Satirical Writing Style In Catch 22

Flannery O’Conner argued that “[Distortion] is the only way to make people see”. This famous statement is initially contradictory and incongruous, but in Joseph Heller’s Catch-22 it is easy to see the truth of this paradox. The pages of Catch-22 are lined with distortion and each instance provides for a new kind of clarity. Catch-22 is simply a war story illustrated by ridiculous behavior and illogical arguments and told in a flatly satirical tone. Though the book never states outright that matters are funny, the reader is always aware of how outrageously bizarre the characters and situations are. Heller uses out of sequence narration, a confused distinction between appearance and reality, and the irrationally

The comedy that Catch-22 brings is ironic in itself, think how can you get humor out of war which entails pain and suffering, that beats me how Heller does it but by whatever means used Heller creates a complete package of humor and real life occurrences which is a great fete in itself. "Though it's comic formula riddle, Heller's novel expresses the apparently inescapable human predicament." (Colmer 213)

It is frequently said that the novel Catch – 22 by Joseph Heller is about Heller’s opinion on war and lack of patriotism. Although it is understandable how one could grasp those concepts from the novel the main crux of the novel is for the reader to have noticed Heller’s use of satire within the characters. Also to be effected by Yosarrian’s evolution. Heller uses satire to portray his outlook on war but also other aspects in society. The other aspects are value of life, misuse of power, women and the inhuman bureaucracy of the military structure as a whole.

“The Screwtape Letters,” a novel written by C.S. Lewis, demonstrates many uses of satire. Satire is a way of writing which involves humor, exaggeration, and irony. It is also used to make a mockery of or expose a person’s stupidity. It is often used for the reader’s entertainment. When interpreted the way the author has intended, it adds a whole new meaning to the story. In a way, it allows the reader to connect with the author and the characters. It also makes reading more amusing.

There is a strong recurring theme in Joseph Heller’s Catch-22: the amoral will push the moral to either become like them or to be their victims. In a world of an oppressive bureaucracy that values career success over human life, the men of the Twenty-Seventh Airborne are pushed either to conform and accept entropy or to suffer. This theme of either succumbing or dying is highlighted especially in Milo Minderbinder and Snowden; Cathcart’s “feathers in his cap” or “black eyes; and Cathcart and Korn’s proposed deal to Yossarian.

As a tool for social commentary, oftentimes a writer will employ the use of a biting satire. Through precise writing and exaggerated concepts, Kurt Vonnegut is clearly a skilled user of satirical storytelling. As one of the most famous and widely read short literary tales of all time, Vonnegut’s Harrison Bergeron is certainly his best example in this genre. In Harrison Bergeron, Kurt Vonnegut proposes that true equality is not an ideal worth striving for, as many people believe, but a mistaken goal that is dangerous in both implementation and consequence. To achieve physical and mental equality amongst all Americans, the government in Vonnegut's short story subjects its citizens to “handicapping” through the use of crude means, such as canvas sacks of lead balls worn to impede physical ability, or more sophisticated technology, like the miniature radio used to mentally incapacitate the intellectually adept. This has rendered the dystopian future presented both bland and uneventful through its enforcement of equality for all. Vonnegut expertly engineers his story to capture the essence of an utterly broken and depressing future. Calibrating the specific aspects of literature, Vonnegut is attune with the exact parameters he so desires for his tale. Like a true master of his craft, Vonnegut in Harrison Bergeron welds together poignant imagery, vague setting, rich symbolism, and a detached tone to build a stunning tour de force of American literature.

Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view

A Marxist reading enables the critic to see Catch 22, by Joseph Heller, as not simply an anti-war novel but a satirical representation of the absurdity of American bureaucracy and capitalism, and thus shows the extent to which the situation at the time was of concern to Heller. The novel takes place in Italy during World War II and the novel follows Yossarian who is a part of an air squadron yet Heller confirms that “The elements that inspired the ideas came to me from the civilian situation in this country in the 1950s”. Marxist literary criticism claims writers are formed by their social contexts. Indeed, Heller’s social and political climate formed Catch 22, which Heller criticizes the complacent attitude towards profiteering at the

Catch-22, by Joseph Heller, is a fictitious novel that depicts life on an American bomber squadron on Pianosa, an island off the coast of Italy, during the closing years of World War II. A bombardier by the name of Yossarian, the main character in the story, is joined by many others to create a comic drama unlike any other. But aside from the entertainment, Heller uses Catch-22 to satirize many aspects of everyday life that consist of hypocrisy, corruption, and insanity. From the laziness of policeman to the fake happiness brought about by money, the novel is painted with a great number of points targeted against the faults of modern society. However, along with these smaller targets, a majority of the Heller’s satire in the novel is

 Joseph Heller's narration, dialogue, and characterization in Catch-22 all create a unique perspective of war and our society's bureaucracy. The satire, sarcasm, irony, and general absurdity of the novel provide a view of the irrationality of man's behavior. The horror that is portrayed in Catch-22 is intensified by the humorous way in which it is portrayed. Distortion and exaggeration highlight the characters and scenario while magnifying the confusion. Parallel structure and repetition serve to reinforce the novel's themes.

Kurt Vonnegut was a man of disjointed ideas, as is expressed through the eccentric protagonists that dominate his works. Part cynic and part genius, Kurt Vonnegut’s brilliance as a satirist derives from the deranged nature of the atrocities he had witnessed in his life. The reason Vonnegut’s satire is so popular and works so well is because Vonnegut had personal ties to all the elements that he lambasted in his works. Vonnegut’s experience as a soldier in WWII during firebombing of Dresden corrupted his mind and enabled him to express the chaotic reality of war, violence, obsession, sex and government in a raw and personal manner. Through three works specifically, “Welcome to the Monkey House,” “Harrison Bergeron,” and Slaughterhouse-five,

Published in 1961, Joseph Heller’s satire novel Catch-22 has established itself as a prominent work in American literary history. Heller bases the novel on his own experiences as a bombardier on the Italian front during the Second World War, following the story of an American Air Force squadron stationed on the fictional island of Pianosa, Italy. The plot is centered around the anti hero Yossarian, whose fear that everyone is trying to kill him drives him to insanity. In Catch-22, Joseph Heller uses irony, humor and a non-chronological and repeated syntax to convey themes of the insanity of war and breakdown of communication in order to make his greater argument against war.

You can’t stop flying unless you’re crazy; you cannot not stop flying if you’re sane; and the only people who want to fly are crazy. This absurd logic, hilarious at first, is the root of Catch-22, and is but one such absurd joke among many in the book. In Catch-22, Joseph Heller employs comedy to illustrate how initially comical characteristics can, when pulled to the extremes, lead people to enact cruelties.

Humour and satire are two concepts that are both wide ranging and diverse, from dark, to light hearted, with each producing a different effect. Humour in the main, is something that is used to please the audience, its function is to invoke laughter amongst its audience. Satire is used to create a comical critical view of the subject at hand, this can range from a light hearted comical way, to a judgemental way, with each style giving the text a different meaning, however this does not mean that satire cannot be humorous, which can evident in the use of parody and irony within texts. Within literature both concepts play an important role to how the text is viewed, humour can include word play, grammatical jokes, to even inside jokes with the author and reader, and with satire, including that of irony and parody, with each style and type delivering humour in its own unique way. These differing styles of humour can be found in a variety of forms including Jasper Forde’s The Eyre Affair (2001), with its silly atmosphere, word play and grammar jokes, and the use of light hearted satire and parody to brighten up the text, and Julian Barnes A History of the World in 10 1/2 Chapters (1989), where there is a more serious atmosphere, with a more critical, satirical eye on history and characters, as well as using irony to achieve its comical effect, and the position of the world. Each text is humorous and satirical in its own right, and with each author using different techniques to

Even though this is such a great model of black comedy, Joseph Heller said that he was not aware that it would be funny when he wrote it (Catch-22, Computer). In the story, Catch-22 is a military rule that employs circular logic. An example of this is the rule that deals with avoiding combat missions: