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In the novel, Hope Leslie, Catherine Maria Sedgwick uses personal analysis as well as historical information to create an uncannily realistic tale of romance, racial prejudice and religion. Throughout the book, Sedgwick emphasizes relations between the Native American peoples and the European Americans living in Massachusetts in the 1640’s. She is able to do this specifically with the characters of Magawisca, the Native American slave with the will of a lioness, Everell Fletcher, the handsome much wanted white male protagonist, Hope Leslie, a strong headed young woman who symbolizes modernism in the piece and Esther Downing, Hope Leslie’s literary foil. Through the

History is the base and foundation that is set to make a brighter and better future. The future is developed through mistakes and faults that have been made right, as human beings are learning creatures that require the process of constant trial and error. Yet in the world of fiction and literature, this has not been the case. Two immensely well known, famous and loved novel from their respective generations, Jane Eyre by Charlotte Bronte and the Twilight Saga by Stephenie Meyer, has been set as the representative case of the regression in the portrayal of female empowerment over time. The book Jane Eyre was published in 1847 as

During this time period literature had a dominance of black women writers. Their writings focused on five major traits: dominance of black women writers, intertextuality, revisiting the past, reoccurrence of historiography, and broadening of horizons. Among the major writers only one was a male. The intertextuality circled around repeat writing, the response and revision of earlier themes and motifs. Each period adds to the existing one by utilizing new contexts to literature, themes and style.

According to Adichie, since the childhood, she was a victim of single story consequences. Her first false conception was caused by the children books, all of which is from American and Britain, filling up characters with totally different features, behaviors and “things which I could not personally identify” (1:43). This used to make she think that there would be no literature for the people like her. However, she got out of this perception when finding out other African authors and books. The second misconception is about Fide’s family when she turned eight. She knew nothing about Fide’s family except their poverty by keeping listening to the single story about them through

authors, who are great influential woman. They both had a point to prove about racial

In our class discussions and reading, I learned that women were once in charge of the human race, women were a part of a community, no race was inferior or superior, there was peace and harmony in the world until the patriarchal era came, planning to embed itself in the ground for a long time. Women were raped of their identity, their race and their status in society. Men ruled the biblical stories, leaving Mary out. Hence, the war started between the races, women fought to gain their identity back and to do so, they started with writing. One of those women was Audre Lorde. Audre Lorde was raised in a very sheltered family. She was protected by her mother who believed that white people should not be trusted. Seeing her mother

Celie is inspired by her sister’s independence, determination and perseverance in Africa among foreign people whom Nettie cares about deeply. Celie saw the impact that a woman could have on others and felt

The Romantic Period built an environment where women were painted with flowery diction (Wollstonecraft, 216) and were incapable of independence. The Rights of Woman became a crucial topic, particularly in poetry which allowed women the freedom of expression. Accordingly, during the early eighteenth and nineteenth centuries, women writers did not need the prop of their male contemporaries like suggested. Evidently, women were able, successful, and professional writers in their own right. In fact, women often influenced male writers (Dustin, 42). Both Mary Wollstonecraft and Anna Letitia Barbauld are evidence that women did not need to rely on their male peers to become successful poets. Consequently, many poets took inspiration from them (Dustin, 32). In The Rights of Woman and Vindication of the Rights of Woman, Anna Letitia Barbauld and Mary Wollstonecraft had contrasting ideas. Barbauld’s The Rights of Woman was a documented reaction towards Wollstonecraft’s extremely controversial Vindication. Henceforth, both indicate a separate message for the Rights of the Woman. Assumedly, Barbauld misinterpreted Wollstonecraft and readings of The Rights of Woman in the twenty-first century appear antifeminist as a result.

Virginia Woolf saw it the same way; in how women of a time before the eighteenth century had little to no history of prominent women as literary artists or in general. In her essay, Woolf states that there is very little mention in history of women, and if mentioned they usually happen to be a royal lady such as an Elizabeth or Mary. A middle-class woman could never participate in such a movement of acknowledgment, even if she had brains and character to dispense. No average Elizabethan woman ever just wrote her story, regardless of the circumstance of the era, because she would have been “snubbed, slapped, lectured, and exhorted”(Jacobus 702). It was proven that there are just few exceptions in evidence, such as women’s letters (Jacobus 695-696).

Colleen McElroy uses her poetry to describe her culture and heritage in a very historical manner. McElroy’s poetry is very different from Hughes and Clifton in the sense that she uses so many references to her ancestors culture back in Africa. “My memory floats down a long narrow hall, A calabash of history. Grandpa stood high in Watusi shadows Where effigies of my ancestors are captured in Beatle tunes, And crowns never touch Bantu heads. My past is a slender dancer reflected briefly Like a leopard in fingers of fire. The future Dahomey is a house of 16 doors, the totem of Burundi counts 17 warriors-- In reverse generations. While I cling to one stray Seminole. My thoughts grow thin in the urge to travel beyond Grandma’s tale. Of why cat fur id for kitten britches; Past the wrought iron rail of first stairs In baby white shoes, To Ashanti mysteries and rituals.” The use of African language and the names of tribes paint a geographical image that readers can begin to follow. Heritage is more than following the lineage of a people, the land in which they live is equally as involved. This ethnic and topographical following of these people gives her Clifton’s poetry the breath

An interesting insight into grasping the un-similarities of how Antoinette and Jane portray their roles as woman are by noticing their spiritual beliefs. Growing up, Jane would often show signs where she would leave her insecurity in the faith and power of religion.

The special interest here is one raised earlier in the work: the effect of tradition on women 's writing.

Wide Sargasso Sea was Jean Rhys’s effort to retell and complicate the unresolved character of Bertha Mason, the “lunatic creole” presented to us in Charlotte Bronte’s classic novel, Jane Eyre. Bronte’s Jane Eyre was one of the first feminist critiques of the Victorian era. It scandalised and shocked society by presenting the reader with an independent woman who defied societal ideals of self-control. Through her depiction of Antoinette in Wide Sargasso Sea Rhys responds to Bronte’s feminist stance through a post-colonial lens 119 years later. Both novels are feminist works, however each author approaches feminist concerns in a manner

If we analyse the legends of the Amazons told in Chapter 2 and considering the fact that Africans are attached to their glorious past, we can put forward that the inner-power in woman are strongly attached to these values which have been transmitted from generations to generations.

Louisa May Alcott, best known as the author of Little Women, was an advocate of women’s rights and temperance. Published in 1868, Little Women follows the lives, loves and tribulations of three sisters growing up during American civil war. The independence of women is a major theme in Little Women. Since its publication the novel has constantly been read and remembered for its feminist spirit. Little Women examines the place of women in society by presenting the portraits of several very different but equally praiseworthy women. We experience their multifarious interpretations of femininity and we see a range of diverse possibilities for integrating women into the society.