Sackler Gallery Analysis

Our lives are closely connected with an art. People easily regard an artwork as something that is far from our lives, but it is always around us. Now, I would like to introduce one of Buddhist artworks of Korea. The title is Pensive Bodhisattva. The artist is unknown. However, it was made in mid-7th century during the Three Kingdom Period. The dimension of this artwork is 8 7/8-inch and the medium is gilt bronze. It is located in Gallery 233 among other Korean artworks at the Metropolitan Museum of Art now.

For example, the Bodhisattva Avalokiteshvara in the form of Chintamani-chakra (Image 2) is another sculpture depicting the bodhisattva with the wish granting jewel, but this sculpture only has the same gestures, posture, and objects as the Nyoirin Kannon from the early ninth century (Image 1). It is painted a different color, the deity has a different head decoration, and this sculpture does not feature a mandorla. Although the objects are missing, the hands are placed in the same places and the objects were there when it was originally sculpted. That again shows the significance objects as the some of the essential expressions in Esoteric Buddhist

When I went to Museum of Metropolitan of Art, I saw many interesting works of arts. I was so amazed by all of the art-work. It was a tough decision to choose one work to focus on for my art paper, but there was one sculpture that caught my eye; it was Nataraja of Shiva (11th century) from Ancient Southeastern Art located on the 2nd floor of the museum. The main message of this sculpture is focused on the idea of the boundaries of cosmos and the destruction and rebirth of the world. This paper will employ close visual analysis of this sculpture and describe how the visual elements of the work relate to its main theme. In my opinion, this sculpture is very beautiful and I was so surprised to find it in the museum. As I was growing up in

When I visited the Orange County Museum of Art (OCMA), I was mesmerized by the beautiful sculptures, paintings, and many other works of art. This museum introduces many different exhibitions at different times and dates. The exhibition that I chose to visit is called the “Sandow Birk: American Qur’an”. The reason why I was very interested in this type of exhibition was because it displayed Middle Eastern artwork. Another reason was because I am Middle Eastern and that I can relate to it. Although I was so focused on this exhibition only, I did not realize the other works of art. However, as I walked deeper into the museum, another exhibition caught my attention. That exhibition is called the “Olga Lah: Amass and Swell”. If anyone decides to visit the Orange County Museum of Art (OCMA), I would recommend to look online about any appealing exhibitions that are being displayed as well as calling their office to plan a visit. Furthermore, in my opinion, there were some types of art that I did not fully analyze because they were not relatively fascinating as the rest. Moreover, the artworks that I examined displayed unique qualities and their messages were demonstrated in a significant, yet informative way.

The body of the woman has mane and the hair fall over accentuated breast feature on the body. The mane is o presenting both a feel of nobility and fright on the face of a lioness, which has a skull of bone and stylized whiskers on the face . The head is raised in a form of adoration with the solar disk and cobra emphasizing the cosmic aspects of the divinity of the goddess . The face is modeled with high precision on which the eyes are small and eyelids that have been painted as it were a collar or the robe’s edge. The statue is in a seated position on a block with the fingers that have been shaped significantly with a focus on the distinctive feature of anatomy that the artist sought to add with much delicacy, resting on her legs. The goddess’s legs have inscriptions that are added to the surface of the throne. She stands as a towering figure with soft feline features that invoke power and fear especially with the nature of her eyes in the statue. Her elegance calls attention to her presenting a valid reason why she was both feared and

Sayre the author says, “The Buddha is the most extensive collection of large-scale sculptures in the world and can be found an hour north of New York City in the lower Hudson Valley at Storm King Art Center (“A World of Art”). Zhang seems to like the traditional aspects of chinses culture, because he re-used an ash material form other artists, to create his own sculpture. The techniques he used to create the sculpture is casting, assemblage, and construction. Without using these three additive techniques of sculpting, the artwork wouldn’t have been fragile, and not overwhelming in size. The subject of the “three Legged-Buddha” is another conflict with the governmental rules and regulations, and it has drawn a lot of attention due to its strong message that it conveys. When I initially examined the art piece for the first time, it looked like a huge dismantled, three legged human figure. I thought it was a symbol for keeping your body in better shape over your mind. The most amazing part of the sculpture is how extremely large it is compared to the electrocution sculpture. After reading and interpreting the sculpture it struck me that it was made for ceremonial gathering, where incense placed and burned from inside of the sculpture, and pours out of the head. I think that the artist was trying to involve the visitors in his sculpture. Since Zhang Huan

The Art Institute of Chicago is a great place to see the Asian art. The Art Institute receives a four out of five stars. The positives are that there are a huge variety of visual arts to appreciate. The first negatives of the Art Institute of Chicago is that the Islamic Asian art is under develop. There are two pieces that represents Indian Islamic art. The second is the expense to visit is high. Parking and admission for someone who lives out of state will cost fifty dollars. There are two exhibitions and three collections worth mentioning in this institute. The two exhibits are the Gates of the Lord: The Tradition of Krishna Paintings and Kesa: Japanese Buddhist Monks’ Vestments. The collections that are worth checking out are the Southeastern and Oceania, South Asian, Korean, the Chinese, and Japanese.

The group of objects chosen for this paper comes from the collection of the Saint Louis Art Museum. The title of both pieces is called Seated Bodhisattva Avalokitesvara (Guanyin). Both these pieces which are statues were sculpted in china. The earliest statue was made during the Tang dynasty. While, the later statue was made during the Northern Song dynasty. These statues were chosen because the same deity is depicted and were made in a similar geographic and cultural location. This allows for the comparison of the different styles between the 2 periods. The statue made during the Northern Song dynasty depicts the Bodhisattva Avalokitesvara sitting in a pose called the relaxed pose or easy pose. This statue also depicts the Bodhisattva adorned in lavish silk garments while a jeweled crown sits atop his head. The statue is carved from wood and painted with gesso, pigments, and gilding. The statue made during the Tang Dynasty depicts the Bodhisattva sitting in the easy pose as well. It also depicts the Bodhisattva in flowing robes while wearing a string of jewels.

The sculptures and paint show details how society viewed and interpreted women body, sexuality, and maternity. In addition, revealed that these women were protected from threats around them with ornaments. Civilizations since early times, believed that we were in permanent threat from forces we do not see or cannot explain and because of it, we protected ourselves with artificial elements in a form of jewelry, crowns or caps. This idea has been continue from one generation to the next to the point that in modern societies some of us still use this type of protection in our bodies (e.g., small cross, divine images, tattoos, etc.).These pieces of art also indicate that humans believed in gods with superpowers and they are looking over us constantly. Humanity also believes in dark forces or demons trying to makes us do things that would upset the good gods. Some of the differences between these sculptures and paint are the material in which each one of them were created. The first figure, the Woman of Willendorf was carved in limestone, the second piece, the portrait of Queen Tiye was carved in wood and the last piece, the Virgin and Child Icon was created of tempera on a wood. You can also notice how the details on their faces and bodies changes throughout the time and years. The woman of Willendorf figurine offers details of a voluptuous nude women’s body but there is not face, or feet. Queen Tiye statue shows the face of a woman in detail closed to the gods but without any body parts and lastly The Virgin and Child Icon, is an expression of divinity of the views, reflections and beliefs from the gospel. Because communities started to innovate on the art of carving and painting, populations began to discover and/or create art with the objective of expressing different purposes of our daily lives, such as the beauty of a woman’s body, or to commemorate an ancient

Almost every culture has some traditional artifact of religious value. For Tibet one example of this is a Thangka. They aren’t just a religious artifact, a Thangka is an artform. That art form is still used today in modern art in Tibet. A Thangka is a three dimensional object made of various parts. The main attraction is a picture panel that is painted or embroidered. Some more necessities are a textile mounting, a silk cover, wooden dowels at the top and bottom and metal or wooden decorative knobs placed on the bottom dowel (Shaftel). Thangkas were created to communicate iconographic information in the form of a picture (Shaftel). Thangkas have many rules the artist must follow, but there is some fluctuation allowed with technique. Technique

She used white color cover all this sculpture, mother Earth’s given hand accompany with her carrying all the animal’s death body which show the emotional of peace and passion between mother Earth and natural life. All the soft curves through the curve on shoulders and on animal’s body make the object look really real and natural, and also display the harmony to create a unity in this work. This sculpture emphasizes of humanist compassion from female’s concern about nature and the relationship between human and animal, also peace and justice in which we share the

The Freer Sackler Gallery was the first Smithsonian art institution that captivated my interest and showed me the different aspects of art. There was something poetic in it’s aesthetic that further peaked my interest in becoming an Asian art museum curator and learning to speak Mandarin. Becoming a Teen Council member would be a great opportunity to utilize my communication skills while learning more about Asian art and culture. As a previous Teen Ambassador for the National Museum of African Art, I have gained experience in enhancing the public’s museum experience. I believe that museums have the ability to educate and inspire through art expression.

Base on my experience from the museum, China art dominated over Japan and Korea. 80% of the Asian art were Chinese art. Early chines culture thought that the spirit world influenced the lives of the living. Therefore it was common to find sacrifices of food and wine. They used bronze vessel for many ritual purposes. One example, Ritual food Vessel (Ding), it was a bronze tripod vessels made to hold and heat food such as meat during ritual ceremonies. These food vessels came in many different shape and sizes. But all fit the similar purpose. Many beautiful Buddha head and figure were spread around the museum to state their believe in Buddhism. The museum also offer many different figures of male, female, horse, lion, and many more. Chinese use

African art has played an important role in the culture of the world. The sculpture is the most common traditional culture expression for the African art. The different sculptures are shown by their local styles and they serve for the specific functions, such as religion. From some of these old art pieces, we figure out this kind of traditional culture expression already existed in the African for such a long time. In this paper, the art piece I am going to analyze is the Female Figure with Child and it made by Akan-Asante people. The Akan people of Ghana have been recognized for their various and attractive culture and it located in what are today Ivory Coast and the republic of Ghana in Western African. The Akan people are combined by different groups, such as the Anyi, Akawpim, Akyem, Aowin and Asante, and these people have their own dialect, but they share a lingua franca, which called Twi. The sculpture I choose could effectively reflect its own distinctive culture, because of the social connection reflect on the royalty, the comparison with other local art pieces, like Akuaba fertility dolls and its specific art form.

It is moreover pyramidal in structure with the vertex coinciding with Mary’s head. The base of the sculpture depicts the rock of Golgotha and is broader than the progressive