Salsa Performance Review Paper

Moreno asserts that ““Too many times, we have read our history books that have been written by Europeans, and it has had a tremendous impact in the way we view our culture and listen to our music. I do think that our identity is lost with it and at some point, we try to find it again later in life” (7). Students are able to see a different point of view rather than only the perspectives of textbook writers who at times deprive students from the full truth and the media who exaggerates or embellishes the truth. Many artists and musicians express their anger and oppression through music and students are able to listen to this and get the complete synopsis of problems happening in the world. For instance, in “The Embodiment of Salsa: Musicians, Instrument and the Performance of a Latina Style and Identity,” Patria Roman-Velasquez argued that the embodiment of salsa develops through specific practices whereby instruments, performance techniques, vocal sounds, bodily movements and ways of dressing are encoded and experienced as part of a particular Latin identity. Therefore, this expressing that music has much of an influence in Latin identity and the construction of identity and

In her book, Salsa Dancing into Social Science, Luker discuss the importance of sampling, operationalization and generalization in canonical social science research while highlight the believe that each of these ideas can also be applied to qualitative research. While all three concepts are important to consider when it comes of qualitative research. It is import to definite that similar and differences. The following gives an overview of how each competent uses within canonical social science research, how that translates into effect qualities and explore the ways in which Hochschild utilizes these methods in her research for Strangers in Their own Land

In this essay I will be describing and going into detail about salsa, plena, bomba, and merengue music. What really is the style of music along with the importance it has in and for the island it belongs to. As well as the effect the music has dealing with tourism and some of the famous musicians in that style.

One of America’s historic strengths have been our ability to incorporate aspects from many different cultures to create a stronger whole. Our music, art, literature, language, architecture, food, fashion and more have all benefitted. I have chosen three key principles (to do them all would be a dissertation for me) and combined them with an art focus so as to show the importance and powerful role the arts can have in effective leadership and empowering the body of an organization. Again, in a world that has become increasingly Global, we can no longer deny the presence of ‘the other’ and their importance in our communities. Especially those within and around our faith communities.

There are multitudinous types of Chicano music that include all types of instruments, verses, backgrounds, and purposes. According to Tatum (2001), “The popular Hispanic folk music has deep roots in Spain and Mexico, but it is a living cultural form that is forever changing and adapting to new social conditions and musical currents (Robb 1980, 5)” (p.15). Modernization also plays a key role in the diversion of Chicano music. For example, as new instruments were being invented, they were then incorporated into the music, making it sound more different and attractive. The types of Chicano music range from romance which could narrate an event, corridos, which was a form of cultural differentiation, alabanzas, which were specifically religious, and the canción, in which lovers expressed their deep adoration for each other (Tatum 2001). If a man who was lost in his woman’s eyes wanted to choose a song for their

In my personal experience, Mexican music has revolved around my life for as long as I can remember. Growing up in a bordertown has its Hispanic heritage. Whether I was at home, school, or even in public places, I would hear Spanish related music playing in the background. I believe Spanish music holds many values when it comes to different occasions. The music can manipulate the minds of its listeners using love, passion, and outstanding rhythms. After reading an article online, I can explain how three different genres of traditional Mexican music influence people’s culture.

Hispanic’s music had a great impact in USA. Nowadays, Americans listen to Hispanics’ music. Hispanics’ music now is part of American’s culture. These changes in USA began around of 19th century, when Hispanics immigration increases in the USA. One of the big changes in music occurred around 1940s, when Americans began to recognize the efforts of Cuban-American musicians. One of the Cuban bands was Cugat. It was known better Orchestra ‘based in New York’s Waldorf Astoria’ which had a great visual and musical style. Another Cuban band was Machito who were dominated as one of the best New York’s scenes at that time. Thanks, to those bans Americans adopted some of Cubans’ dances and performances such as rumba, mambo and cumbia. Americans used and still using the Cuban instruments like bongos and maracas to create their rhythms. Later on, Americans created Jazz by African Americans with the influenced of Cuban’s music.

Los Cenzontles is a band, a nonprofit organization, a music academy, a community space for youth and families as well as a hub for Latino artists. The group works together to amplify Mexican roots in the Bay Area and beyond. Los Cenzontles produces original music, videos, and educational tools. They also teach classes in traditional Mexican music, dance, and arts and crafts. The group operates Los Cenzontles Mexican Arts Center in San Pablo, California. Dr. Lopez and Dr. Morrison were able to bring this band to Sonoma State University Weill Hall, especially for our CALS 165 class.

For the purpose of this project, I have chosen the Puerto Rican Bomba Dancing as my artifact. This artifact is not something you can physically hold in your hands or go to a store and purchase, it is intangible and yet pure. It represents a culture and embodies the idea of freedom. Unlike most dances where the person follows the rhythm, in Bomba dancing, the dancer leads the drummer with the tap of their feet and movement of the hips and shoulders. The parties involved mostly dress in white with the females wearing plantation style outfits and head scarves. The lyrics sung normally evoke a sense of freedom and an escape from the hardships of slavery. (Bomba, n.d.). The most important elements of Bomba Dancing are the lyrics, the drums and the traditional outfits. The combination of these 3 elements truly enhance the experience. Moreover, Bomba dancing is one of those things that the medium of experience should be in person. This is due to it having the potential to take you back in time to the 17th century where you

Salsa did not come from just one place or person, it is a mix of multiple cultures as well as peoples creativity. When Spain found the Caribbean during the 1400’s, they later brought African slaves also. The merge of such two different musical and dancing styles from the Spanish and African community merged with the native community has given us what we now understand as salsa. The evaluation of salsa that is danced in clubs today has taken many years and been a long

For our cultural event we decided to take pride in our Latin roots and hosted a dancing workshop, a Salsa Night. On this night we were accompanied by some of the ladies of Lambda Theta Phi and Lambda Sigma Gamma, as well as some friends. The plan for this workshop was to have a dance instructor teach all of us how to dance Salsa, as well as some other Latin dance styles. We reached out to the brothers and asked for help, thanks to that we were able to get an Alumni Brother name Netzahualcoyotl Romero to teach our workshop. Netza took us step by step on the basics of Salsa dancing, and little by little we were able to learn that…. we are terrible dancers, despite our two left feet we did not give up and kept on trying. Thanks to the encouragement

Salsa Is a mixed music type. Spanish cancion, guitar and Afro-Cuban percussion – clave, maracas, conga, bongo, tambura, bato, cowbell - merged with North-American music styles, like jazz. It incorporates elements of Rock, R&B and funk occasionally. The vibraphone,

Did you know that most of the modern musical forms have come from ancestor’s past sense of music? From bomba to plena, Cajun music to swamp pop and zydeco and conjunto and orquesta Tejano to tex-mex, music has long been the art of retaking art forms and molded it into different art. Music will continue to thrive and evolve if it remains organic in its nature. Bomba dates to the colonial period of Puerto Rico, and Plena would arrive on the scene in the early 20th century taking roots from bomba in southern Puerto Rico. This percussion-driven music was meant to move people to dance.

On Thursday, August the 17th I attended a concert at the North Park theater in San Diego, California. The name of the band is called Celso Piña y Su Ronda Bogota, (which roughly translates to Celso Piña and his round from Bogota). With Celso Piña being the leader of the band, accordionist, and lead singer of the group. In addition, this band hails from Monterrey, Mexico, but their musical style has its roots from the Caribbean region of Colombia. This band is influence by the traditional music of Colombia, such as Cumbia and Vallenato. What sets them apart is that they have taken the traditional cumbia and vallenato and added more percussion, and electric guitar and bass. For example, in this concert, the classifications of the instruments used were the aerophone using an accordion, electrophone with a bass and electric guitar, guiro, timbales, and

On December 1, 2017, in the University Theatre at California State University, Dominguez Hills, I observed the fall dance concert Rise. It was choreographed by Amy Michelle Allen, Marco A, Carreon, Sarah Cashmore, Jeff Hendrix, Erin Landry, Doris Ressl Acosta, and Kenneth Walker, with the long cast of dancers. The production was pleasing, and would not have been believable without the work from production designers, Frederick Depontee and Cheryl Sheldon. Rise is played out in eight different dance routines, which were Xtra Xtra, Scar Tissue, Hart Broken, Things Are A Stirrin’, and the rest are intermissions such as Female Energy, Women, Exotica, Strength In Numbers, and Makina.