San Velazquez 's Las Meninas

Question 21 2 out of 2 points Why is Velzquez's Las Meninas (The Maids of considered Honor) such a complex painting? Answer Selected Answer: Correct Answer:

This exhibition showcases art from the fifteenth century and early sixteenth century with Lord of Texcoco and the Texas Fragment. These two pieces represent post-Conquest art, and how indigenous figures were represented with European influence. In the seventeenth century, Antonio Rodriguez painted The Portrait of Moctezuma as well. His representation of Moctezuma showcases traditional clothing with European influence of modeling figures. This exhibition also features Miguel Cabrera, who was trained in European techniques and styles in Mexico during the eighteenth century under the patronage of Archbishop of Mexico, Manuel Joseph Rubio y Salinas. The exhibition features various artists from the nineteenth century as well, such as Felix Parra, Leandro Izaguirre, and Juan Cordero from the Royal Academy of San Carlos in Mexico City. Artists in the academy were trained in European styles of Neo-Classical forms to create their historical subjects. The purpose of the academy was to provide an outlet for legitimacy through the visual arts, and to reflect a nation's history. Often times, these paintings were political in nature, and reflected the patrons' wishes. This exhibition will link the representations of indigenous figures that appeared in Latin America through art in Mexico from the fifteenth to the nineteenth century and showcase how art

The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas, circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic-Protestant strife. Its purpose was to aid in the Catholic Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)

The first Romanticism art work displayed in our Representing Nature Exhibition is Las Meninas or as translated in

The Discovery of Pulque,” 1869, by Jose Maria Obregón, this painting is an oil on canvas piece. It was commissioned by what some may call a renaissance man. He was a play writer, art critique and a poet. He wanted Obregon to paint this “historic” scene because he believed that King Tecpancaltzin was one of his ancestors. King Tecpancaltzin is one of the main subjects in this painting.

1510, right in the middle of the Renaissance. The painting is rectangular in shape and

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

He wanted to make the painting his own way. Picasso had his own point of view on las meninas by just painting the princess and the attendants. I think he decided to paint just the princess and attendants because he wanted to show the difference between the two. The princess is highly praised while the attendants don’t get noticed. The attendants are always longing in the princesses shadow, just like how in the painting the attendant is kneeling down to the princess, supposedly helping her get ready.I think Velazquez created such a work because he was trying to put his own life experiences into something. I think he was trying to express two different groups of people.In the painting there is the royal princess and her attendants. There is other people in the painting that people are less focused on. When you look at the painting there is people gathered around

The centerpiece of the piece is obviously Mary, though she is on the right side of the painting. In one hand she holds an open bible, and she holds her other hand up in prayer while she is looking down with her eyes almost completely shut. She has a halo surrounding her head as gold rays shine down on her

This painting was created by the artist Parmigianino in 1534–1535 during the Renaissance & Mannerism time period in Florence, Italy. The painting is oil on wood. The painting portrays the Virgin Mary placed on a high pedestal in extravagant robes, holding a very large baby Jesus on her lap. Next to her are a few angels showing interest in the baby Jesus. In the lower right-hand corner of the painting shows the emaciated figure of St. Jerome. A representation of St. Jerome was required by the administrator because of the saint's relation with the adoration of the Virgin Mary. The Madonna with the Long Neck is a portrayal of the Virgin Mary who seems to be very disproportioned.

Juan de Pareja is a piece of art which rebels against the standard of art for the time and shows the inner thoughts and humanity of people, whether that be the subject, the artist, or the audience. An oil on canvas painting made in 1650 by the Spanish painter Velazquez, the piece depicts his enslaved assistant, Juan de Pareja. When an audience sees this painting, they are sure to be astounded by the true beauty and suffering withheld in the piece, taken aback by the wrath hidden within, and morose about the implications made of the society it was contained in.

"Los Venditos," which signifies "the sold out ones," is a play that was correlated by Luis Valdez and created by the Farm Workers Theater of Atzlan. They have built their theater society with respect to the old show clubs that were common in the striker 's groups of the sixties and seventies. In these groups, performing artists and performers would assume parts that would ridicule certain gatherings or people that they were opposing. Case in point, if the produce pickers were striking against a cultivator, then the play would draw out every generalization that individual put stock in or each awful quality that that individual had and would decorate it. They would make their focus out to be inept and uninformed. "Los Venditos" finishes this errand extremely well on the grounds that it demonstrates each generalization that Anglos have against Mexican Americans, and places it in a manner that will make any Anglo be embarrassed for having accepted such falsities. Everything that was put into the play was put there for a reason, whether it is a real occurrence or a typical generalization.

The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a

I don’t think one artist on this planet could ever copy or imatate his work because its so complicated. Some would say his work was imature but I think the talent level was beyond regular. Most of the faces on this painting are more created images then distinct lines on a paper. If Dali was alive today he would be more then a multi-millonare. The paints go from dark to light to show form. For some reason the gowns of one of the female statues is being held on by a botton. The breasts on the females go from a lighter shade to a darker shade. Which gives the statues a fading qaulity. I think this painting was done with some sort of oil paints. He did showing the ripples of light on the lake. This lake is some what invisible. The head of a statue goes from larger to smaller and smaller. This particular painting doesn’t depict religion , which is why I find it caught in space. His mother is painted on the side of a cliff and light shows a man inside the face of his mother. This painting shows qualitys of figure, contour and light. There are many minitures and copys of figures in this painting. The toreador its self looks like coluseum in heaven. Ther are

Las Meninas was Velázquez’s largest oeuvre measuring 3.21 m by 2.81 m (Umberger 96). Velázquez’s masterpiece is one that draws sharp criticism ranging from those who find this work as a complete piece with its pictorial features prominent in the artwork, to those who find it hard to interpret its content conclusively (Ancell 159-160; Snyder 542+; Steinberg 48; Bongiorni 88). Despite such disparities, Velázquez’s masterpiece was able to project a day in the life of the royal family while at the same time achieving his artistic ideal. This work explores this artwork in light of the royal family and personal gratification by Velázquez as a celebrated artist.