It is interesting to watch Heaney oscillate in imagery, tone and diction as he progresses through both poems. This wavering can be seen as a result of Heaney’s background.

In the poems you have studied a recurring theme is that of ‘loss’. This can take many forms: death; identity; hope or loss of innocence

The mother's road to finding closure over her son's death is much longer than her husband's. Her feelings throughout the poem are of