Essay on Science in Science Fiction

     The first issue, I will be discussing the scientific themes of the movie. The movie, “2001: A Space Odyssey,” has a one of a kind vision of science and technology. The movie “2001” brings a great new style of reality and realism to space technology and travel. Since there was no great

When watching the film, Star Wars, it is impossible not to be aware of the technology that is represented in the film, partly because it is so much more advanced than our own is now, but also because we can imagine how we might someday acquire such technology. The central theme in Star Wars is good versus evil, clearly demonstrated by the technology in the film. While the Rebels (the good guys) use technology primarily to fight for freedom and quality of life for all, the Empire (the bad guys) use technology to develop weapons of destruction and war in an attempt to rule the galaxy. In addition to these two opposing sides, there is another group that doesn’t use technology for war. This

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

People have a high amount of pressure on them in their daily lives with social, mental, and physical appearances. Kafka represents this pressure he has on himself through Gregor. This allows Kafka to vent many emotions and feelings through this novella Everyone is there own person but some take others opinions to heart to often and need to see things are not as bad as they seem. Throughout The Metamorphosis, by Franz Kafka, Kafka displays himself through Gregor, and shows his true feelings about people and society he lives in.

In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close

“So they were trying to re-invent themselves and their universe... Science fiction was a big help.” (Chapter 4)

On a more superficial level, the fact that the novel has been deemed as "science fiction" opens it up to a

As the story progresses, Caswell’s view on science becomes clearer and readers can determine for themselves where the line should be drawn to keep society safe.

Additionally, Kafka’s relationships with his family members further demonstrate the devaluation and isolation present in his life. Concerning the novella, Straus writes, “the narration focuses on how Gregor invalidates his family, how his family invalidates and destroys Gregor.” (Nina Pelikan Straus) The story itself focuses on Gregor’s exile from his family by his family. Such exile reflects the invalidation of Kafka in his own and the destruction Kafka felt from his own family. Furthermore, Gregor’s father states that “if he could understand us, then maybe we could come to an agreement with him.” (Metamorphosis) Kafka’s own father was unable to come to terms with him and his experience is paralleled by Gregor and his

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

Literature sounds too stuffy and high-browed an descriptor for Science Fiction as a genre. Science fiction is meant to be fantasy, something that is not real and does not strive to meet the literary aspirations of those who would write meaningful prose. Not to say that science fiction writers do not want to something meaningful, but even though the genre may be filled with writers who are degraded by "real" authors as a breed, does not mean that there are not classics that have been recognized as achieving a literary mark. It can be argued, because of the use of literary devices, that there are those science fiction novels that definitely reach the level anyone would consider literature, and among these is a book from Phillip K. Dick called The Man in the High Castle. This paper examines what literary devices were used in this book to make it both a work of science fiction and a work of literature.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

The science-fiction film genre serves as an excellent medium for examining shifting power structures, social paranoia and Cold War politics during the 1950s. A number of films released during this period, including: Invasion of the Body Snatchers (1956), The Day the Earth Stood Still (1951), Them (1954) and Attack of the 50ft Woman (1958), are particularly symptomatic of the social and political atmosphere of the time. These films navigate not only narrative based issues such as the threat of aliens and science experiments gone wrong; but also wider issues of the time, such as the Cold War, changes in the US film industry, urbanisation, politics, the growing power of women and most significantly, social concern about nuclear energy.

Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.” Gregor is a traveling salesman who sees new people

Other phrases throughout the first four pages use words like "nightmare", "destroy", "haunt", and "anguish" to attract readers to how seriously society takes awareness of science. These phrases get readers to feel the urgency of the views against science in society. The dark phrasing successfully shows that society has taken a responsible view against incorrect scientific application.