Search For Freedom in The Yellow Wallpaper

The social code of the Victorian era places women in a role of obedience. They are expected to fulfill duties such as a mother, keeper of a house, and to be a quiet and “behaved” spouse. The narrator in this story is an obedient spouse, who has become a new mother that experiences postpartum depression. The change in her role sparks a change in her demeanor, causing a “nervous condition”, in which her husband dictates her treatment. John’s treatment of his wife represents the powerless-ness and repression of women during the late nineteenth-century.” (Wilson). John’s authority over her treatment, mimics that of patient to doctor relationship, and further reminds her of her secondary status during the era.

Many of the passages concerning the husband can be interpreted as containing sarcasm, a great many contain irony, and several border on parody (Johnson 528). It is true that the husband’s language is exaggerated at times, but dismissing the husband’s character as caricature seems extreme. He is instead the natural complement to the narrator’s madness and uncontrolled fancy: the character of John is control and “sanity” as defined by Victorian culture and is therefore the narrator’s opposite. Greg Johnson notes that John exhibits a near-obsession with “reason,” even as his wife grows mad. He is the narrator’s necessary counterpart, without whose stifling influence her eventual freedom would not be gained. And he is also transformed at the end of the tale—in a reversal of traditional gothic roles—because it is he, not a female, who faints when confronted with madness (529).

In Gilman’s story “The Yellow Wallpaper,” John acts as the mirror through which women are viewed negatively in the society, a society in which women are not considered citizens. They are not supposed to be anywhere near the political or public environment. Instead, they should remain in their homes. This view has led to women creating women movements to fight for their place in the society.

Charlotte Perkins Gilman uses her short story “The Yellow Wall-Paper” to show how women undergo oppression by gender roles. Gilman does so by taking the reader through the terrors of one woman’s changes in mental state. The narrator in this story becomes so oppressed by her husband that she actually goes insane. The act of oppression is very obvious within the story “The Yellow Wall-Paper” and shows how it changes one’s life forever.

Charlotte Perkins Gilman is known as the first American writer who has feminist approach. Gilman criticises inequality between male and female during her life, hence it is mostly possible to see the traces of feminist approach in her works. She deals with the struggles and obstacles which women face in patriarchal society. Moreover, Gilman argues that marriages cause the subordination of women, because male is active, whereas female plays a domestic role in the marriage. Gilman also argues that the situation should change; therefore women are only able to accomplish full development of their identities. At this point, The Yellow Wallpaper is a crucial example that shows repressed woman’s awakening. It is a story of a woman who

The room that confines Gilman's narrator,is "a cruel, ingenious cage." It is in this room that the wallpaper reduces an artistic and articulate woman to an animal, stripped entirely of her sanity and humanity. Through Gilman's symbolism, the reader can interpret that the paper symbolizes her current situation that she faces with society and her husband. Both restrain and monitor much like the wallpaper and lead the narrator to subsequent mental demise. By placing her in this room, John, the narrator's husband, becomes the main antagonist and a direct reason why she ends up she way she does. He makes gestures at restraining her by locking up the surrounding of the house and speaks to her demeaning as "dear" or " little goose" (1152). The influence her husband has on the narrator is dominant as he hardly lets her " stir without special direction" and in turn makes her "very tired" (1151).

The role of women in society was displayed quite clearly by the entrance of John’s sister. The woman writes, “There comes John’s sister. Such a dear girl as she is, and so careful of me! I must not let her find me writing. She is a perfectionist and enthusiastic housekeeper, and hopes for no better profession. I verily believe she thinks it is the writing which makes me sick!” John’s sister is representative of the typical woman. A woman who is pleased with her life, and wishes for no more. John’s wife, however, is rebelling on her place in society by writing. This is why she includes the statement; “…I verily believe she thinks it is the writing which makes me sick!”

“The Yellow Wall-paper” is an amazing story that demonstrates how close-minded the world was a little over a hundred years ago. In the late eighteen hundreds, women were seen as personal objects that are not capable of making a mark in the world. If a woman did prove to be a strong intellectual person and had a promising future, they were shut out from society. Charlotte Perkins Gilman wrote her stories from experience, but added fictional twists along the way to make her stories interesting.

Throughout the beginning of the story, the wife continually references the things “John says” (844-5). That indicates to me that she is timid and perhaps frightened of him. “John says this,” and “John says that,” shows me that our narrator doesn’t feel permitted to have a thought that is her own. The story’s unilateral male, as well as unilateral female conversations are friendly and comfortable. However, male to female conversation in the writing is dominant, aggressive, assertive and sometimes dangerous. Female to male exchanges appear delicate, soft and understanding, always agreeing with the male perspective. I would consider women in this time period to be viewed as a pet or toy to the male, dominant figure in her life. The use of the words in this short is very important, and gives you the information to interpret the story. For instance, on page 845 it says, “It was a nursery first, then a playroom and gymnasium. I should judge; for the windows are barred for little children.” This discloses that our woman has post-partum depression. At the very least, she feels as if she is trapped or in an asylum within her own home. Perhaps this feeling of entrapment lends itself to driving her mad. It is no surprise that the woman feels trapped behind the pattern of the yellow wallpaper. Her days and nights are filled with constant repetition of the same nothingness. She is left with little to

Over the course of many years, women have struggled to expand their roles and rights in society, hoping to one day achieve complete equality with their male counterparts. Two women, Elizabeth Cady Stanton and Judy (Syfers) Brady, both recognized the patriarchal society in which women had to endure. They despised the way it heaped inequality and servitude upon women, and decided to assert their opinion on the issue in order to change the perceptions and imposed limitations on women. In Stanton’s speech, “Declaration of Sentiments”, and in Brady’s article, “I Want a Wife”, both women attempt to convince their audiences that females deserve complete equality with men by stating the submissive situations and obligations women find themselves immersed in. This is done to get their female audiences to reevaluate how they have been treated and give them a second chance at attaining equality. Both women employ various rhetorical techniques in their arguments to strengthen, as well as compel other women to oppose the ‘domesticated’ image of women. Elizabeth Cady Stanton and Judy (Syfers) Brady expressed their views in pursuance of forging a path to a revamped lifestyle for women.

John fails to understand the needs of his wife.... His description as rational rather than emotional emphasizes his position as a true representative of the repressive patriarchal society” (Quawas 44). The belief that women were prone to fancy and were of lesser intelligence was pervasive in the late 1800's, and often led to the near total destruction of the wives rights

Haney-Pertz argues that, “John's discourse on his wife's condition, a discourse based on the unspoken and therefore unheard of contradiction that somehow she is both well and ill, we may want to be even more specific and say that the oppressive structure at issue is a man's prescriptive discourse about a woman”. (Haney-Pertz 116) And in the story, John’s ideas are put on the narrator leading her to believe in the part she plays in this patriarchal society. She believes that her husband is prescribing what is best for her, despite the contradictory statements to not think about her illness but do nothing to occupy her mind from thinking about it. The narrator also falls victim to pet names that her husband calls her such as “blessed little goose” and “little girl”.

The narrator’s feelings of inferiority and powerlessness parallels the female figure she sees trapped behind the pattern in the wall-paper adorning her room. She gradually withdraws from both John and reality by locking herself in the room and ultimately merging with the figure. Through the changing image of the pattern from a “fait figure” (Gilman 46) to a “woman stooping” (Gilman 46) behind the paper and “shaking the bars” (Gilman 46) as if she wanted “to get out” (Gilman 46), we can see her becoming one with the figure: “I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.”(51) Her collapse into madness as reflected in her behavior with the “bedstead [that] is fairly gnawed” (Gilman 51) and her “creeping all around” (Gilman 50) is a direct result of her passive submissiveness to John’s control of her life.

“The Yellow Wall-Paper” is a short story that was published in 1892 by Charlotte Perkins Gilman. Gilman’s ideas about equality for men and women are vividly present in the short story. She believed that women should be more equal economically, socially, and be able to have jobs and work outside of their home. “The Yellow Wall-Paper” focuses on how women were seen as home keepers and not able to work in the real world. Gilman expresses her ideas through this story by telling it as a first person experience.

Charlotte Perkins Gilman’s “The Yellow Wall-paper” serves as a perfect example of how women are treated in the 19th century. The distracting details both surrounding and filling the new house that the main character and her husband move into haunt her. Throughout the story, the main character, as she observes the house while in isolation, notices the true meaning in life, specifically for women. Gilman’s piece unveils the unfortunate requirements that women must meet in order to become accepted into society. The imagery and description of the house mentioned in “The Yellow Wall-paper” holds a much more symbolized sense reassuring the main character about women’s roles in life, according to humanity.