Samantha's Paper on Asoiaf

As the English Actor, Tom Hiddleston, stated, “Never stop. Never stop fighting. Never stop dreaming.” Young peasant, William, decides to pretend to be a knight with both his friends Roland and Wat and later on the found naked Chaucer to win money since their life style isn’t convenient. As a final point, despite some minor inaccurate information, the movie A Knight’s Tale is historically accurate based on factual evidence that was displayed.

Dividing the Kingdom is not the only indication that order is disrupted. The separation of Lear's family also provide evidence that disorder is inevitable. The banishment of Cordelia and Kent is a harsh act carried out by Lear while blinded by anger. By banishing the only daughter who truly loves him, and a loyal servant who refuses to stand around and do nothing while Lear makes a big mistake, Lear surrounds himself with people who only loved him for his money and power. As Lear's family breaks apart, one must wonder if Lear is capable of ruling a country when he cannot even keep his family together. Again, Lear's desire to fuel his ego is the cause of the separation of his family. When Cordelia refuses to speak lovingly, "Unhappy that I am. I cannot heave My heart into my mouth." (I,i,92-94), Lear becomes angered and banishes her. As an act of loyalty, Kent stands up

As him and his men see the shining reflection of the Danes’ spears, Beowulf feels and interprets the uncertainty they feel, for he is this mysterious man showing up to this island filled with turmoil. As the Geats are reluctantly let in, Beowulf introduces himself and gives detailed backgrounds of his many battles, flaunting his accomplishments and emphasizing his triumphs. In the midst of his storytelling he says, “‘I had a fixed purpose when I put to sea. / As I sat in the boat with my band of men, / I meant to perform to the uttermost / what your people wanted or perish in the attempt / in the fiend’s clutches. And I shall fulfil that purpose, / prove myself with a proud deed / or meet my death here in the mead-hall’” (43).

Beowulf, the defender of Hrothgar and Heorot, exhibits far more complicated (and less sincere) shades of revenge than the Grendel’s mother. At the end of the day, Beowulf’s goal is to become the preeminent warrior in all the land. In his society, the only way to gain such widespread celebrity is through courageous and self-endangering acts. Beowulf masks these deeds with a façade of seeking revenge; he supposedly comes to Heorot to save the Danes from Grendel’s terror, but his true motives lie in becoming a hero. His reward is not the pride of doing a good deed; Beowulf is rewarded with lavish and expensive gifts.

Knights are one of the most mistaken figures of the medieval era due to fairytales and over exaggerated fiction novels. When medieval knights roamed the earth, it was known that they were only human and, like humans, had faults. These knights did not always live up to the standards designated by society. However, in The Canterbury Tales, the knight is revealed as a character that would now be considered a knight in shining armor, a perfect role model in how he acts and what he does. Modern day people see them as chivalrous figures instead of their actual role as mounted cavalry soldiers. As time passes, the idea of what a knight is changes from a simple cavalry soldier to a specific type of behavior.

To compound matters, he makes a little game out of it. Whoever loves him the most gets the most land. This does not make Lear look like a very good father. Nevertheless, his daughters, or at least two of them, seemingly have no qualms about telling their father of their love. The first daughter to profess her love to her dear old dad is Goneril, and she lays it on so thick it is almost sickening:

Because of the circumstances Hamlet despises his Mother’s decision. This marriage only making things harder for Hamlet and this also sets him on the quest to restore honour and certainty back to the kingdom by relieving Claudius from the

Shakespeare uses the short stage direction: “they fight; Richard is slain” followed by the animalistic and savage metaphor of “the bloody dog is dead” to convey Richard’s death. He uses animal imagery conveyed by Richmond along with the sudden and immediate death of Richard after he is willing to trade “a kingdom for a horse” to show his audience that God has carried out divine retribution due to Richard’s Machiavellian nature. Pacino transformed this scene so that it lead to a deeper understanding by his mainly secular 20th century audience. By undermining Richmond’s inglorious victory by having the soldiers shoot an arrow into Richard’s back, Pacino shows that Richard’s death was unfair. He also removed Richmond’s monologue to take the audience’s attention away from Richmond’s speech about god and the righteousness of divine retribution. Thus, by portraying conscience as being more important than divine retribution, Pacino transformed Shakespeare’s King Richard III to suit his context where Richard’s guilt killed

In the play Much Ado About Nothing, William Shakespeare extensively uses words that symbolize brutality and violence. The use of such words serves the purpose of indicating the tragic nature of the play and the existing social environment in which the play was taking place. By using such brutal and violent language, the playwright sought to represent the play as a reflection of social practices that were happening at that particular time. The story is about too much effort for nothing, which properly describes the tendency to use force or brutality to promote one’s own interests. One objective is analyzing speech and words that represent wounds and battles in the play and determine what the playwright and the characters accomplished by the

It is quite obvious that everyone is usually obedient towards their family, even if it is unwanted at times. Well the same goes for Hamlet. In the court scene, Hamlet speaks with the king and queen, with Claudius trying to act more like a new father figure to Hamlet. However, Hamlet does not obey his orders, but pretends to for the sake of others. For instance, Hamlet only listens to his mother’s request to remain in Denmark. As an example, “Let not thy mother lose her prayers, Hamlet. I pray thee stay with us, go not to Wittenberg”. Hamlet responds by saying “I shall in all my best obey you, madam (1.2.118-120).” This shows Hamlet’s respect for his mother and his obedience towards her even with the recent events that have transpired. George Rylands concurs, “Claudius...with the Queen’s aid he persuades him not to return to the University of Wittenberg” (Rylands 36).

He wants to disappear, as he can’t deal with the events around him. Additionally, he is mourning his father’s untimely death, so having his uncle sweep in out of nowhere and marry his mother serves as a slap in the face to a defenceless Hamlet. The reader knows that Hamlet is angry, as he likens Old Hamlet (his father) and Claudius (his uncle turned stepfather) to, “Hyperion to a satyr;”(1.2.144). The Old King Hamlet was almost godlike, while Claudius is no more than a lascivious beast. Hamlet’s father was nothing but good, while Claudius is purely immoral. How Gertrude (Hamlet’s mother) could go from one to the other, and so soon, makes no sense to Hamlet. This causes Hamlet to begin to resent his mother. He is extremely upset my his mother’s betrayal of his father, in fact, he is infuriated, but he can’t bring himself to speak, as he says at the end of his rant, “ But break, my heart, for I must hold my tongue.”(1.2.164) Hamlet is unable to confront his mother or his step-father about their seemingly incestuous

Thus Cersei becomes the Queen and the most powerful woman in Westeros. However, things don’t work out as planned, because King Robert is in love with another woman, and he never treats Cersei properly. Thus, the power that Cersei sought for, is fully depended on the man, that doesn't even respect her. Cersei also didn't develop relationships the way she would've liked to with another powerful man, Tywin Lannister.

Instead of Hamlet denouncing his mother’s wedding and the crowning of his uncle, he is silent. During the play, Claudius shouts "Give me some light. Away" and Hamlet was sure of his uncle’s guilt (Act III, Scene 2, Line 152). This was the perfect time for Hamlet to face Claudius. The king was in a venerable state and could have been easily dethroned.

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

Chaucer admired and made use of the medieval "courtly love" romance tradition, although he did not fully "buy into it." The "courtly love" code is based on the woman as the center of attention. The medieval knight suffers greatly for his love, who is often someone else's wife. He will do anything to protect and honor her, remaining faithful at all costs. Adultery and secrecy characterize these relationships. The knight views a woman and experiences true love. The knight fears that he will never be accepted by his love; therefore, she is worshiped at a distance.