Samurai Tribe Committed Suicide

The Samurai’s Tale by Erik Christian Haugaard is about a boy named Taro, the protagonist in the story. The major characters in the story are Taro, Yoshitoki, Lord Takeda Katsuyori, Lord Akiyama Nobutomo, and Togan. The setting of the story is in Japan, in around the 16th century. In the beginning of the story he was presented as a gift by the great Lord Takeda Shingen to Lord Akiyama after his parents had been killed. By using his wits and suppressing his fierce pride, Taro slowly escalates the ranks of his lord’s household until he achieves his greatest goal—becoming a samurai like his father and Lord Akiyama, whom he has come to admire. The life of a samurai is not so easy, Taro finds himself sacrificing opportunities of love and friendship

Throughout life, we all go through hardships and things we think that we’ll never be able to overcome. More often than not, the cause of such feelings stem from our home and personal lives. For example, in Gail Tsukiyama’s The Samurai’s Garden, Sachi developed leprosy, a terrible disease that left white rashes all over and was believed to be contagious, and was no longer capable of living a normal life with her family. Her fiance, Kenzo, was greatly upset and as Sachi remembered, he “backed away from me and walked out” (Tsukiyama 136). In Japanese culture, it is expected for a person in a situation like Sachi commit an honorable suicide, also known as seppuku. Seppuku takes all of the shame and guilt that was brought down on a person and

Chikamatsu Monzaemon’s play, The Love Suicides at Amijima explores the disgrace of Jihei and Koharu’s misbegotten romance, the underlying conflict of the hidden innuendos aimed at the Japanese social class and the sense of duty formed between two women from unseemmingly different backgrounds. In order to fully understand these themes, on must take into account the societal structure of Osaka, Japan in the 1720s. Within this culture, every individual was instilled the notion of familial obligation and had to adhere to the rules placed upon them by society. Chikamatsu Monzaemon does an ideal job of capturing these concepts within the play.

The samurai had an unwritten code of honor called the bushido. Bushido means “way of the warrior” (History of the Samurai 3). This provided them with a code to help show them how to live and conduct themselves at home and in battle. One of the most important duties of the samurai was their loyalty to their lord. The samurai would defend their lord until the death. Revenge was also central in the samurai’s

The samurai were a powerful warrior class in Japan, and were very skilled with a sword. Samurai used swords and were trained very well to do many things such as fire a bow while on horseback. The samurai practiced Buddhism, which is a religion that taught people to respect the world to reach enlightenment. When the samurai disobeyed The Bushido Code, they committed Seppuku, which is ritual suicide for the samurai. Japanese culture was influenced by the samurai warrior class.

The young warriors were taught to sacrifice everything for the emperor or lord. In Japan, the emperor represented the laws and the state and was considered divine. Loyalty was an ethical demand stemming from this political theory. A samurai was obligated to appeal to the wisdom of his lord by committing seppuku.

The Samurai’s Tale is about a young boy named Taro, who had became the hero of the story. The main characters in the story was Lord Akiyama, Lord Takeda Shingen, and Togan. This story took place in Japan around the 16th century. The story began with Taro, Murakami Harutomo, arguing with his mother about what she had been telling him to wear for an event that was going to happen without him knowing about. Later that day Taro saw that soldiers came attacking his house, his mother leaving him with Yone in a chest trying to keep them safe in a storehouse that had laid behind the house. A soldier then found them both and took them out of the chest, then as they walked out of the store hold, he found his mother on the ground dead. A plot twist that

On the surface one may connect Bushido to Japanese tactics and strategy in World War II, but this relationship is only on the surface. Suicide charges and kamikaze pilots may look like and very well be ritual suicide, but the meaning is far too different. In Bushido killing oneself is the ultimate clearing of honor and debt. However the Japanese military coopted this premise and heavily altered the idea that shaming your master was reason enough to enact seppuku into essentially not winning being reason enough to do so. Continuing, the other tenants about honor, respect, and learning were countered by the poor treatment of prisoners, the numerous atrocities committed upon those in occupied lands, and blatant racial attacks on everyone that

Lord Takeda Shingen- The Lord of Kai, a ruthless warlord whose ambition is to rule all of Japan.

In The Tale of Heike, the way in which the Japanese viewed defeat and dying is revealed to the reader through various incidents covered during the time of the novel. To be defeated was shameful but to prevail was a way to gain respect and honor. The accounts in Heike tell us that one could defeat an opponent by exiling him, insulting him, or even taking revenge upon him. Because being defeated was shameful, warriors would kill themselves before being killed by the opponent. If a warrior failed in his duty, suicide would be the necessary measure taken to regain honor. Not only could suicide be a way to gain honor, it could also be a way to shame someone. If you prohibit your enemy

Cameron, C. M. (2002). American samurai: myth, and imagination in the conduct of battle in the First Marine Division, 1941-1951. Cambridge: Cambridge University Press.

Throughout History, there have been many different groups or events that are still widely known today. Groups of people such as the Indians or Vikings are popular groups which are referenced constantly in today’s society. However, none of these groups is more known or referenced than the Japanese Samurai. Originating in 646 AD, these Japanese warriors developed from a loose organization of farmers to the dominant social class in Feudal Japan. Along with their dominant military and political standing, the samurai brought with them a unique code or moral belief that became the core of Samurai culture. Because of this, the Samurai and their principles still affect modern day Japanese society with social customs today

When the samurai were about to engage in battle, most of them would state their rank, family name, and accomplishments. If the samurai was a high-ranked officer, the winner of the duel would have to send the head of the defeated to the capital city where the city officials and the people could see it (Clark 4). However, if the samurai was not killed by his opponent, he had to commit seppuku. Seppuku, also known as harakiri, is when a samurai must commit suicide by stabbing a knife into his abdomen and disemboweling himself. A kinsmen or friend would then cut off their heads. Seppuku was seen as more honorable than getting captured in battle or being forgiven from dishonor by an upper rank (Clark 5). It was also seen as more honorable to commit seppuku than dishonor the Bushido Code.

Yuzan Daidoji, Oscar Ratti, and Thomas Cleary. The Code of the Samurai. Boston: Tuttle, 1999. 10-44.

Many old and new sources refer to the Samurai warrior’s attitude about death. John Newman explained the proper suicide of a warrior. It contained information about how there are no problems. Newman said “Bushido is simply choosing death. In general, it means that when the moment of decision comes, you simply act so as to die quickly. There are no complications about it.” (Newman 57). This shows that the Samurai chooses death and that he isn’t killed. It is something very honorable and it is to be done without any problems. Other sources show the Samurai’s attitude toward death. L Frederic portrayed the honorable act of Bushido in order to save the prince’s life. Frederic said “Yoshiteru climbed up on the watchtower of the second gate… he cut the handrail of the tower window so he could be better seen… Next he took off the jacket of his underdress… he thrust a dagger into his white skin. He cut in a straight line from the right to the left, cast his entrails onto the handrail, placed the point of the sword in his mouth and flung himself headlong towards the ground” (Frederic 190). This shows describes how a Samurai warrior saved the life of a prince by going to his spot in the watchtower, killed himself, and then flung himself to the ground to look like the enemy’s killed the prince. This shows the honorability of Seppuku, the ritual suiside, because the warrior is saving the princes life. These