Science and Progress in Frankenstein and Hard Times

In this essay I will be discussing who really is portrayed as the monster in her gothic horror novel, Frankenstein or “The Modern Prometheus”. Frankenstein was written in 1816, (thought by many to be the first real science fiction novel) during the age of Romanticism and it tells the story of a selfish man, Victor Frankenstein, whose ambition conducts him to seek for supernatural powers and leads him to death. He is a young scientist, eager to discover something new, the key to life, help to make scientific advances and let other scientists get a better idea of how the body works and who after studying chemical processes and the decay of living beings, gains an insight into the creation of like, leading him to create a monster that becomes

Mary Shelley's Frankenstein is subtitled "The Modern Prometheus", and rightfully so. Prometheus, the Titan of Greek mythology that created man and gave them fire, is a fitting symbol for Victor Frankenstein, the man who created a "monster" and gave him life. The most obvious aspect of the similarity between Frankenstein and the Prometheus myth is the underlying theme - both stories deal with ill-fated actions with tragic consequences. The classic Prometheus stories, as told by Aeschylus, Percy Bysshe Shelley and summarized by Edith Hamilton, contain symbolic and thematic elements that closely parallel Mary Shelley's "modern Prometheus."

In Frankenstein. it can be seen that Shelly uses the myth of Prometheus the fire-stealer as an analogy for scientific knowledge, and that the "fire" of scientific knowledge can be used both for constructive and destructive means. Prometheus stole the fire for altruistic reasons, to help human beings. Similarly, Mary Shelley's arrogant scientist, Victor Frankenstein pursued his studies with the aim of banishing disease and a desire to "render man invulnerable to any but a violent death" (page 22) and claimed "A new species would bless me as its creator and source." (page 32). However, it is really ambition that drives him "like a hurricane" (page 32) as he engineers the Monster. It is not until the Monster opens its eyes and Frankenstein realises that it is not the thing of beauty he hoped to create that "breathless horror and disgust" (page 34) fills his heart and sends him rushing out of the room with no thought for what he has unleashed upon the world.

The science of electricity and its uses played a role in giving life to the monster. During the time period in which Frankenstein was written the use of electricity is an ongoing phenomenon in the medical field. In Frankenstein electricity is the implement that allows Victor to give life which creates his creature. According to the author of “Frankenstein: The Man and the Monster”, Suzanne Storment, “Early medical experiments demonstrated this phenomenon as a dead frog leg jolted with the injection of electricity, serving as a bridge between electricity and biology and chemistry.” (Storment 1). This quote explains that electricity can give life to the non living and electricity inspired Victor that he can create life using electricity. According to what Victory says, "I succeeded in discovering the cause of generation and life; nay, more, I became myself capable of bestowing animation up on lifeless matter.” (Shelley 31). Victor understands the power he has discovered in creating life. Thus, like God he can judge as to whether someone shall die or be given the gift of life by him. However, Victor’s creation would have a disastrous effect on him because it would be responsible for the deaths of his family and loved ones. This shows that when the ethics of science are broken and what has been done, while breaking these ethics, can be catastrophic when left

The first of Frankenstein’s flaws, is his foolishness. Victor is foolish in various aspects, more specifically his intention to bring life from the dead. Throughout history it is a known fact, when someone or something has died, there is no hope in bringing life back to them. It is one of the fundamental laws of life and Frankenstein is foolish to think he can surpass it. To his credit, he is indeed able to breathe life into the creature but this is also where his

Mary Shelley’s story of internal turmoil, the cruelty of altering the laws of nature, and the consequences of redefining the laws of nature is a harrowing one, known widely by many audiences, yet it is never the nature of the characters that is discussed, only the outcome. Shelley’s deliberate use of different character foils portrays the deeper connections and themes in her 1818 novel, Frankenstein. The creation and presence of Frankenstein’s monster directly foils the character of Victor Frankenstein himself, illustrating overarching themes of self inflicted isolation and internal conflict, exposing the dangers and consequences of complete and total narcissism, and revealing a truth many still refuse to accept: we, as humans, are capable

Community in Frankenstein." Bloom 's Literary Reference Online [Facts On File News Services]. N.p., 2005. Web. 26 Apr. 2015.

Frankenstein, written by author Mary Shelley, was a romantic based story written in Europe during the eighteen hundreds. During this time period, Europe was experiencing many social and economic changes. Many of these changes were a product of the industrial revolution of Europe. This time period can be defined and era of exploration, discovery and industrialization in which ideas were pushed to the limits. Victor’s creation of Frankenstein is a reflection of the industrial revolution and a scientific era in which the borders of the possible are pushed and society is forced to face a monster of their own.

Mary Shelley’s Frankenstein explores the concepts of knowledge and science and the dangers involved with the pursuit and investigation of these ideas. The novel conveys Shelley’s attitudes towards science by portraying it as having the capability to exceed the bounds of human restraint. Through the development of her protagonist Victor Frankenstein, the romantic and gothic aspects of her novel, the period of 1818 and the influences of the world she was living in that

It is Frankenstein's discovery of creating life that introduces the duality of science, of electricity, of even Victor Frankenstein himself. Scientific experiments are performed for a purpose, yet a reverse, commonly negative, affect is nearly always introduced. Just as science can end up creating dual reactions, electricity holds this same power. Electricity holds the power of magnetism -- the negative and positive forces pulling away from each other. This example of electricity's duality can be applied to many aspects of Frankenstein, including good versus evil, and even to Dr. Victor Frankenstein himself. He understands the power he possesses; yet he acts anyway. He has all the control and the knowledge in the beginning, but is left powerless in the end. Victor creates life because of his own greed, and the monster haunts him to the end because of it. The very monster to which he gives life strives to

Sometimes considered one of the first science fiction novels of supernatural terror, Frankenstein proved itself an instant success when released anonymously in 1818. The mad scientist Victor Frankenstein and his creation provoke readers with the fear of the unknown and the power of natures forces. A deeper look into the character of Victor Frankenstein, the role of scientific experimentation and the intricate settings of nature in which the story evolves, prove Mary Shelley's novel, Frankenstein , a worthy example of both Romantic and Gothic representation in nineteenth century British Literature.

The environment has a lot to say in Marry Shelly's Frankenstein. It seems to reflect somewhat what is going on emotionally with Victor in the story. Victor finds solace in solitude with nature, and appears to use it as a coping mechanism to escape from the horrors of his life. Nature also ties into how the monster Victor has created feels, but in a much different way than it does for him.

“Here we find nature to be the circumstance which[…] judges like a god all men that come to her.” is one of the first statements by Ralph Waldo Emerson in his essay “Nature”, referring to nature’s role in romanticism. Nature, as well as science, are one of the main topics depicted in writings of the romantic period. Mary Shelley’s Frankenstein can be attached to these writings. Her novel implies many natural and scientific characteristics that approach throughout the novel and finally clash by Victor Frankenstein’s creation of the monster. The following essay states the importance of nature and science in Frankenstein and argues that Frankenstein’s monster is a personalization of the danger involved in connecting both nature and science.

What would you do if you discovered a secret that changed everything? “I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation.” (Shelley 37). Ab initio Victor Frankenstein, the main protagonist, is being put on a level with Prometheus through the subtitle. An indication that Mary Shelley did indeed have the myth in mind as she wrote the novel, is not only her subtitle, but moreover the parallels between the Prometheus myth and Frankenstein, which are undeniable. The title itself gives a lot away of the story which follows. It links the modern world with the ancient Greek myth. Victor Frankenstein “steals” the secret of life, just like Prometheus stole the secret of fire.

Shelley realized that technology can be dangerous in the wrong hands. She uses Victor’s story as a cautionary tale to highlight the potential devastation that could occur if science is wielded by someone who wants to manipulate nature. Victor does not have malevolent intentions: he wants to make the world a better place and possibly get some recognition for