Sandra Cisneros's Hope

Self-exploration is hindered in this book and my life. I can very much identify with Esperanza perspectives on societal issues that Latin women face. A society dominated by men and women relying on them, whether it is a father, spouse or friend. Men are considered the strong reasonable as where women are weak and emotional, in turn women need men for protection. A young girl may have two story paths, one where she relies on the protection of her father while she watches her mother cater to him or two, witnesses the struggles of a single young woman and absence for a father. This book describes marriage as priority for every girl or else how could she survive; appearances and physical features are highly valued traits. This attitude is not one that Esperanza agrees with, nor do I. For example, Marin she is the girl standing on the street just “waiting for a car to stop, a star to fall, someone to change her life.” This character implies that she does not dream of actively setting life goals for herself and working to earn them, instead she will wait until a man makes it happen for her. The ideology behind this thought being that as a woman she must thrive to be as attractive as possible to heighten her chances of marriage and acquire

Sandra Cisneros demonstrates a challenge that is not obviously to overcome for a young child, in other words one can say that it is remarkable to undertake such responsibility by awaking the older women about their sufferings for an improvement and by keeping watch over her sister constitutes the most important task for her and this act demonstrates she does not neglect her family even she care about her neighbors welfare but. This double responsibility are important aspects for allowing to provide relevant evidences that depict the early responsibility throughout the protagonist Esperanza

“Optimism is the faith that leads to achievement. Nothing can be done without hope and confidence.” This quote by Helen Keller claims that in order to thrive, one needs hope and confidence. Esperanza happens to have both-- at least she eventually comes to have both. In her series of vignettes, “The House on Mango Street,” Sandra Cisneros writes of several of Esperanza’s experiences to show her evolution as a child into a woman. Esperanza starts as an insecure child, before beginning to gain confidence, and finally gaining that confidence. This evolution of Esperanza’s can be seen in the vignettes, “A Rice Sandwich,” “Papa Who Wakes Up Tired In The Dark,” and “Beautiful and Cruel” respectively. These experiences and vignettes that Cisnero covers

Finalizing her poem with the last two stanzas, Espaillat describes her opinion about her father in a hopeful tone. “I like to think he knew that, even when, / proud (orgulloso) of his daughter’s pen, // her stood outside mis versos, half in fear / of words he loved but wants not to hear” (lis 15-18). She wishes for her father to accept

She was born in Chicago, Illinois. Cisneros grew up in a Latino family around the 1950s and 1960s. She had a Mexican father and Chicano mother. Cisneros was encouraged by her mother to read and was not insisted with spending all of her time performing classic “women’s work”. Cisneros welcomes her culture with open arms, but acknowledges the unjustness between the genders within. Having experience growing up in a poor neighborhood in a working class family while facing the difficulties created by racism, sexism, and her status, Esperanza longed to leave the barrio. Later, she finds her capability to succeed individually and find a “home with herself”; she worked to recreate some Chicano stereotypes for her community. Cisneros didn’t want to

“My Name” by Sandra Cisneros is a short excerpt from her book The House on Mango Street (1984). In this excerpt, Cisneros narrator is a girl named Esperanza, who is telling us that her name reminds her of a lot of negatives things, including who she inherited it from. Esperanza is trying to convince us that her name is a terrible name, which is built up of negativity and bad history. She state that she was named after her great-grandmother, who was born in the Chinese year of the horse, which they have in common, and is well known for her wild customs which lead to her feeling sad and lonely all her life. Esperanza specifies that her name sound beautiful among Spanish speakers, but to non-Spanish speakers her name is pronoun funny “as if the syllables were made out of tin and hurt the roof of your mouth” she says. She indicated that she would like to baptize herself under a new

In “Only Daughter,” published in Glamour magazine in 1990, Sandra Cisneros talks about how it’s like for her to be the only daughter in a Mexican-American family of six sons. She talks about some of the struggles she faces. Sandra is a writer. A writer who wants her dad to be curious about her writing. He never bothers to ask what she’s writing. When they’d ask her father how many children's he has, he’d respond with “I have seven sons.” The mention of only sons, not a daugher. This proved to her he was only proud of his sons but not her. According to him she’d also have to go to college but only to find a husband. A man who will take her out of poorness. Since, according to Sandra that's why her dad thought college was important for her. He didn't care about her major. Sandra Cisneros is a writer who didn’t have the attention she was meant to receive. Towards the end she finally gets the attention she desired. She translated one of her pieces into Spanish, the only language her dad could read. That's how it gained the attention of her father. When her dad finally reads her story, it fills her with joy. At first she didn't get any attention from her dad at all, because she’s a girl. Sandra Cisneros makes a great argument on her life being full of loneliness. Although, she only talks about her perspective on things. In this article she only talks about her side of the story, and her side only. Sandra talks about how her life was as being the only girl out of seven children.

Her struggles and self-determination drove him to chase his dream of becoming a writer. His use of the metaphor for being thirsty to succeed is deeply moving and shows just how important his mother’s success is for him. In his ending, he describes her as his muse with “Every time I get in trouble with my art, I try to think of that girl. I think of that thirst, of that courage. I think of her” (Diaz 130). He wants to make known to his readers that self-determination and courage are the keys to success.

In conclusion, we know that Esperanza’s negativity of herself begins to slowly change as she slowly experience what accepting means and how she began to accept where she was from . Throughout this book, Cisnero showed us accepting is an important part of growing in life as well as determining the true you. In the beginning she hated her life always wanted to escape out of Mango Street versus the end she says she is going to come back. From the beginning to the end, Esperanza finally accepted where she was from and how Mango Street has developed who she became

She was responsible, stood up to Trujillo, and followed her dreams to go to college and obtain a

A poignant figure in Esperanza’s life is her own grandmother. In fact, Esperanza was given her birth name after her grandmother. A touching gesture that came from good faith. A name may have some value, but for Esperanza there was a high intrinsic quality to such a simple component. Despite, never encountering her own grandmother in person, Esperanza was grateful to have fond memories by carrying her legacy through her name. Life’s motto concerns dealing with adversity and carrying the legacy of one’s family eternally. Being confident and smart was the only way to live by. No man was needed to help raise and nurture herself. Her grandmother instilled in Esperanza a sense of fortitude and independence. It is sad that a regret of Esperanza is linked to her grandmother, further illustrating the physical and mental hardships one can endure in

The absence of hope is shown through the mother's death and the dull setting of the novel. The mother is an example of how her absents of hope caused her death. “As for me my only hope is for eternal nothingness and i hope it with all my heart“(57). The mother said this in a flashback the man had after the boy said he wanted to be with her. This show that she knows that if they stay, they will be raped, killed, and perhaps eaten and she would rather commit suicide than let that happen to her. This matters because humans need to have something to live for in something in order to achieve a goal. Another example of an absenceof hope is the setting

As the late Osho believed, "And desires are never here and now -- they are non-existential. They are just mental, in the mind. And they cannot be fulfilled because their very nature is to move into the future." John Steinbeck 's novella, Of Mice and Men explores this theme of futile desire through various relationships and character complexes. This fictional story begins by introducing two men with a relationship built from the very foundations of love. As the novel progresses, we begin questioning innate truths. Steinbeck uses his literary prowess to entwine us within a story of loneliness, loss and morality. The characters ' hopes and dreams, regardless of outcome, are a mechanism of survival and a desire to lead something other than an otherwise inconsequential existence.

To have hope is to be able to see the light amid the darkness. This is a notion shown in Ned Vizzini’s “It’s Kind of a Funny Story”. The protagonist is a teenage boy named Craig, who struggles with depression. One night, Craig checks himself into a hospital because of his suicidal thoughts. He then gets placed in the adult psychiatric ward called Six North. The novel “It’s Kind of a Funny Story” demonstrates that it is crucial to remain positive during hard times as there will be better days, with the usage of conflicts and characters. This is important because everyone undergoes hardships at some point in their life and must be able to prevail.

As stated previously, Cisneros' style in The House on Mango Street suggests to us that liberation can be achieved through an art form, rather than physically picking up and moving your residence. Esperanza overcomes her condition by creating the realm of literature, rather than the physical reality of another house in another time and place. In this way, she is able to distance herself from her community and family. But all the while, still holding on to her heritage and ethnicity. By affirming her own artistic ability, Esperanza is able to blend all of her dreams. Because of this we come to understand that one can achieve self-discovery and even independence through something so remote as literature. This is where I find Cisneros' influence the most powerful. I believe she is stressing a theme here, not just for Hispanics, but for all minorities as well. She lets them know that liberation can be achieved within several realms of the human experience.