Samba De Coco Analysis

The modernize approach of religion and traditions of the old African culture now converted into an Afro-Brazilian culture that still has an impact and exists today which is also still celebrated in Brazil. I believe that without slavery, many of the importance of both sides of society selling slaves and buying slaves would not have shaped humanity in the modern world. “Two centuries had seen African and European cultural religious and linguistic habits merging into unique Afro-Brazilian social and religious customs, music, and storytelling (Nellis 62).” The cultural influence of Afro-Brazilians has persistently grew from celebrations like carnaval into a mainstream popular culture. Brazil holds a variety of different ideas, culture and people. These ideas and traditions include musical interests, dancing, different food dishes, literature and art, festivities, and religious practices.

The dance is recognized as the only space of coexistence between men and women. A symbolic representation of the relationship between the sexes where their communication compasses their feet, body and arms. The world was danzon, the dance, not the desire to walk with men. It is consistently recognized that the three activities that devotes her life in Mexico City are totally full of guidelines and rules. Julia’s movements follow a pre-established routine, and danzon, like dancing, is the best example of this pre-established order - the discipline and the inability to improvise. It is a dance, like most, where women must go with your partner, where Carmelo puts his hand on her waist and Julia follows his lead.

There is, finally, an artist who has managed to mainstream a niche genre by effectively bridging the gap between elegance and bawdiness with huge musical and entertainment skills. It has taken Santos more than a decade to reach his current “king” status. But his staying power is more than

In this essay I will be describing and going into detail about salsa, plena, bomba, and merengue music. What really is the style of music along with the importance it has in and for the island it belongs to. As well as the effect the music has dealing with tourism and some of the famous musicians in that style.

In conclusion, reading about Carolina’s life has had a huge impact on my learnings of Brazil. While reading this book, I was able to reflect on what we learned and discussed about life in the favelas in class. When I hear of Brazil, I always hear of the wealthy places, pretty women and beautiful sites to visit. However, the favelas and life of the poor people living in Brazil is rarely mentioned and talked about. Reading Carolina’s diary gave me a different image of the country and showed Brazil in another light. Carolina’s diary gave me more insight on what the daily life of a favelado is like and what people who live in the favelas experience on a daily

Death is a word associated with loss, grief and sadness, but in the novel In the Time of the Butterflies we see death in a whole new perspective; martyrdom. Strong, independent, caring, honest, and having firm beliefs are all characteristics we see in a martyr especially in Patria. In the novel we explore the wonders of Julia Alvarez’s writing and get to witness Patria as a martyr and an individual who fought for the right of women against a dictator: Trujillo.

Latin Dance has evolved into a vivid kaleidoscope of many different cultures dancing to the beat of a single drum. These types of music which find their origin in African influence have developed into a meshwork of individual sounds and have grown to be identified with a particular culture. An example of such can be seen in the evolution and history of one of these, Merengue. This type of dance is native to the Carribean, however, it has developed and taken its precedence in the Dominican Republic. This Carribean nation has been crucial to the spread of this music on an international level.

“Flavio’s Home,” is intended for the general public and primarily fixates on a poverty-stricken family who resides on the outskirts of Rio de Janeiro, Brazil. This piece is from Voices in Mirror, an autobiography written in 1990 by an African American photographer working for Life magazine named Gordon Parks. It provides insight into a world filled with underprivileged individuals and families who welcome the idea of death, but not the lack of security

How did Cuba and Brazil affect popular music, culture and dance in the 1940’s and 50’s? In this investigation I am going to establish what affects Cuba and Brazil had on popular music and dance. The first thing I’m going to do is discover how the music from Cuba and Brazil spread to America, the center of music. While doing my research I will be looking at what types of music were popular in Cuba and Brazil during the 40’s and 50’s as well as how these types of music affected American popular music. Two of the sources I used in this essay, Latin Music USA and Music in Brazil will then be evaluated. To

Studying the São Paulo society of the Colonial period, Sérgio Buarque de Holanda devoted a chapter, ‘Civilização do Milho’, to the role of the corn at the Brazilian food culture during this period; and another chapter to the ‘iguarias de bugre’, ie the use

These chance meetings, allowed her the opportunity to join and tour with Mastre Acetunio's Brazilian Dance Company "Fogo Na Roupa" and his Capoeira Company "Omalou Capoeira" for 3 years. She was also recruited by Master Casquelord as a dancer in his company "Fua Dia Congo", where she danced for 3 years until his passing in

Different moods are those of “Dolomiti Dance”, steeply folk in its most traditional current, and “Rewind”, another compound of jazz and classical with splashes of Brazil fragrances, in the same line of Toquinho.

There are three central sections within the film. Although they are consistent in character and often in circumstance, they should be seen as separate narratives. Each narrative represents the changing nature of the favela over a decade and contains its own visual style and mise-en-scene. It is through this structure that I

When looking at Italian, Carlos Julião, Enslaved market women, Rio De Janeiro, ca. 1170s, watercolor, and Dutch, Albert Eckhout, [Mameluke woman with a basket of flowers], 1614, both images give us an insight to the way each artist viewed Brazil. By looking at certain parts of Brazil’s history and comparing these two images we will see how each artist depicts the female body, costume and commodity in a way that demands a specific reaction from the intended audience. Eckhout, a master of flora and fauna, uses his style to express Brazil's beauty and economic implications, often times favored by the Dutch. Julião’s work emphasizes inequalities between individuals from different classes

Brazil's individual national character and rich musical tradition are the result of a profound mingling of races that has been ongoing in the country since the landing of Pedro Alvares Cabral in April 1500. Even before this event the indigenous Indians of Brazil had an already conventional musical culture; they sang in chorus and solo, played horns, whistles, and flutes, and beat out rhythms with foot-stamping, beats, hand-clapping, rattles, and drums. With the Portuguese invasion came the violin, piano, clarinet, guitar, and tambourine. These were incorporated into the musical forms of modinha, moda, fofa, acalanto, and fado, which were songs of lullaby, sentiment, and dance. The Portuguese also brought religious festivals and pageants such as the bumba-meu-boi and reisado. The former in festivity of the Epiphany and the latter a rich enactment of the death and resurrection of a mythical bull. Entrudo, a rude festivity considered to be the precursor to Carnival, was also brought by the Portuguese. Less than forty years after the arrival of Cabral, the first African slaves were brought to Brazil. With them came another racial, cultural, and musical infusion. There were three main ethnic groups that contributed to the boiling Brazilian melting pot: the Sudanese, the Bantu, and the Moslem Guinea-Sudanese. They contributed the circle dance and lundu song, a precursor to the samba. (Smith)