`` Say Yes `` By Tobias Wolff And Button, By Richard Matheson

Robert is a caring man who knows how to listen and hold a mature conversation. Robert and the narrator’s wife’s relationship began ten years ago, when “she'd seen something in the paper: HELP WANTED—Reading to a Blind man, and a telephone number. She phoned and went over, was hired on the spot.” (179). Over the summer “they’d become good friends” (179), and at the end, Robert was allowed to touch her face, making their friendship more personal. His wife found it memorable and significant, “she even tried to write a poem about it.” (179). After that summer, the narrator’s wife moved away from Seattle to an Air Force base in Alabama with her childhood sweetheart. The narrator’s wife moved around quite a bit and would often feel lonely, and unhappy in her situation. After a suicide attempt, she put her thoughts and feelings on tapes to send to Robert. Robert was always emotionally there for her, to support her, something her current husband cannot offer her. This communication that was allowed through audio tapes was a real emotional bond, forged with understanding and caring. When they meet in person for the first time in ten years, it seemed as if nothing has changed between

The short stories, “Turned”, by Charlotte Perkins Gilman and “The Good Corn”, by H.E Bates provide strong examples of how the representation of characters influence’s the reader’s perception of a text. Both stories depict similar characters: a middle-aged, childless wife, her husband and an 18-year old girl who works for them. They are both about a similar situation: man cheats on wife with girl and girl falls pregnant. However, the author’s of the text are from very different backgrounds and this is reflected in their stories. Although there are many similarities between “The Good Corn” and “Turned”, the values reflected in these stories, their resolutions and the reader’s perception of them are vastly different due to the contexts of

The Story of an Hour and The Necklace share many similarities and also many differences; both explore the feeling that both wives harbor towards their husbands and the lack of communication that both wives share. In this essay I will discuss the similarities and differences that the two short stories share with regards to communication.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

Bartels explains that wives often let out their stress induced, pent up anger on their husbands. He uses his own life and instances he has experienced with his wife to support himself. He describes his wife as tired, angry, and wanting to take that out on him (Bartels 58). Bartels has experienced this spousal anger firsthand, giving him credibility to write about it. He understands how the cycle of spousal anger works. However, his lack of other means of support makes his article fall short in some areas. Whereas telling a personal story may appeal to one reader, it may not appeal to the next. Bartels lacks a balance of logical and emotional appeal. The emotional appeal that Bartels uses is successful, though. He says that at times his wife is so negative that is “threatens to grind [his] spirit to dust” (Bartels 59). This use of emotional language is well executed because any reader will either be able to relate to him or feel sorry for the situation he is in. However, some women may sympathize with him less as they take the side of the wife in his story. His stance is flawed because he comes at this argument at an obviously subjective position. Bartels overlooks the idea that many women will not feel sorry for him if they disagree with what he has to say.

The short story is set in the State of New York, in NYC. It can therefore be concluded that the story takes place in an urban environment. We could by argue that the story will make us reflect over some basic human sins or human needs, such as greed, anger, disgust and denial. We are introduced to the protagonist of this story at the beginning. Her name is Norma and she is married to Arthur. It is not clear from the text how long they have been together. They have a typical husband and wife relationship where it is Norma that cooks and cleans. Despite Norma having a job, there is always a hot meal waiting for Arthur when he returns home after work. Overall they seem happy and content,

In “Button, Button”, the author introduces Arthur and Norma Lewis to Mr.Steward and he offered them a deal they can’t resist. A healthy relationship can be shattered in an instance.when a business representative arrives at the front door he ends a perfect relationship. Due to this, their lives were changed in an instant. The author shows a general lesson that was that the main character didn’t really know her husband, to elaborate this is because when you are too focused on yourself you become distant. Matheson uses dialogue, foreshadows, symbolism, and pacing to connect to his readers and show that there are no perfect relationships.

of himself as an unwanted old bachelor and accordingly sets out to remedy the problem. The fact that he does not love Carol, whom he knows ?less than three weeks,? does not faze him in the least. Following the opinion of the 1950s, Carol, in his mind, becomes his ?competent housemaid? who will perhaps collect ?old pottery? and bake him ?little casserole dishes.? But Carol doesn?t mind. To be deemed ?complete? in the eyes of society in the decorum of marriage is enough for both individuals. In the characterization of Carol and Howard, who use each other?s presence as shields against judgment by a critical society, Gallant creates an amusing portrait of marriage as something that makes ?sense? with ?no reason?to fail? as long as both parties have ?a common interest? and ?[s]imilar economic backgrounds.?

At first, John from “The Yellow Wallpaper” and Leroy Moffitt from “Shiloh” seem completely different from each other. John is a physician who only believes in what he can physically see, while Leroy is a man lost in his own life, looking for a purpose. John’s wife is very dependent on him, whereas Leroy’s wife Norma Jean has her own life. However, the two seem more alike than first appears. If we compare John and Leroy, we can see both stories demonstrate how husbands can drive their wives away by being too restrictive of them.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sinclair Ross’s “The Painted Door” are both stories about women protagonists who feel emotionally isolated from their husbands, who both go by the name John. Ann in “The Painted the Door” and the wife whose name may or may not be Jane in “The Yellow Wallpaper” are women who deal with emotional isolation. Emotional isolation is a state of isolation where one may be in a relationship but still feel emotional separation. In these two stories, both women feel emotionally isolated from their husbands due to lack of communication. In both stories, lack of communication results from one individual failing to disclose their true feelings and instead he or she are beating around the bush, hoping the other party will know what they want. If both parties directly disclose their desires and feelings to one another, there would be a better understanding of each other which as a result would help save marriages. This paper will look at how both women lack communication, how they both their approach their emotional isolation differently, and how their failure to communicate to their husbands and their approach, results in the failure to save their marriage. “The Painted Door” and “The Yellow Wallpaper” are stories that show how both women protagonists are emotionally isolated due to their failure to communicate their feelings and desires to their husbands. Instead of direct communication to their husbands, the women find other

In addition to the extreme limitations of their daily routine, both characters in MacLeod’s and Gilman’s short stories are subject to their significantly overbearing and oppressive spouses. The domineering management of their lives compels these characters to engage in either reading or writing, as an act of defiance towards their authority wielding partners. This minor form of rebellion allows the characters to feel as though they have at least some aspect of control over their lives. The father in MacLeod’s story is aware of his wife’s aversion to and disapproval of reading; however, this antagonism does not deter him from spending all his minimally free-time devouring books in his room. The narrator notes that his mother “despised the room and all it stood for,” yet his father remained inside it every night while “the goose-necked lamp illuminated the pages in his hands,” in an act of passive-aggressive opposition towards his wife’s

Marriage is a full-time job on its own and people should communicate with each other in order to have a healthy marriage for them to love and appreciate each other so they can grow old together. Most of us know by now that the fairy tale happily ever after stories are full of holes. Carver emphasizes that when there is no communication in the marriage the wife starts to feel unhappy and frustrated with him. The wife’s attitude with her husband suggests that the marriage doesn’t seem to be working for her. Carver states, “My wife finally took her eyes off the blind man and looked at me. I had the feeling she didn’t like what she saw. I shrugged (38). ” There was unhappiness in the marriage and the narrator and his wife didn’t seem to get along. In other words the

Modern literature is known for questioning society and its various conventions. One question that these works often ask is, “What is real?” Some modern authors explore this question by placing their characters within self-constructed illusions that are later shattered by the introduction of reality. Marriages are frequently at the center of this theme, with one spouse crafting an illusory impression of the other. Modern literature demonstrates that a marriage built upon illusion will falter when exposed to reality.

The points of view in which the stories "The Itch" by Don DeLillo and "The Other Wife" by Colette are written have substantial impact on the way that readers get to know and understand the characters in them. The authors of these stories combine narration style and characterizations to construct stories that enable their readers to understand the characters, and the ways that they change and develop throughout them.

The theme of the two stories revolves around the feminist issue of marriage. A common notion between the two short stories is that love is a failure and a mere comic when there is the failure to recognize the beloved as a person and not a mere convenience. The stories also deal with the 18th and the 19th century American life?declining in their spiritual and emotional lives.