Safavid Pottery Art

This jar have yei’ii design and is at 8 ¾ tall and 8” wide at the handle. This is one of the Faye Tso’s pottery that have won the Second Prize in 1993 during the Museum of Northern Arizona Navajo Artiests Exhibition. This pieces and with other large pieces of pottery like the vase with yei’iis and human figure and the water jar with horned toads. These clay sculpture were made by Myra Tso, Faye’s daughter and it was to honor her grandfather, who sang and prayed for her. The design of horned toads on the pottery are very special because the toads was use in a ritual for praying. All ritual and ceremonies are essential parts of the Navajo way as well as sand painting art that was inspired by those that created ceremony. The dust from gold, diamonds,

There were many empires that have a distinct background, the empires such as the Mughal Empire, Ottoman Empire and Safavids Empire. The Mughal Empire is a Muslim state founded by Babur, which extended over India. They have Experienced prosperity, peace, and little outside threats under Akbar's rule. For a while it was an example of religious harmony between Muslim and Hindu religions. The Ottoman Empire grew from a small empire in 1300 to encompass most of southeastern Europe by the late 15th century. The Safavids Empire is in Iran which initially supported its cavalry by land grants. The empire was very focused on land power. Chieftains, scholars, and notables served as intermediaries between the government and the people.

These pieces of work include carved wood and stone, manuscripts on stone tablets and reeds, illumination, calligraphy, enameled glass, inlaid metal work and glazed ceramics, preferably from the Turkish and Iranian regions. A common characteristic among Islamic artworks is their brilliant use of colors and the perfect balance between the design and form that they portray. These unique features make these pieces of art create an immediate visual impact to the observers.

The vase is a sculptural piece. To get the full effect of the piece you have to see the whole thing, which may cause you to have to walk around the piece. The piece is a dark

The Safavid Empire began in Azerbaijan. The empire continued to expand during Shah Abbas's reign but after his death, the dynasty gradually lost its vigor. At first, Shah Ismail, the founder of the Safavid dynasty, tried to convert members of the Ottoman Empire into Shiites. This resulted in massacre of the Sunni Muslims in 1508. Alarmed, the Ottomans fought back and won a major battle. However, after a few years, Ismail regained the land. Many years later, the Ottomans attacked back and forced the new shah, Abbas, to sign a treaty. It was Abbas who led the Safavids to their highest point. The political and social structure was strong. Senior positions in the bureaucracy were by merit rather than by birth. Religious tolerance was practiced. Abbas hired foreigners from neighboring countries for positions in his government to avoid religious competition. The shahs also took a direct interest in the economy, playing an active part in trade and manufacturing. The artistic excellence was

Similar to how they Ottoman empire began, the Safavid dynasty arose from the struggles of rival Turkic nomadic groups in the wake of the Mongol and Timurid invasions of the 13th and 14th century. Also like the Ottomans, they rose to power as warriors practicing Islam. Safavid rulers practiced Shi’a Islam, different from the Sunni Ottomans. In the 14th century, a Sufi, Sail al-Din, gave the dynasty its name. The Safavids worked to spread Muslim teachings and purify Islam among the Turkic nomadic groups.

The Safavid Dynasty, which began in the early 1500s, quarreled with the Ottomans relentlessly. The Persians invaded them in pursuit of gaining land, however they were rarely ever successful in these endeavors, often losing land or gaining an insignificant amount. For example, Mesopotamia originally

The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare

Five hundred years ago, the Portuguese first arrived in China and were enchanted by the crystal-looking structures. As they brought large quantities of Jingdezhen blue and white porcelain items back to Europe, they did not realize that porcelain would become the first global product, expect to have created the first global trade market. Blue and white manufacturing began under the under the rule of the Mongols during the Yuan dynasty and has left traces around the world in faraway places such as Central Asia, England, Portugal, Spain, Kenya, the Maldives, and the Americas. Moreover, not only was porcelain spread throughout the world, but each country it touched, spread its own cultural influence on the manufacturing and decoration of porcelain.

This is a clay gourd that taken the shaped like a jug and have cinnamon color appearance and stand at 13 ¾ x 8 inches. This pottery were part of the Tonaltec pieces that have been a high recognition for a long time for the traveler and historians in the seventeenth century. The Tonaltec pottery is generally known in Mexico as “Guadalajara earthenware” which taken after a major city name nearest were it make. The Tonaltec pottery are make distinction between earthenware of water and earthenware of fire based on the differences in function and decoration the artist tried to make. The Tonaltec pottery is make of the burnished or greased clay and was fire once then is bathed in glaze and leave to be fire twice before it finish. The purpose of this

Ismail I lived during a turbulent time in Iran’s history. It was a period of “political fragmentation and decentralization” [Richard C. Martin]. He was the founder of the Safavid Empire. In 1501, he named himself the Shah, king, of the empire and proclaimed Twelver religion the official religion of state. It took him almost over a decade to consolidate his control over all of Iran, where most of the Persian population still practiced as Sunni. His Qizilbash military was given the task to convert anyone on Safavid territory to Twelver Islam and the army succeeded. Ismail was a remarkable leader when he set his mind to it, yet the Ottoman empire instigated a war against the Safavid empire because of the increase of Shia population. Ismail was caught by surprise and the Qizilbash were defeated. The aftermath of the battle was severe; Ismail was so embarrassed by the defeat he became inattentive to any Qizilbash work and military affairs of state. He broke down and started to write poems about pious Muslims and how they worship their god. The shah died at age 36, after becoming an alcoholic, but the Safavid empire continued for over 200 years after. The Safavid Empire was founded on the unified front of their population, their military strength and intolerance for other beliefs but their own.

Often the culture relied on the blending of old and young. Having the death of a great soldier on one side and the entering of youth on the other, I believe this vase was meant to show a contrast of old and young, and of the death and birth of

Conquest and ongoing cultural interaction fueled the development of the Safavid Empire. Originally, the Safavids were members of an Islamic religious brotherhood named after their founder, Safi al-Din. To protect themselves from potential enemies, the Safavids concentrated on building a powerful army. In 1499, a 12-year-old named Isma’il began to seize most of what is now Iran. Two years later he completed the task.

As a political tactic, rulers often portray themselves in a certain way in order to stabilize their reign and rule more effectively. Some take the approach of uniqueness by setting themselves apart from their subject population while others take the approach of sameness by emphasizing the similarities in which they share with the people. Not exclusively limited to apartness or sameness, some rulers have shown to employ a mix of both ruling styles. It is these versatile rulers who have experienced more successes in their reign because they are not compelled to only one ruling style, allowing them to better adapt to the needs of their ruling population. The apartness ruling style is best seen in the Safavid Empire under the rule of Shah Ismail. Shah Ismail uses religion as a political tool to control his state and does so by declaring Shi’ism, a smaller branch of Islam, as the state religion (#). After separating himself & his people from those who are not willing to abide to his ideologies, Shah Ismail can now demand the absolute loyalties from his subjects and persecute those who are deviant. This radical act further creates a deep chasm between Shi’ite Muslims and nearby Sunni Muslims neighbors. As a result, cultural flow and the exchange of beliefs between Sunni & Shi’ite states are essentially hindered. Ismail’s apartness ruling approach is taken to the extreme with social, religious, and legal systems being strictly confined to Shi’ite doctrines (@). It is noted that

The Safavid Empire created sophisticated libraire and art centers they referred to as “Ateliers”. They admired Persian art