Santiago's Defeat

Another important aspect of Santiago’s personality is his optimism and resilience. Although not associated with all transcendentalists, the ability to view events in a positive light is very important for a Transcendentalist to possess. Thoreau describes this attribute as being the way in which we see the beauty all around us, by taking the bad and viewing it in a positive manner. Santiago does exactly this by always accepting the hand he is dealt. After days out at sea in a very painful position, he states, “He did not truly feel good because the pain from the cord across his back had almost passed pain and gone into a dullness that he mistrusted. But I have had worse things than that, he thought. My hand is only cut a little and the cramp is gone from the other. My legs are all right. Also now I have gained on him in the question of sustenance.” (Hemingway 74). Santiago feels that his injuries are not important, as he has experienced worse pain and what is more important to him at the time is catching the fish. Later in the book, after he finally catches the huge fish, it gets eaten by sharks on his way back to shore. Unlike a typical

The forces of the universe have crucified both Santiago and the marlin.  We see this when Santiago carries his mast cross-like to his shack and the author's description of his exhausted repose "face down on the newspapers with his arms out straight and the palms up" (Hemingway  122).  Yet, through this struggle, through this pride that made him go far out beyond all people, Santiago learns the meaning of life in a meaningless universe is humility and love.  We see this expressed most clearly in his mentor-like relationship with Manolin.  Human solidarity and interdependence may not make a man any more capable of beating the forces of the universe, but they are sustaining as much as the courage and dignity with which Santiago faces life "the boy keeps me alive, he thought.  I must not deceive myself too much" (Hemingway  106).  Before coming to shore, Santiago recognizes he has gained humility and he is loved.  He is appreciative the other fishers will worry about him.  They bring him food and newspapers to

Destroyed, defeated, or both. On page 93 of The Old Man and the Sea Ernest Hemingway says, “a man can be destroyed but not defeated.” The statement can be referred to throughout the novel. Santiago, also known as the old man, courage and pride continually pushes him forward even when all hope feels lost.

A ninth grade student once described Santiago as “just a stupid, senile old man who had no business doing what he did.” I disagree and think that Santiago, a character in Ernest Hemingway’s The Old Man and the Sea, was a great and honorable man. He proved this by what he did many times over. Santiago showed his character through his actions clearly, throughout the book.

During the time period Hemingway was writing The Old Man and the Sea, fear was present in society, e.g. The Red Scare. The fearless perseverance of the novel’s main character, Santiago, contrasts the feelings of Americans during the forties. Through reverse psychology, the valiant actions of Santiago in his perils with the marlin he was fishing, alleviated some of the unease present in American minds. The instilled the thought process of not blanching what is possible. Santiago narrates his moral correction along the lines of the same topic, “Now is no time to think [fear] what you do not have. Think of what you can do with what there is.” The quote elucidates Hemingway’s opinion of apprehension and how he found no place for it throughout the sixty-one years of his life. Events concurrent with the lives of Fitzgerald and Hemingway in their personal lives and the views of the public gave way to the formation of the plots in The Great Gatsby and The Old Man and the Sea. The structure of both novels adds to the claim: Fitzgerald and Hemingway are two of the best modernists in their

The Old Man and The Sea, is a tale of an old man named Santiago who is a fisherman. He hasn’t had any luck with fishing, resulting in the other town members viewing him as a lame old man. A boy who used to fish with him inspires to change up his usual fishing tactics resulting in him catching a great huge fish. After fighting the fish for a couple days in his tiny boat he ties it to the side, headed for shore. On the way in sharks eat his entire catch leaving a skeleton to show for his work. The reader can see a clear metaphor painted by Hemingway. The fish

Individuals may look deep within to summon courage that is necessary to move past triumphs and tragedies. In Ernest Hemingway’s The Old Man and the Sea, Santiago struggles greatly to search for hope in seemingly hopeless situations. The idea that people look deep within to summon courage is portrayed through the actions of Santiago, Manolin, and Manolin’s parents.

I swear it was THIS big! Throughout The Old Man and the Sea the author portrays a struggle for dominance and shows the importance of it.

Throughout the whole book Santiago shows many signs of courage. In the beginning, Santiago gets in his boat and sails out into the sea. He usually stays near shore, like all the other boats. However, today “He elects to risk all by reaching beyond man’s reach by going ‘too far out”’ (a readers guide 192).   He is not a man with a lot of strength. He is very old and has to have someone help him do certain tasks. His hands are very brittle and there is times where he can not rely on them. They bleed and get stuck in the fist position when he does too much manual labor. Often times his left hand is what gives him the most trouble.  However, none of this ever stops him from doing what he believes in. Hemingway uses this quote to show readers that Santiago can still do anything he wants, “I will handle him with the right arm alone” (16). While his left hand is not much use, Santiago does not let that stop him from holding onto the line with only his right hand. In the end, after the fish dies he is finally on his way back home. With him being such full of courage “he did not need a compass to tell him where Southeast was. He only needed the feel of the trade winds” (Hemingway 27). He is not scared at all about getting lost. He knows exactly how to get himself home. He does not need anyone or anything telling him which direction he needs to travel. As he was relying on the trade winds he finally makes it back

Within the book, strong and enduring Santiago battles the marlin for days, although he has nothing but his hands to hold the line, and, then, fights against the fish with his knife and his old hands. When the Mako shark comes and eats the flesh of the marlin that is tied to the side of the boat, Santiago continues to fight for the marlin; however, the shark takes much flesh from the marlin. The sharks symbolize destruction in Santiago’s life; however, The Old man perseveres as Hemingway pulls out his thoughts, “But I killed the shark that hit my fish, he thought. And he was the biggest dentuso that I have ever seen. And God knows that I have seen big ones.”(pg103) Here, Hemingway exemplifies that even when the Old Man has experienced destruction, he overcomes

Ernest Hemingway's The Old Man and the Sea has engendered some lively debate in literary circles. Critics have concentrated on everything in the novella from the verity of Rigel's early evening appearance over Cuban skies in September (Weeks 192) to William Faulkner's judgment that Hemingway discovered God while writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple fishing tale into a sublime narrative of human endurance. A reading that examines these images will serve to clarify the hidden significance in

Following this, on one side of the debate, some critics believe that the primary theme of The Old Man and The Sea is pride. Admittedly, there are many scenes where pride is shown. Nevertheless, it’s critical to understand that pride was one of the many reasons why Santiago persevered so much. For example, Litcharts.com claims that, “After he kills the first shark, Santiago, who knows he killed the marlin "for pride," and wonders if the sin of pride was responsible for the shark attack because pride caused him to go out into the ocean beyond the usual boundaries that fishermen observe (Litcharts 1).” Although the quote expressed many examples of the theme pride, it shows perseverance even further. When the quote claimed that pride

It is ambiguous whether the old man succeeds or fails. At first, it seems that if Santiago has failed. “He sailed lightly now and he had no thoughts nor any feelings of any kind” (Hemingway 119). It is almost like he has lost everything that he has worked for. The old man accepts defeat as is, without mourning or grief Fortunately, after all the damage has been taken, he keeps fishing. He built some sort of relationship with the marlin, but was later broken. He has since moved on.

In Ernest Hemingway’s novel, The Old Man and the Sea, Santiago demonstrates the traits of the code hero. The Hemingway’s code hero covers the principal ideals of honor, courage, and endurance in a misfortune life. Throughout the novel, Santiago shows a contrast between opposite attitudes and values which associate his behavior with the guidelines of the code. In this case, the depiction of conflicting values, such as dignity despite humility, perseverance despite despair, and victory despite defeat are aspects that help to describe and understand the role of Santiago in the novel, and reflect the reason why this character is perfectly suited to the heroic conduct established by Hemingway.

“Santiago’s ordeal, first in his struggle with the big fish, and then in fighting against the sharks, is associated by Hemingway with Christ’s agony and triumph,” (Bloom 2). When Santiago sees the second and third sharks coming, he shouts “Ay,” and Hemingway notes: “There is no