Samuel Taylor Coleridge, Percy Bysshe Shelley And John Keats

Obviously, poetry is a reality, not a fantasy. Elizabeth Alexander shows how to find poetry in reality:

Poetry is considered to be a representational text in which one explores ideas by using symbols. Poetry can be interpreted many different ways and is even harder to interpret when the original author has come and gone. Poetry is an incredible form of literature because the way it has the ability to use the reader as part of its own power. In other words, poetry uses the feelings and past experiences of the reader to interpret things differently from one to another, sometimes not even by choice of the author. Two famous poets come to mind to anybody who has ever been in an English class, Robert Frost and E.E. Cummings. Both of these poets have had numerous famous pieces due to the fact that they both

The image that is firstly drawn in the first stanza is that of a blade of grass amid a field and the

The speaker then introduces nature as a female entity, which coincides with the perception of “Mother Nature.” as a female entity. “And from the fields the flowers and plants allure, / Where nature was most plain and pure” (3-4). The words “plain and pure” imply that nature, in its original, untouched state, has a sort of purity associated with a virgin maiden. Before coming into contact with “man,” nature has a pristine and naïve characteristic. However, that will change as soon after “man” establishes a position of power over nature. Mankind traps nature within “the gardens square” (5), and he begins to change the plants, presumably by grafting them together or selectively breeding them to produce more desirable and colorful traits. This “Garden square,” with its “dead and standing pool of air” (6). could be interpreted as the cramped interior of the brothel where the women are forced to work, with four walls trapping them on every side. Later in the poem, too, the garden is referred to as a “green seraglio” (27). A seraglio is the women’s apartment area of an Ottoman palace. This was an

Under this immortal black sun and on the field of infernal battle, Peace is reached here & now, on the heels of a long war now ended.

symbolic richness, but at the same time the poem supplies the reader with a wide

Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.

In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by

People are drawn to poetry because it uses words to express emotions that most people

The second generation was the group of poets better known for their rebellious and opinionated poems. This generation shifted from voicing their opinions of the civil rights, and the French Revolution to their feelings about the Industrial Revolution and the egotistic and prideful mindset of aristocrats, of whom most of the poets belonged. The author, often, would use the poems they wrote to portray themselves or a visionary part of themselves, either way the second generation wrote in a more arrogant and selfish tone. One of the greatest poets that portrayed these mannerisms was George Gordon, or better known as Lord Byron. The common theme of Byron’s poems was that of the typical romantic heroic actions, and filled with an adulterous attitude (”English Literature: The Romantic Period”).

Human nature is something that never seems to change. While humans all seem to be different from one another through physical and emotional attributes, their psychological behaviors are all mostly very similar. In the late 18th century and early 19th century, many authors successfully could explain the characteristics of human nature and the effects that it has on everyone and everything surrounding human beings. Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allen Poe all convey the behavior of human nature in separate ways. These three authors show the curiosity, drive for perfection, and fear of human nature throughout their texts in detail. With these characteristics being prominent in human nature itself, it

During the Romantic period, which began in the late 18th Century, and ended in the early 20th century, there were many political changes, such as the French Revolution, the Napoleonic Wars, repression and reform, pre-industrial economic changes. There were also many changes throughout literature and culture during this time. Poetry during this time often had strong themes of nature, internalization, subjectivity, and imagination. Three highly influential poets who were also often characterized as poets of the Imagination are William Wordsworth, Samuel Taylor Coleridge, and William Blake. Imagination is important to romantic poets because it was used as a healing tool for the writers’ troubles, using reason and emotion to relate to and participate in the world around them.

poem is not merely a static, decorative creation, but that it is an act of communication between the poet and

At the start of the third stanza it begins with “Ye shady groves, your verdant gloom display to shield your poet from

Although there is no consistent syntax, rhyme, or meter in Kubla Khan, the poem begins its journey through the mind in a conscious and calculating manner. The first four lines of the poem, in fact, appear to almost directly derive from a passage of Purchas’s Pilgrimage, as the narrative voice slowly drifts into a dreamlike state. Coleridge’s paraphrasing of a relatively accessible, published piece of literature seems to provide the narrator with a solid foundation to build his seemingly inaccessible poem upon.