Seasons-Spring and Winter in "Whistling of Birds" by D. H. Lawrence

Nevertheless, in the poem ‘Nesting time’, Stewart interprets a personal experience in first person of the appearance of a bird that lands upon his daughter and forgets the thought of the harsh world. Stewart’s descriptive language repeatedly explains the poem as if seen in his viewpoint, beginning with an interjection, ‘oh’ communicating of his incredulity of an ‘absurd’ bird. Symbolizing the bird with strong coloured imagery its ‘mossy green, sunlit’, described to be bright and joyful, with sweetness shown with the type of bird, ‘honey-eater’, Douglas Stewart takes the time to describe its admiration juxtaposed to the dangerous world surrounding it. While visualizing the birds actions, ‘pick-pick-pick’ of alliteration and repetition of its

Richard opens with the lines “now is the winter of our discontent made glorious summer by this son of York, and all the clouds that loured upon our house in the deep bosom of the ocean buried” (1.1.1-4). These lines use the metaphor of changing seasons, winter signifying trouble and summer content, to show how his brother has laid to rest his family’s

For centuries, seasons have been understood to stand for the same set of meanings. Seasons are easily understood by the reader, and are easy for the writer to use; as Foster states, “Seasons can work magic on us, and writers can work magic with seasons” (Foster 192). The different seasons are a huge part of our lives; we live through each one every year, and we know how each of them impacts our lives. This closeness between people and nature allows us to be greatly impacted by the use of seasons in literature. In addition, Foster lays out the basic meanings of each season for us: autumn is harvest, decline, tiredness; winter is anger, hatred, cold, old age; summer is passion, love, happiness, beauty; and spring is childhood and youth. On the

as a part of the season which is known as spring; it can be assumed he means all life and all things are subject to the ravages of time. Mortality is all around us and with it the stages of all life and time pass. In terms of the opening lines, thought, youth and beauty are fleeting indeed.

In his poem “The Great Scarf of Birds”, John Updike uses a flock of birds to show that man can be uplifted by observing nature. Updike’s conclusion is lead up to with the beauty of autumn and what a binding spell it has on the two men playing golf. In Updike’s conclusion and throughout the poem, he uses metaphors, similes, and diction to show how nature mesmerizes humans.

This poem brought me back to my home town and the wonders and beauty that it brings around winter time, and made me nostalgic with memories of past winters with my family and slightly saddened for those who have never seen the magical ability snow has. This poem reminded me that there are people who live in states where their change in seasons is not as noticeable, as the ones that I grew up with and have come to miss. Similar to many of the romantics, natures true beauty can transform the mundane into a work of art that would never have existed

The poem “That Winter,” is the seasonal poem describing the environment has changed by using imagery. It’s impressive for describing the poem with imagery. From lines 1 to 6 on “That Winter” poem:

The composer continues to describe the Winter, again using descriptive language to create a cold harsh environment, and allow the reader to sympathise for the duckling. With the life-threatening act of being ‘frozen fast in the ice’, comes the only act of real kindness that is present in the story as a farmer rescues

The writer makes use of diction to express his feelings towards the literary work and to set the dramatic tone of the poem. Throughout the poem, there is repetition of the word “I”, which shows the narrator’s individual feeling of change in the heart, as he experiences the sight of hundreds of birds fly across the October sky. As the speaker effortlessly recounts the story, it is revealed how deeply personal it is to him. Updike applies the words “flock” and “bird” repetitively to the poem, considering the whole poem is about the sight of seeing so many birds and the effect this has on a person. When the speaker first sees the flock of birds in lines 8-10, alliteration is applied to draw attention to what the narrator is witnessing. In line 29, Updike

In” Winter Saturday” by Earle Birney, the poet develops the comparison between the farmers and caterpillars by visual and kinesthetic imagery. The harsh weather echoes the farmers’ empty feeling. A storm hit the town and the wind and the snow start while the farmers “find in the Ford their cocoon” (4), implying that they are alone facing the cold weather similar to caterpillars struggling to survive in the cruel nature. Their feeling of void is amplified by the chilling environment which induces their “dreams of light and sound” (7) which matches moths’ behaviour to approach light. When they arrive in the city centre where the lights are concentrated, their movement is compared to the moths beating wings as they “flutter to movie / [and] throb

Diction affects the tone of the passage. Starting from line 14, the diction evolves into a more negative view. He uses biblical reference towards the beginning of the stanza. He begins to analyze his surroundings more rigorously, and sees the differences in how they look from a distance, to how they appear close by. Once this negative connotation has begun, the flock is said to be “paled, pulsed, compressed, distended, yet held an identity firm” (Lines 20-21). The author’s choice of words as in “less marvelous” (line 25) indicates his intention for making his lines definite, giving it a solid state of meaning. It symbolizes that the feeling of someone longing for something, and once they receive it are not as impressed by it. The diction plays a critical role when the tone of the qualities of nature are exposed. The author conveys the “trumpeting” of the geese as an exaltation to the beauty and simplicity of nature. “A cloud appeared, a cloud of dots like iron filings which a magnet underneath the paper undulates” (Lines 16-18). The iron filings in this phrase symbolize the issues the man faces. Once he looks closely at the flock, he realizes that these issues are only miniscule and do not add up to life in general. This elates him, thus concluding him to lift his heart.

In the second stanza it is the semantic field of cold: ‘winter’, ‘ice’, ‘naked’, ‘snow’. All these lexical items give us a feeling of cold which evokes loneliness, unknown, fear.

At the bird’s appearance and apparent vocal articulation, he is at first impressed, then saddened. He compares this evening visitor as only another friend which will soon depart, just as “other friends have flown before” (58). But the raven again echoes quite aptly his one-word vocabulary, thus leading the man on to think more deeply about the possibilities that exist at this juncture. Somewhere deep inside him, he has realized that it doesn’t matter what question he poses, the bird will respond the same.

Winter is a time of cold, when forests die and animals hide from the shrieking winds and biting cold. Winter is a time for survival against the odds. How apt that the speaker is struggling against the "lovely, dark and deep" woods to remember that he has "miles to go before [he] sleep[s]." The "easy wind" calls to him, and the "downy flake" beckons him to a comfortable sleep. If the speaker had paused on a bright summer day, the sleep might be just a short rest, but the poem is set on the "darkest evening of the year" while the "woods fill up with snow," and any rest taken in the "lovely, dark and deep" woods would result in the eternal sleep of death (474).

The poem is about the vulnerability, innermost torment and the suppression of an emotional and fragile personality symbolized through the image of a Bluebird hidden inside the speakers mind.