Samurai's Garden Themes

The Samurai’s Tale by Erik Christian Haugaard is about a boy named Taro, the protagonist in the story. The major characters in the story are Taro, Yoshitoki, Lord Takeda Katsuyori, Lord Akiyama Nobutomo, and Togan. The setting of the story is in Japan, in around the 16th century. In the beginning of the story he was presented as a gift by the great Lord Takeda Shingen to Lord Akiyama after his parents had been killed. By using his wits and suppressing his fierce pride, Taro slowly escalates the ranks of his lord’s household until he achieves his greatest goal—becoming a samurai like his father and Lord Akiyama, whom he has come to admire. The life of a samurai is not so easy, Taro finds himself sacrificing opportunities of love and friendship

Throughout life, we all go through hardships and things we think that we’ll never be able to overcome. More often than not, the cause of such feelings stem from our home and personal lives. For example, in Gail Tsukiyama’s The Samurai’s Garden, Sachi developed leprosy, a terrible disease that left white rashes all over and was believed to be contagious, and was no longer capable of living a normal life with her family. Her fiance, Kenzo, was greatly upset and as Sachi remembered, he “backed away from me and walked out” (Tsukiyama 136). In Japanese culture, it is expected for a person in a situation like Sachi commit an honorable suicide, also known as seppuku. Seppuku takes all of the shame and guilt that was brought down on a person and

As mentioned earlier, Miss Sasagawara does possess worthy merits such as being intellectual and refined. However, her merits are disregarded simply because she was different in appearance from the rest. Yamamoto uses Miss Sasagawara’s character to challenge the presupposed notion that people who are different are necessarily not of value and thus unable to contribute positively to society. There should not be a belittling attitude taken, such as the reception Miss Sasagawara received when she took upon herself to teach a class of girls ballet, and was the only adult rewarded with a bath towel, an intimate gift that she had to open in front of the audience, bearing in mind that this very act could possibly be seen as humiliating based on traditional conservative Japanese culture.

The Samurai’s Garden by Gail Tsukiyama tells the story of a young man who is sent away from his friends and family to a small village in Japan, in the attempt to get better from his illness. Through his self isolation, Stephen is able to learn from the two elderly people he meets there, and slowly comes to accept himself for who is he, regardless of what other people thought. Through the use of internal and external conflict in The Samurai’s Garden, Gail Tsukiyama uses Stephen’s character, specifically through his interactions with Matsu and Sachi, to convey the message that sometimes one will need to leave what they are comfortable with, and place themselves into isolation in the attempt to rediscover who they are while still knowing that

“The perfect blossom is a rare thing. You could spend your life looking for one, and it would not be a wasted life” (Zwick). These are the words of Katsumoto, an important samurai warrior. The movie The Last Samurai directed by Edward Zwick is about an American War Captain named Nathan Algren who is hired to train, lead and modernize a group of Japanese soldiers to defeat a rebellion of the country's remaining Samurai in 1876. Algren is captured by the Samurai and soon becomes part of the village he is being held hostage in. There, Algren learns from the Samurai and comes to respect them. He finds that his true warrior is becoming unleashed as he trains to become a Samurai with the very people we once called his

Like walking through a barren street in a crumbling ghost town, isolation can feel melancholy and hopeless. Yet, all it takes is an ordinary flower bud amidst the desolation to show life really can exist anywhere. This is similar to Stephen’s journey in The Samurai’s Garden. This novel is about an ailing Chinese boy named Stephen who goes to a Japanese village during a time of war between Japan and China to recover from his disease. By forming bonds with several locals and listening to their stories, he quickly matures into a young adult. Throughout the novel, Gail Tsukiyama shows how disease forces Stephen into isolation; however, Matsu’s garden and Sachi lead him out of solitude.

The Samurai’s Garden, written by Gail Tsukiyama, incorporates the various aspect of myth throughout the plot, from how the Japanese worship to the rituals they perform. Stephan-san, a young Chinese man, when he first arrived in Tarumi Japan, discovered the Japanese ritual of being clean. The Japanese in this book had a strong desire to be sanitary in every aspect of their life both physically and morally. They used to be physically clean to visualize being spiritually clean. Another part of the mythology in this novel was the worshipping of the kami deities. These deities dwelled in the shrine near Tarumi and Stephan-san along with Matsu traveled to the shrine to worship and pray to the kami fox deity, the Inari. Two facets of The

The Samurai’s Tale is about a young boy named Taro, who had became the hero of the story. The main characters in the story was Lord Akiyama, Lord Takeda Shingen, and Togan. This story took place in Japan around the 16th century. The story began with Taro, Murakami Harutomo, arguing with his mother about what she had been telling him to wear for an event that was going to happen without him knowing about. Later that day Taro saw that soldiers came attacking his house, his mother leaving him with Yone in a chest trying to keep them safe in a storehouse that had laid behind the house. A soldier then found them both and took them out of the chest, then as they walked out of the store hold, he found his mother on the ground dead. A plot twist that

The gardens of both Matsu and Sachi symbolize them, and this gives the reader an insight on each of their respective personalities. Matsu’s garden turns more riveting and reveals more secrets as one goes deeper through it while Sachi’s garden illustrates that beauty can be in all forms. These descriptions of the garden mirror their owners and give more information about them. One example is that in the later portion of The Samurai Garden, it is revealed that Matsu was one of the primary founders of Yamaguchi. Like his garden, Matsu’s tale only becomes more

Sachi’s garden, a stone garden, reflects her ideal world. and from looking at her garden we can find that in her ideal world she has full control over what happens so that she can have faith in the garden. Her past has been full of unstable relationships that she counters with the stability of the stones for “how can you ruin stones?” (page 77, Tsukiyama) While taking care of the garden Sochi artist fully places the stones to look like different things such as water and mountains helping her express different feelings that Sochi may find hard to express otherwise. “Sachi appeared so thin and small,

The idea that beauty is found in all forms is widely accepted, yet ironically, many still find it a difficult concept to apply to themselves. For example, in The Samurai’s Garden, Sachi finds it challenging to accept herself when she discovers she has leprosy. However, as the story progresses, Sachi says she began to become accustomed to her looks and is not as sensitive to the subject of her disease. Along the way, she discovers that beauty is not always seen with eyes, but felt with the heart and soul. Throughout the novel, Gail Tsukiyama persistently shows that new and unique beauty is stronger and more meaningful than physical appearance or something ordinary through the people Stephen encounters and his experiences.

During Samurai’s Garden the topic of isolation is exemplified through the characters Stephen and Sachi. Both of these characters are isolated in their own ways and have both differing and similar effects because of this. However, they are both individually isolated for valid reasons that were mostly out of their control. As such, this isolation has caused them to become enlightened as to who they truly are and the new identity that they have obtained.

This point in the story is in the aftermath of the shock of Kenzo 's suicide. Matsu and Sachi both feel incredible guilt for Kenzo 's death, and so naturally Matsu is trying to make Sachi feel better. Here the author makes it clear that Matsu has an intense devotion and love for Sachi, and that he is trying to do anything to make her feel at peace. The author uses a common expression of Matsu 's, his pensive expression, and shows that Matsu is actually in pain, not indifference as the reader might have previously thought. It also shows the guilt that Sachi still feels about contracting leprosy, how she still blames herself. It is a critical point in the story where the reader learns important traits about both Matsu and Sachis ' characters.

Secrets fill the garden. In Gail Tsukiyama’s novel “The Samurai’s Garden”, she uses metaphors to show the audience the garden and its’ curator in a mysterious light. Tsukiyama’s character Stephen gazes upon Matsu’s garden with wonder and amazement. He compares it to another world, “The garden is a world filled with secrets… Matsu’s garden whispers at you, never shouts; it leads you down a path hoping for more, as if everything is seen, yet hidden” (Samurai 31). Tsukiyama creates another world within the fences of the garden. She integrates the secrets of its’ caretaker into the aura of the garden. The metaphor to another world impacts the reader by allowing the reader to see the mystery and beauty that shrouds it. The cloak of beauty shows

Lord Takeda Shingen- The Lord of Kai, a ruthless warlord whose ambition is to rule all of Japan.