S-Town : A Contemporary Piece Of Southern Gothic Literature

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S-Town Final
S-Town is a contemporary piece of Southern Gothic Literature because of the use of social issues, outsiders, and violence. Southern Gothic literature has been around since the early nineteenth century. This type of writing deals with the moral issues and conflicts surrounding the South. More contemporary versions of Southern Gothic Literature can be found today and differ greatly from classic pieces due to the elements inserted throughout the plot. Southern Gothic pieces of literature such as S-Town teach many moral lessons that people of today’s time can relate to. Elements such as social issues, violence, and the portrayal of outsiders make up the structure of the genre. S-Town is a contemporary piece of Southern Gothic Literature because of the use of social issues, outsiders, and violence.
Social issues deal with the subjects such as honor, betrayal, integrity and hypocrisy. Contemporary pieces deal with different social issues than a piece of Southern Gothic Literature might relate to. At the beginning of the storyline, John B. Mclemore states in a conversation with Brian “since everyone around here thinks I am a queer anyway,” showing his acceptance of the fact he will be judged for who he is. Sexuality is a major social issue in the modern time. Many people have a difficult time revealing their true sexuality. Gender preference in relationships is a contemporary problem. In a more classic novel, the subject of sexual preference would be avoided
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