Saint Pierre is an experimental dance video based on the intimacy of bodies and relationships through a feminine and affective look. The video has as a primary reference the number 6 letter of the Tarot, The Lovers. This card speaks of; love, choices, as well as of the rational and the emotional in harmony. This card reminds us that we often make our choices based on desires, feelings, and hormones. Once reading Freud I noticed that for him the reasons for human sufferings would be derived from three basic factors: the external world, the relationships (especially the loving ones), and the body. For some time now, I have been interested in issues related to body, desire and subjectivity. Body as the place of sexuality, the …show more content…
This couple dancing is the representation of romantic love, but they have certain fears of this approach because they are afraid of being watched and judged. We heard voices, rumble. There is a world outside this intimacy.
The video begins with an extreme close-up of the skin, by the hedgehogs, sweat on the skin and whispers in different languages. The bodies touch, male bodies, male voices. A dance, an intimate encounter. Love is the same in any language. The next shot is more open, we can see more about these bodies, we can see their faces. Two men dancing, a kind of tango. The music that packs them in this dance begins (Saint Pierre the name of the Song). You still cannot see where they are. The next shots will be wider and always the same choreography packed by the same song. In the fourth short appears another figure, a woman, red wings and a wreath on the head. The woman dances around them, she tries shyly to enter the dance but she keeps a certain distance from them. She dances probes the two men. The woman is the angle in the Tarot card, the lovers. She blesses the union between these two men. The sexual energy that emanates from this dance is transforming.
PD I would like Production Design to be very attentive to the elements and symbolism of the Tarot card, The Lovers, the elements of that card such as flowers, colors, insinuation to capital sin must be present in this video. Other elements can be incorporated. The use of the smoke
Some of the movements executed by the dancers are similar to those executed by dancers in a stepping performance and also in a tap dance presentation. This presentation falls into the group of the new trends of modern dance, in which the choreographer are taking more and more liberty with various dance combinations, and including strong messages in their work. I would definitely attend other dance performance, not only from this company, but also by other companies; and would also recommend this performance, especially to people going through a dark period in their life. This performance finished convincing me that dance is surely the most communicative of the art forms, and that a single presentation can convey more than one
This section ends with the female in and arabesque on the male dancers knee without stretched hands as thought reaching out for help. A recurring motif through the whole dance.
Watching a video of a dance piece called “The Moroccan Project,” choreographed by Alonzo King was quite impressive. Living in San Francisco and taking dance classes brought me to Lines Ballet which is King’s dance studio. I have seen a great deal of different types of dance at the studio waiting for my Ballet classes and there are some great dancers. It comes as no surprise that Alonzo would have such great dancers. It appears that Alonzo King is exploring different cultures in dance in Contemporary Ballet. His near-perfect choreography is articulate, passionate, and graceful- he brings diversity in dance to San Francisco and other parts of the world. This piece articulates the expression of the two dancers coming together yet dancing apart at times- it is a fusion of several different types of dances into one using video editing to create a story about the coming together of two individuals.
In addition, one thing that I like from this book is that Frank pinpoints four dimensions in that explains how one can understand the relationship of the body: predictable control versus contingency, dissociation versus association related to the body, self-versus other-relatedness, and productive desire versus lack of desire. He also presents a blueprint in which he highlights four "ideal typical bodies" arising from various combinations of contingency control and more. These ideal typical bodies include the disciplined body, the mirroring body, the dominating body, and the communicative body (p. 30). While the first three causes problem in building a satisfactory illness narrative, the last is an "idealized type" because it is not only descriptive but also, "provides an ethical ideal for bodies” (p.48).
Psychoanalytic criticism originated in the work of Austrian psychoanalyst Sigmund Freud, who pioneered the technique of psychoanalysis. Freud developed a language that described, a model that explained, and a theory that encompassed human psychology. His theories are directly and indirectly concerned with the nature of the unconscious mind. Through his multiple case studies, Freud managed to find convincing evidence that most of our actions are motivated by psychological forces over which we have very limited control (Guerin 127). One of Freud’s most important contributions to the study of the psyche is his theory of repression: the unconscious mind is a repository of repressed desires,
Phillip Chbeeb and Renee Kester uploaded a dance entitled SLIP that they have choreographed to the song SLIP by Elliot Moss. It was published on June 11, 2015. The dance includes many things that show a strong relationship between the two dancers. What you can notice is the way they trust each other and their facial expressions. Chbeeb and Kester used these components and other movements to show a relationship between the two characters in this story that is being told. In this dance, there are two people who are in love try to stay together, but in the end they don’t because many things are pulling them apart.
The unconscious mind houses the preconscious, a small section that houses material that is non-threatening, and easily brought to mind. But deeper in the unconscious mind are the instinctual drives, the wishes, desires, demands, and needs that are kept hidden from out conscious selves because of the conflicts and pain they would cause if they were brought to bear every day. Psychoanalytic personality theory tells us that the personality consists of three separate, but forever intermingling elements, id, ego, and superego. The id section of a personality is by far the largest, the only section that we are born with, and the section that contains the unconscious thoughts, it is raw, unorganized, and from the time of birth it tries to reduce tension caused by our primary drives. The ego, a section that develops soon after birth, balances the instinctual desires of the id and the realities of the outside world. Last of course is the superego, the final personality structure that is developed in childhood, and represent the rights and wrongs of society, contained within the superego is the conscience, the part of us that prevents us from behaving in a morally deplorable way and is responsible for guilt. Psychoanalytic personality theory is not without its virtues; Freud’s proposed five psychosexual stages – oral, anal, phallic-oedipal, latency and genital – are all supported in life.
Freud interpreted these theories, and came up with his own theory that “intrapsychic conflicts (conflicts with in the individual) between basic biological urges and societal standards lead to abnormal behavior” (Bruce 2).
Freud’s theory of personality examined the interplay between the primitive, instinctual urges—the ‘id’; the practical and rational ‘ego’; and the morally attuned ‘superego’; ‘object relations’ refer to the "object" of an instinct”, which is “the agent through which the instinctual aim is achieved”—most often a person and, according to Freud, most often the mother (Ainsworth 1969, p. 1). The psychosexual development theory that Freud launched reduces our behaviour to mechanistic responses to an instinctive need for pleasure fueled by the ‘libido’ and barriers or distortions to the gratification of the libido at various delineated stages of development were responsible for later problems in life (Kail & Zolner 2012, p. 5). Erik Erikson later added depth to the approach by including more humanistic elements to Freud’s stages and including more periods of development (p.
Freud is the psychologist who is credited with the development of psychodynamic perspective. He thought your personality came from id, ego, and superego. Your id is your unconscious drives and where a person’s sexual energy comes from. Your ego is what deals with demands of reality, it tries still bring you pleasure, but under the norms of reality. Your super ego is the harsh internal judge of your behavior. Freud also believed in defense mechanisms, strategies for dealing with anxiety. Defense mechanisms distort reality and protect you from a stressful situation. Denial is a defense mechanism in which the ego refuses to acknowledge a situation. Displacement is directing unacceptable impulses at a less frightening target. Projection is the defense mechanism in which we see in others those impulses that we most fear about ourselves. Freud thought every behavior stemmed from your sexual drive. When you 're a baby it is your oral stage, the pleasure center is the mouth. When you are a toddler it is your anal stage. Children learn they control when they can go to the bathroom. When you are 3-6 it 's your phallic stage.
Sigmund Freud's revolutionary ideas have set the standard for modern psychoanalysis in which students of psychology can learn from his ideas spread from the field of medicine to daily living. His studies in areas such as unconsciousness, dreams, sexuality, the Oedipus complex, and sexual maladjustments laid the foundation for future studies. In result, better understanding of the small things, which shape our lives.
The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until
Sigmund Freud created strong theories in science and medicine that are still studied today. Freud was a neurologist who proposed many distinctive theories in psychiatry, all based upon the method of psychoanalysis. Some of his key concepts include the ego/superego/id, free association, trauma/fantasy, dream interpretation, and jokes and the unconscious. “Freud remained a determinist throughout his life, believing that all vital phenomena, including psychological phenomena like thoughts, feelings and phantasies, are rigidly determined by the principle of cause and effect” (Storr, 1989, p. 2). Through the discussion of those central concepts, Freud’s theory of psychoanalysis becomes clear as to how he construed human character.
At the age of 40 in 1896, Sigmund Freud introduced the world to a new term- psychoanalysis (Gay 1). Psychoanalysis is a method of treating patients with different nervous problems by involving them in dialogues which provide the physician with insight into the individual’s psyche. These dialogues provided the basis for Freud’s psychoanalytic theory, which “attempts to explain personality, motivation, and psychological disorders by focusing on the influence of early childhood experiences, on unconscious motives and conflicts, and on the methods people use to cope with their sexual and aggressive urges” (Weiten 363). Part of this theory involves the structure of the mind. This is a concept that touches
This research paper will compare and contrast two of the most influencial psychologists who helped shape the way we understand the development of the human mind; Sigmund Freud and Erik Erikson. The paper will focus on the similarities and differences between Freud’s Psycho-sexual theory, and Erikson’s psychosocial theory. Freud was one of the very first influencial psychologists who changed the way we study humans. Erikson recognized Freud’s contributions, and although he felt Freud misjudged some important dimensions of human development, he was still influenced by Freud, which caused some similarities in their theories.