Sacrifice In Othello

In Shakespeare's Othello, Othello's pride prevents him from finding the truth, eventually leading to his demise. Initially, Othello and Desdemona are deeply in love, despite her father's disapproval of their marriage. However, when Othello promotes Cassio instead of Iago to Lieutenant, Iago has his revenge by convincing Othello that Desdemona cheats on him with Cassio, destroying the marriage between Othello and Desdemona. Othello grows to meet his downfall when his trusted friend Iago causes him to think that his wife Desdemona is unfaithful.

The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is.\...Oh, she deceives me\ Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the

The relationship between Desdemona and Othello in the play ‘Othello’ is used to express and observe the way that humans are selfish by nature. Although both Desdemona and Othello do sincerely love each other, both of them find great personal gain in their marriage, which clearly contributes to their feelings for one another. Othello, who is a black leader in an overwhelmingly white, Christian society, has come from a troubled and difficult background, being “sold to slavery” and working in the military all his life. In finding a good Christian wife in Desdemona, he finds someone to always support him in hard times, as evidenced in his summary of their romance, “she loved me for the dangers I had passed, and I loved her that she did pity them”. This quote suggests that their love is more self-serving than he lets on; Desdemona loves Othello for the adventures he has been on and the stories he tells, and Othello loves Desdemona because she listens and devotes herself to what he has to say. When Desdemona gets a chance to explain their relationship herself, she is particularly proud of the fact that she “did love the Moor to live with him; my downright violence and storms of fortunes may trumpet to the world”. We note that she mentions her ‘violence’, the way she deliberately disobeyed her father and fled his company to secretly marry a man who is not one of her father’s approved suitors. This furthers the idea that Desdemona seems to be in love with Othello because of the adventures he has been on, and the excitement and liberty of her being with such a man; she is seeking her own freedom in a misogynistic society by defying her father to marry Othello. Their relationship is

As Othello came to his breaking point, desdemona foreshadows her own death and he lets jealousy take over. When Othello can’t dismiss his suspicions of his wife being unfaithful any longer he starts to lose his morality . After confronting Desdemona of her “crimes” he decides to carry out his overall plan to end his trues loves life. When he realizes the grave mistake he had made by taking an honest Desdemona's life he can no longer live with himself. Othello decides the only way to right his wrong is to take his own life.

Othello insults and strikes Desdemona in public and Desdemona being horrified by these actions says that “I have not deserved this” (4.1.241). Desdemona finds Othello to be incorrect in his actions and she expresses her feelings to Othello. This proves Desdemona to be ahead of the time the play was written since unlike other women Desdemona defends herself and her beliefs strongly. Therefore, Desdemona is shown as an all-around powerful woman.

Sacrifice is “an act of giving up something valued for the sake of something else.” -Anonymous. The Outsiders, by H.E Hinton is a book where Ponyboy and friends live life in a gang. You can see sacrifices being made in order for them to better the lives of each other. One theme evident in the novel is people make sacrifices for the things they care about.

In the given passage, Desdemona illustrates her view of her relationship and stance against doing any wrong by Othello;

Although misperceptions about the other gender are dangerous causes of downfall, flawed views among one’s own gender are also great contributors to destruction. Othello and Desdemona best exemplify this notion. Desdemona presents herself as pure, compassionate, and understanding towards everyone, especially Othello. Shakespeare theorizes on how some women believe the stereotype about females is valid and must be followed, and men can exhibit the same

Desdemona is the last frontier between Iago and Othello, and Iago puts everything at stake to ruin her reputation.

At this time, Othello has killed Desdemona and has forever ruined his own life. By her trying to stop the madness, her husband, who is still filled with hatred and jealousy, kills her.

Desdemona is portrayed as a very inquisitive women, whom loves to explore the things and people outside of her class. She fell in love with Othello because of her curious nature and being attracted to his acts of bravado. Her intentions are sincere; however her curiosity in this act is seen as folly. She asks her cousin Lodovico about his arrival and informs him of Cassio’s dismissal. This angers Othello as she is praising another man, taking a persona of being proactive about him. For Othello this concludes that she is disobedient and has dishonored him - to put her in place, he resorts to violence:

In Shakespeare’s Othello, Othello and Desdemona’s marriage was doomed from the start. They did not start well; their marriage was controversial because of their race and Othello’s failure to follow proper etiquette while he was courting her. However these issues could have been overcome with time. The biggest problem is Othello’s attitude to Desdemona. Othello’s model of Desdemona prevents him from considering her a person. He thinks of her instead as superior to himself in every way, to the point that she is a god. Her race, beauty, and status make her godly in his mind. She becomes untouchable in Othello’s mind, and he begins to distance himself from her. Because Othello thinks of Desdemona as “Alabaster”(5.2.5) he will never consider

It is here that the audience begins seeing a different identity of Othello. Who was once regarded as so valiant and courageous, was now beginning to show signs of severe insecurities dealing with matters, most importantly, such as his lack of experience in love and marriage causing shadows of doubt over his confidence in himself and his ability to be loved by and worthy of someone like Desdemona. Desdemona, although not intentionally, seems to be the reason for all the unrest in Othello. This is an instance in the play when irony shines it's smiling face upon Shakespeare's most tragic characters. Othello feels truly happy with the presence of Desdemona in his life (Act II.1, 181-187):

Desdemona is shown as the most pure and proper of the women in Othello and is put into the center of all the drama. The men of the play manipulate her image of a naive lover to being a “ ...strumpet!” (V.ii.94). Desdemona is oblivious to what is going on around her and stays loyal to her morals but Iago’s rumours lure Othello to thinking otherwise. Desdemona’s true morals is her absolute devotion to her husband. She stayed loyal to her lover throughout the entire play and in the end it did her no good. “Nobody; I myself. Farewell! Commend me to my kind lord. O, farewell!” Desdemona on her deathbed, still defends her Lord’s actions. She does not fight back nor call for help, Desdemona begs for her life asking to “Kill me (Desdemona) tomorrow; let me live tonight!” (V.ii.97). She is not as strong-willed like the other ladies and is Shakespeare’s example of the archetype of the innocence and has the bases of a flat character. After the

Desdemona’s action, instead of asking her father’s permission, eloped with the Moor, Othello, is another form of social transgressive action. It seems she denies her father any right in choosing or granting, instead she decides in her own, to marry Othello. This act of independence illustrates Desdemona’s transgression to perform her role as daughter, and reflects icons of masculine which is considered as “incorrect” gender performance. Marrying Othello has also proved that Desdemona breaks the social norms of women’s passivity during her time.