Scorsese

1744 WordsMay 21, 20057 Pages
Use a range of auteur theories to examine the work of two significant directors you have studied on this module. One director should have produced the majority of their work prior to 1960 and the other should have produced it from the 1970s onwards. Discuss the origins and main developments of auteur theory then examine the works of Howard Hawks and Martin Scorsese with relevance to their status as auteur directors. In having their films examined as auteurs of the cinema, both Howard Hawks and Martin Scorsese have been described as great artists whose body of work demonstrates repeated themes and motifs, that put in context reveals a particular belief and world view that is held by the director. In fact, Hawks was among the first…show more content…
It was never elaborated on programmatic terms…As a result, it could be interpreted and applied in rather broad lines" (Braudy and Cohen, 565). The result of this was the emergence of two different ideas of auteur theory. Some theorists were primarily interested in "revealing a core of meanings, of thematic motifs" and others who "stressed style and mise en scene" (Braudy and Cohen, 566). It is interesting to examine the work of Howard Hawks and Martin Scorsese together because their directorial careers and attitudes to filmmaking contain some interesting comparisons and contrasts. Both men are widely considered to be among the auteur directors of the cinema. Hawks was said to be "both bemused and gratified" by the attention his work received when re-evaluated in line with la politique des auteurs but he considered himself to be a storyteller, as opposed to an artist of any kind, and did not believe his films should be considered as pieces of art (McBride, 5). Scorsese is a director who is more conscious of being an artist or auteur filmmaker owing to his academic training in the study of cinema before he began to make films. Hawks worked predominately in the Hollywood studio system and produced films that consistently performed well at the box office but were often ignored by critics of the time. Because Hawks regularly produced the films that he directed he enjoyed a greater level of creative control than
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