SCAD FASH Museum

Fran admired and collected other artist’s work for her home, but also as part of her trove of infinite objects that often made their way into her art. From the mad jumble of countless boxes and bags in her studio came often playful “bricolage” works of beauty, humor and imagination. She taught for many years at the New Jersey Center for the Visual Arts, the Newark Museum and was actively teaching until just weeks before her death last year. An award-winning artist, she exhibited at the Museum of Modern Art, the Smithsonian, Victoria and Albert Museum, and in galleries throughout New Jersey. She began her eight-decade career as a fashion designer before moving into painting, printmaking, found art sculpture, book and paper making, and other multi-media arts. Fran studied art at the American School of Fine Arts, Newark School of Fine Arts, and Fairleigh Dickinson University. The works in this exhibition were generously donated by Fran’s family to The 1978 Maplewood Arts Center. Proceeds from all sales will benefit the center as well as public art in the

Francesca’s collections attracts many different demographics, but their target market include fashion conscious females between the ages of 18-35. They are mainly college educated and have a moderate to large disposable income. Their customer has a taste for classic items mixed with ethnic inspirations and seek exclusivity and disassociation from others. In a geographic perspective Francesca’s is widely available nationwide in a variety of formats such as free standing and shopping malls. They possess 283 locations in 41 states and continue to grow rapidly.

The 18th century, more precisely between 1715 and 1789, was a significant time period in the fashion sphere for women in France. The time period itself was a mark of great change for the history of France due to various political reasons as well as various art movements and often times fashion, despite being a branch of art, is overlooked by most viewers. However, fashion during this time excelled in France and was essentially the symbol of a new era in this domain; French fashion was now snowballing into something much greater that still echoes to this today. Ultimately, the goal of this essay is to describe women’s fashion during the period of 1715-1789 and the shifts it made through the analytical use of various sources including artwork, literature, museums’ online archives and internet sources.

There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.

B. Coco Chanel’s “The Little Black dress” is thought to be element to the world of women’s fashion.

Black women were always known for their since of style and to this day are still looked upon as role models for fashion. Their styles range from the “button up” to the “flawless elegant”. Many of these styles are currently being worn today throughout the world by women of all different “colors”, shapes and sizes. “…It is important for us to understand how

Fashion is very important in modern day society, and can be seen all around. Most of what people know about fashion today came from the fashion during the renaissance. From the vibrant fabrics to the spectacular jewels, renaissance fashion has been thoroughly threaded in the fashion of modern society. Modern day women often wear shorty, fun gowns, tightly fitting jeans, and lower cut tops. Popular fashion trends for men in modern society include saggy jeans, V-neck shirts, and stylish watches. “A fashion is merely a form of ugliness so unbearable that we are compelled to alter it every six months” (Oscar Wilde). Fashion in modern day society is ever changing, but most changes do not stray too far from the original product.

Her grandmother “introduced Herrera to the fashion world by taking her to runway shows and buying her clothes from Dior and Lanvin. “

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

Since its introduction to the world in December of 1892 Vogue has gone about as the central form counselor for the socialites of tomorrow, setting up the garments drifts in the interminably developing universe of design. Vogue is presently distributed in eighteen nations, universally extending the legacy and impact of the design wonder. In spite of Vogue's concentrate on the brief form vibes existing apart from everything else, the magazine has kept up its status as the managing voice in first class design styles for almost 120 years.

When looking at artist Carmen Herrera, there is a sense of disbelief in the fact that when she applied to galleries as a young artist, it was difficult for an exhibition opportunity. Herrera was working with modern, abstract minimalist paintings as early as 1950, among male artists such as Elsworth Kelly. When applying to a gallery during this movement of abstract minimalism, Herrera was declined the opportunity to show a solo exhibition due to her status as a woman, though the gallery director that turned her down was also a woman. Regarding the history of art dating back to prehistoric times, even a more modern movement, relating to contemporary times, shows prevalence to current society (“The Hundred Years Show”).

‘The Museum and Houston Community College present a professional fashion show inspired by the exhibition Habsburg Splendor: Masterpieces from Vienna's Imperial Collections. "Fashion Fusion" features garments created by young designers in HCC's award-winning fashion program.’ --MFAH

A similar situation occurred during the Paris Spring/Summer 2016 Fashion Week with the Valentino collection. The collection was African inspired, “described as primitive and wild”

Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the riches to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creator of haute couture, and how the following designers developed couture, as well as having leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers of the modern fashion industry.

From start to finish, the show focuses on the most minor subtle elements that made Balenciaga's fashion. The designer was never reluctant to be striking as far as style and praising procedure as opposed to style. ‘Cristóbal Balenciaga’s work was so true to modernity and femininity. Innovative and inviting, his work is always inspiring’.