Save as Many as You Ruin

Suicide can sometimes feel like the only way to pacify the pain. It is as if something is eating away parts of you slowly and intently and the only way to relieve the constant pain, is to die. Tiffany Hunter and Pierre L’errant are two very different characters with both equally unique yet queer personalities. Although Pierre and Tiffany are not the best of friends, their contrasting characteristics somehow complement each other. They both have similarities in their plans of suicide as well as differences that help them make the correct decision on where they want their life to go in future. Although they both made different decisions at the end, they assisted each other to settle on the right choice. Drew Hayden Taylor develops a theme of despondency and isolation from peers and loved ones in the novel “The Night Wanderer.”

A common theme in many great works of literature is that of forgiveness. Through studying some of these classics, we can learn the lesson that forgiving others, lets you to let go of hate and anger, and to draw nearer to God; this helps people to be happier and to obtain peace, even in terrible circumstances. First, in Left to Tell, Immaculée was able to find comfort and peace, when she found it in her heart to forgive. Second, in Blood Brothers, Elias found comfort and strength in the understanding that Christ loves and forgives all. Third, in Les Miserables, we see the results of being selfless and choosing to forgive. In this essay, we will examine this fundamental theme in the books Left to Tell by Immaculée Ilibagiza, Blood Brothers by Elias Chacour, and Les Miserables by Victor Hugo.

The importance of cherishing the invaluable individuals in one’s life is apparent in Matthew Teague’s personal journey of his wife’s battle against cancer and a genuine friendship. “The Friend” depicts emotional appeal, comparisons, and vivid imagery to portray the significance of valuing loved ones. There is no single definition for a loved one. A spouse, children, family, friends, the reciprocated love can build everlasting bonds, but why is it so important to treasure the relationships we have? Just because they are family, it may not signify that we love them; just because they are acquaintances, it does not necessarily indicate that we have a type of love for them either. The pure love we possess for someone is rare and never chosen or obliged, so this valuable love should be nurtured, for people are bound within unpredictable time limits. Nichole’s, Teague’s wife’s, diagnosis of cancer was a realization for him that his days with her were numbered. Along the way, Dane Faucheux, the couple’s friend, was devoted to aiding the Teague family during their struggling time. Faucheux’s undisputed support for Teague and his family surprised him numerous times throughout their experience. This love in the sublime story is seeped with appreciation for those Teague values in his life. The realization and worth of his deep endearment for his family and friend is transferred to the reader, and he or she begins to realize the reality of the given time to value those who are most important.

Lee’s writing is littered with descriptive and flowery visuals that truly capture both the environment and his emotions. In one such case, he recalls an evening where he “[stared] at the brightest star, viewing it not so much on this night as a beacon, something [he] wanted to believe would lead [he] out of this dark tunnel, but instead as a place [he’d] rather be” (155). His juvenile wistfulness is tangible in the words and the reader can almost feel the chill of the night air. He continues, wishing to be “anywhere but here…[wishing to have] been born anywhere but here.” (155). His yearning twists the heart with sympathy for his lonesome and pitiable plight. This moment is but a minute fraction of the incredibly intimate tale that Lee

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

The composer continues to describe the Winter, again using descriptive language to create a cold harsh environment, and allow the reader to sympathise for the duckling. With the life-threatening act of being ‘frozen fast in the ice’, comes the only act of real kindness that is present in the story as a farmer rescues

In the Robert Frost poem ‘’The Road Not Taken’’ there is a pervasive and in many ways intrinsic sense of journey throughout. In such, the poem explores an aspect associated with human decision, or indecision, relative to the oxymoron, that choices with the least the difference should bear the most indifference, but realistically, carry the most difficulty. This is conveyed through the use of several pivotal techniques. Where the first such instance is the use of an extended metaphor, where the poem as a whole becomes a literary embodiment of something more, the journey of life. The second technique used is the writing style of first person. Where in using this, the reader can depict a clear train of thought from the walker and understand

The tide was coming in and there was only a narrow strip of firm beach between the water and the white, stumbling stuff near the palm terrace. Ralph chose the firm strip as a path because he needed to think, and only here could he allow his feet to move without having to watch them. Suddenly, pacing by the water, he was overcome with astonishment. He found himself understanding the wearisomeness of this life, where every path was an improvisation and a considerable part of one 's waking life was spent watching one 's feet. He stopped, facing the strip; and remembering that first enthusiastic exploration as though it were part of a brighter childhood, he smiled jeeringly. He turned then and walked back toward the platform with the sun in his face. The time had come for the assembly and as he walked into the concealing splendors of the sunlight he went carefully over the points of his speech. There must be no mistake about this assembly, no chasing imaginary. . . .

The life as a coast guard living in a lighthouse on a desolate coast, seems simple and easy, maybe even taskless, but for a man with a troubled mind, and an incurable fixation, existence seems like an unavoidable entropy. He gazed into the divided scene in front of him, the horizon splitting the

` E.B White, author of famous stories like Charlotte’s Web, once said ,"The middle track was missing, the one with the marks of the hooves…”. He continues on with this phrase, trying to connect the reader to the concept that change comes with time. In “” Once More to the Lake” by E.B White and ” Forgetfulness” by Billy Collins, both writersauthors strive to make the reader understand how nothing can stay the same throughout the tests of time. In White’s story, he narrates an experience of going to the lake that he used to visit when he was young. He takes his son with him, and at first, sees himself in his son, but eventually succumbs to the repercussions of time, proving that he is closer to death than previously thought. Additionally, the poem ”Forgetfulness” address the same topic. Billy Collins, the author, describes experiences that display memories being forgotten over time. Collins, therefore, tries to show the reader that memories tend to fade, or change, over one’s lifetime. Therefore, using diction and figurative language, E.B White and Billy Collins help one better understand that the true tragedy of time is the change that comes with it.

As once pursued from that fleeting instant, when the successive hours grew vehement, existential matters wearied us and our hearts and the fierce waves hit the shore with savage blows. While both hands went in the niches of my apparel, I spent the

In many stories, a hero has a major flaw which contributes to his downfall. The Story “Ethan Frome”, a literary work in which the main character is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw, a moral weakness, or an inability to cope with unfavorable circumstances. Our hero, Ethan, is the character with the tragic flaw, which is a flaw in the character of the protagonist of a tragedy that brings the protagonist to ruin or sorrow. His biggest flaw is the misuse of communication in the story which brings problems with Zeena and Mattie.

The path Narrator is attempting to cross feels risky and unsafe to him, but somehow, he finds the perseverance to keep moving forward and making progress. He was stuck in the middle of the ridge when he had a sudden thought about what his “good friend Jean-Christophe” would say to him; with an “imperious wave of his conductor’s baton”, he would tell Narrator which way to go so that he, also, could take “free individual action against the whole world as he had”. These comparisons and thoughts are references to the books he read, and Jean-Christophe’ beliefs inspired Narrator’s dreams, which helped him gain the self-confidence and perseverance to keep going across the path, toward individualism. Halfway across the path, he was “filled

As Gabriel reflects on Gretta’s sorrow for this lost young man, he comes to accept that he has never experienced that depth of feeling and love for another person—not even for the wife that he had so desired just a short time before. He no longer looks at her through “admiring and happy eyes;” he now sees only her age and bitterly acknowledges that “her face is no longer the face for which [the boy] braved death” (2199). The reality of Gretta’s past has revealed the shallowness of his feelings and the hollowness in his life, and Gabriel’s picture of Gretta is forever changed.

In the case of “Snow in Midsummer” we may notice a somewhat paradoxical view on