Saroo Alternate Ending

“Afa where are you going!” Mako yelled. As Mako goes to search for Afa he hears rustles in the bushes.

Lova was on her phone doing her normal thing on instagram when deer suddenly messaged her, he said they could finally meet up after 3 years of playing sso and being virtual friends, lova was indeed verrrry happy to meet deer in real that she almost forgot to bring her phone xD. Once lova got in her care she put the keys in egnision And started up the car she drove for 6 hours until she saw deers car at a local walmart near the meeting place without thinking she ran up and started to hug deer. deer on the other hand had different plans for the meetup. he then gave her a drink and told her to drink it which she did, without realizing that it was drugged she fell and slept. she then awoke on a bed she had very tight ropes around her arms. she was scared knowing nothing of where she

In the heart racing film ‘Lion’ directed by Garth Davis and the novel ‘Lion’ written by the man who this books and film was based on, Saroo Brierley himself scrutinize the theme ‘lost’ in identical ways. The book and film are both based on a young boy who faces the worst fear of any young child and that is being lost in a country in millions. Saroo Brierley was lost in India and did not know the name of the city. Throughout the book it describes more in depth about Saroo being lost compared to the film as it displays the theme lost through watching not listening. In the book Saroo was picked up from the detention centre and claimed young Saroo as ‘lost’ “In the end, without knowing who I was or where I’d come from, they declared my status as ‘Lost’” (Brierley, Saroo ‘Lion’ pg 68). However, Garth Davis staunchly demonstrates the theme in the film using Mise-en-scène which is camera angles and lighting highlighting that Saroo is lost. When Saroo is in the train station the high angle filming shows that there are hundreds of people in the station and it was hard to see Saroo. The lighting was balanced out making it hard to find him as there is no spotlight shining on him, showing that he is just a spec in the huge crowd. There was a part in the movie and book where Saroo was asked by someone if he wanted to stay with them for a bit and provide food and shelter, naively he accepted because he knew that being lost on the streets is much worse, however, this was not the case,

“It’s an interesting, story about how we met him. Do you want to hear it?”

The car was silent as Ino drove Sakura to her pregnancy class. She hoped that Sakura would be ok she could only imagine how she must have felt. "Sakura how did it go?"

Changmin closed his eyes and allowed his other senses to be engulfed with what was only him. His smell, touch, sound and overall presence. How can one person demand so much with so little? Changmin was caught very much in his web of charms; just like a fly caught by the spider. The more he struggled the more he found himself unable to fly away.

Then he whispered in Nido’s ear: ‘I’m sorry about my outburst earlier. You were right, of course.’

The extraordinary journey of Saroo Brierley returning to his home in India after living in Australia for twenty-five years is expressed with emotion and feeling in A Long Way Home by Saroo Brierley. The journey of the five-year-old boy from Burhanpur to Calcutta in India is heart-wrenching and terrifying. Because of his encounters in the book, the story feels amazing and unreal. Saroo was influenced by many people in India and Australia, who helped him throughout his life. Two of the most important people in Saroo’s life were Saroj Sood, of the Indian Society for Sponsorship and Adoption, and Sue Brierley, his adoptive mother.

Kuroo is in the dean’s office with a flying frog zooming around the room. Kuroo is meekly smiling at the dean. The dean, Nekomata, has his fingers clasp together and is smiling back at Kuroo.

His keys fell. Ritsu stepped back cautiously, rubbing his eyes to make sure it wasn't his sleep-deprived imagination playing tricks on him. It wasn't.

My eyes shot open, and were instantly greeted by the blinding light of the sunrise. Breathing heavily, I silently remind myself it was just a dream.

Fara cracked one eye, and was blinded momentarily by white light. When her vision cleared and adjusted, she opened the other and viewed her surroundings. She was in a hallway, just along a baby blue wall; nurses and doctors with stethoscopes around their necks hurried about, ignoring them. Leaning up, she looked for Xhaiden, and was relieved to see him in a stretcher just in front of her. Their backpacks were at their feet, untouched.

Waking up from the sounds of rumbling engines and voices with fast paced feet rushing by outside his window, Yoongi feels a harsh pounding on his head. He groans and turns on his side while tightly squeezing his eyes shut, hands gripping onto his blonde locks of hair as the pounding seems to intensify.

Gakupo and Jia stared at each other, the same expression mirrored on the other's face as their child wailed before them. Armin needed them, begging to be held but neither felt worthy.

Through time and place where time never stills, a warrior named Djinda went against his tribe’s elders as he believed that being an elder was a sad existence. Every day he set out from dawn to dusk, as he traversed the forest creating havoc wherever he believed necessary, deliberately ignoring the elder’s warnings for him to stop, but being the stubborn strong headed warrior he was, he thought he was right. To go rebel against an elder is a horrible offence but he refused to listen to the old folks. The rainbow serpent did not like that Djinda was consistently mocking the elders, laughing as they stumbled, pointing out their flaws that come with age.