Santiago, the old man, used sleeping and dreaming as a form of escape in pages 25, 81, and 127. Throughout “The Old Man and the Sea” Santiago uses sleep to escape the troubles of reality, running away to his dreams. When he sleeps at night he dreams of childish fantasies with lions and dolphins on the beach, escaping pains of everyday life. At first, he dreams to escape the dissatisfaction of not catching fish. Later in the novella he dreams of dolphins jumping through the water to escape the pain of his cramping hand. At the end of the novella, Santiago sleeps to escape the disappointment and pain of letting himself down. All through the novella, Santiago sleeps to distract himself from his troubles at the harbor. The first time we see
Throughout the whole book Santiago shows many signs of courage. In the beginning, Santiago gets in his boat and sails out into the sea. He usually stays near shore, like all the other boats. However, today “He elects to risk all by reaching beyond man’s reach by going ‘too far out”’ (a readers guide 192). He is not a man with a lot of strength. He is very old and has to have someone help him do certain tasks. His hands are very brittle and there is times where he can not rely on them. They bleed and get stuck in the fist position when he does too much manual labor. Often times his left hand is what gives him the most trouble. However, none of this ever stops him from doing what he believes in. Hemingway uses this quote to show readers that Santiago can still do anything he wants, “I will handle him with the right arm alone” (16). While his left hand is not much use, Santiago does not let that stop him from holding onto the line with only his right hand. In the end, after the fish dies he is finally on his way back home. With him being such full of courage “he did not need a compass to tell him where Southeast was. He only needed the feel of the trade winds” (Hemingway 27). He is not scared at all about getting lost. He knows exactly how to get himself home. He does not need anyone or anything telling him which direction he needs to travel. As he was relying on the trade winds he finally makes it back
The first significant person to direct Santiago to his personal legend was the King of Salem. The King of Salem is the character that introduces Santiago to his personal legend and what a personal legend is. Through this it adjusts Santiago’s path and desires to find out what the Old King was talking about. “None of what the old man was saying made much sense to the boy. But he wanted to know what the “mysterious force was;” (22). By this little spiel from the Old King Santiago takes a turn in his life. He suddenly is curious about this “hidden treasure” and is determined to find out more. If Santiago never met the King of Salem then he never would've known about his personal legend and continued to meet other important characters in his life. The Old King also encouraged the belief of omen to the boy through the use of white and
Santiago does this because he believes it is his fate to go to the pyramids and find his treasure that an old woman told him about. He also believes in his “Personal legend” which is revealed by mind reader early in the book. He shrugs it off at first but then throughout the book realizes more and
In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest
Santiago almost gave up on his dream to he had decided to go back and buy his sheep but once he had to money, he thought of what the king had told him and couldn’t give up on his dreams. He told himself he could go back to being a shepherd whenever he wanted but this was his chance to follow his dreams. Finding the Merchant and earning enough money to follow his dreams could not have just been a coincidence, after losing all his money. I think meeting the merchant was part of his life legend. He learned a lot from the merchant.
The man recognizes how easy it is to surrender to the mirage of good dreams, where the richness of color and variety of detail provides a dangerous contrast to the grey monotony of both his and his son’s reality. Often, he awakens “in the black and freezing waste out of softly colored worlds of human love, the songs of birds, the sun,” (272). Those dreams are an invitation to rest in some nonexistent land. The man recognizes this as a dangerous temptation so he forces himself to wake up and face the cruel world rather than deteriorate in a world that no longer exists. His philosophy is that “the right dreams for a man in peril were dreams of peril and all else was the call of languor and of death.” (18). Only bad dreams belong in his mind because all good dreams are a reminder of valuable days that cannot be lived
First, something that leads the reader to believe that Santiago is dead at the end of the book is foreshadowing. One event that foreshadowed Santiago’s death was the death of the marlin. The fish and the old man displayed similar qualities of strength, bravery and determination. For instance, the old man surpassed his natural limits by staying far out at sea, while the fish
Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway
Santiago plays a huge role in the theme is developed throughout the story. This is mostly due to how much the reader sees how Santiago changes as the novel progresses and as he gets closer to completing his Personal Legend. In the beginning of the story it is revealed that Santiago decided to abandon becoming a priest in favor of traveling, which can be interpreted as the earliest sign of change and transformation from the main character before his real journey begins. "I found these one day in the fields. I wanted them to be a part of your inheritance. But use them to buy your flock. Take to the fields, and someday you'll learn that our countryside is the best, and our women the most beautiful" (Coelho 18). Digging into the story more only leads to more examples of how Santiago changes. One major example that
These assets are both cash and other things that could be changed into cash, and they might be used if necessary to pay their costs of operating. A non-profit organization uses the long-term solvency ratio to find out if they are likely to be able to pay their bills. This ratio will tell the non-profit exactly how much they depend on contributions from other sources outside of their organization. The organization uses the management/expense ratio to tell them how much they should set aside for administrative costs, besides their program costs. If they save too much money in this category, they can spend less money on their programs. The revenue/expense ratio tells them how much funding they have used to support their fund-raising. The revenue/expense ratio is like the management/expense ratio because if too much money goes into revenue/expense, not enough will go to their programs.
In Ernest Hemingway’s novel, The Old Man and the Sea, Santiago demonstrates the traits of the code hero. The Hemingway’s code hero covers the principal ideals of honor, courage, and endurance in a misfortune life. Throughout the novel, Santiago shows a contrast between opposite attitudes and values which associate his behavior with the guidelines of the code. In this case, the depiction of conflicting values, such as dignity despite humility, perseverance despite despair, and victory despite defeat are aspects that help to describe and understand the role of Santiago in the novel, and reflect the reason why this character is perfectly suited to the heroic conduct established by Hemingway.
Obscenity revolves around what constitutes pornography and sexually explicit material to be protected by the First Amendment rights of freedom of speech and press as stated in the Constitution. I want to look at the language and definitions of obscenity created by the Supreme Court and interrupt their effects on society. In this essay, I want to argue that the creation of the definition of obscenity and obscenity laws constructed from community standards can be harmful to society because they can be interrupted in many different ways.
Throughout the book, The Old Man and the Sea, Hemingway uses a writing style known as stream of consciousness which entails using uninterrupted thoughts and feelings of the main character. This writing style shows through the character Santiago while he is at sea. Santiago talks to himself which essentially correlates to how he feels at that moment. The usage of the technique stream of consciousness engages the reader into how the character feels during that moment making the reader connected to the character. Hemingway uses this technique to its fullest in the novel when the author shows Santiago talking to himself about DiMaggio and to then eventually thinking that he wanted to be the marlin.
Santiago of The Old Man and the Sea is the quintessential “Hemingway Hero”-a type of fictional character created by Hemingway in all of his books whose basic response to life appealed very strongly to the readers. The Old Man begins the narrative with all the elements of such a hero despite his senescence and poverty. He shows strength, determination, and dedication to himself despite his struggles. Santiago relates back to readers as a strong failure who picks himself up repeatedly.
The gambling industry is growing rapidly in the United States as gambling has become increasingly more socially acceptable than it has been in the past. Many state governments, such as Nevada, have encouraged gambling as a key source of revenue, even more so after the recession we suffered in the late 2000s. Casino hotels, which account for the majority of industry revenue, have generally become larger in markets like Las Vegas, many generating annual revenue of about $500 million, according to the UNLV Center for Gaming Research. (Gambling, 2015) This has increased the traveling to many of these destinations such as Las Vegas and Atlantic City in New Jersey. US tourism spending on traveler accommodations, an indicator for casino hotel