Sarangi Gcse

Although I enjoyed the concert, it was very different than how I normally think of jazz. It sounded as if they're playing could've been improvisatory. Although I know that's not the case, at many parts it felt like there were three musicians playing separate pieces that didn't go together. It felt very free, and possibly purposely made to be unique. As they announced titles, they would indicate where the song comes from. Sometimes, they would indicate one of their band members and sometimes it would their version of someone else's song, such as their song “The Robots.” You can see the personalities of the musicians as they play and in their songs. The drummer, Dave King, wrote one of their songs “Keep the Bugs Off Your Glass and The Bears Off Your Ass” and was the most freestyle player. He seemed to have fun, and looked like he was completely free as he played. After relistening to the songs at a later point, I can confirm that not just his playing, but the entire song wasn’t exactly the same, which leads me to believe they do a lot of freestyle typical in jazz. Specifically, Dave King was very humorous throughout the concert. He would tell jokes the entire time between songs, and told a story about his big dream to give out ice cream at their concerts one day. Out of all of them, his personality and playing shined out the most. The performance showed clear elements of jazz and popular music as they played, using syncopation, freestyle, and melodies to musically communicate with the

The pieces were quite odd for me at the first time, first hearing, but I got used to it at the end of the each piece. “The Gospel Train” and “Little David, Play On Your Harp” were African-American Spiritual songs, which I kind of enjoyed, because I was also, very spiritually active. The last song, “Precious Lord Take My Hand” was very calming songs. I liked the lyrics of the song. The lyrics were very touchy that it made me ponder after the applause.

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Some of the movements executed by the dancers are similar to those executed by dancers in a stepping performance and also in a tap dance presentation. This presentation falls into the group of the new trends of modern dance, in which the choreographer are taking more and more liberty with various dance combinations, and including strong messages in their work. I would definitely attend other dance performance, not only from this company, but also by other companies; and would also recommend this performance, especially to people going through a dark period in their life. This performance finished convincing me that dance is surely the most communicative of the art forms, and that a single presentation can convey more than one

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I strongly encourage you to post course-related questions on the class discussion forum in Blackboard and to answer your colleagues’ questions.

The beat in this section builds up as more percussion is added. Similarly, dancers gradually feed on to the stage as the levels of percussion increase. The dancers walk, isolating their hips down stage Right then break off into trios as they rise and fall with the syncopating drum. E.g. with steps, turns, leg lifts and back bends.

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As we moved further along, the bass player, Chris Kozak took over. He slowly emerges from the silence as he carefully tapped the cymbals. The dynamic remained piano as the tempo gradually gets faster (accelerando). This heightened the tension before they all began to play together at 12:26 and returned to the initial mezzo forte dynamic of the piece. Towards the end, a characteristic of African music was highlighted where they performed a series of call and response. It was thrilling to hear this.

They showed great dynamics and balance. I felt that the dancer’s (The Golden Stars) piece was short and rushed. Their piece and routine didn’t even last a full minute (5:16-6:07). Now; I’m not of fan of vocals being featured in Marching Band performances unless it is done correctly. In order for performances like these to sound good, the band needs to have enough balance, dynamics, and technique while still giving just enough volume where you can still hear the vocalist. I will give Miles credit; they sounded fabulous, music wise. The technique was there, the dynamics were there (instrument wise), and the balance was there. The ballad “Stand” by Donnie McClurkin sounded amazing. However, I felt that there were times you couldn’t really hear the vocalist as he sung, but it did get a little better towards the end. I also appreciated the nice woodwind parts towards the end of the ballad. Miles College Purple Marching Machine did a really good job and was one of the most consistent bands on the

There were three choral groups performed, and they sang different songs with different language. The first group used the drum instrument and the third group used piano instrument. The second group didn’t use any instrument.

Due to their status in the Indian caste system, the traditional music played by the Merasi is conceived as a way to please their patron family, a way to share their history, and a way to escape the required social conformity. The eleven pieces performed by the group varied in theme, but all centered around their historical and ancestral experience in different spaces. The first few songs focusing on praising their beloved Pakistan; the next allowed them to speak to spaces where they are unwelcomed; and the final song celebrated the communal

that is normally played with one stick while the hand that holds the drum is used to mute which helps accentuate some beats and muffle others. The agogo acts as the melodic instrument even though there are only two notes that can be played. The agogo is an idiophone that resembles two different sized cow bells attached together.

I think that the performer’s ability was appropriate for their location and for their audience because the tone quality of the musicians sounded very rich and clean. When I listened to the performance, I was able to hear all of the different parts of the piece clearly, which has made me much more conscious of the balance and dynamics of each phrase when I play. The texture of the pieces played was very rich and full because an orchestral piece is designed to have a good balance of instruments and good range of frequencies of sound that has lots of different things happening at the same time.

The oboe then plays main melody. There is a rallentando and diminuendo with a flute melody and pizzicato strings.