Sebastien Mercier's In Old Paris, Adequate Of Paris

In late 19th century Paris, cafés-concerts (best described as “glorified beer halls” (Clark 206)) were a very popular destination for the people of Paris. Cafés-concerts became an integral part of Parisian social life, as they were visited by hundreds of people each night, regardless of class. A bar at the Folies Bergère became the topic of Edouard Manet’s last painting, as Manet tried to portray the new, “modern” Paris, and the introduction of mass production during this time. A Marxist art historian, T.J. Clark finds this particular painting important because it revealed a lot about the new, modern Paris, and Manet’s intentions with the painting. Clark focuses more on the emergence of the new social class during this time, and how this affected the role of women in Paris. The painting, A bar at Folies Bergère, has historical significance because of how it depicts modernity in the context of the emergence of a new social class (the petite bourgeoisie), the introduction of mass production, and the changing role of women.

Although Rick Steves is descriptive in his narrative it only describes the architecture and the Art on display in the Louvre, ‘On Paris’ uses its descriptive language to describe the people and tourists in France. “A short, dumpy woman with newly blond hair, cut old-Dutch-Cleanser fashion” This quote contains triples, and the effect they have on the reader is of immediate disgust as the reader pictures the woman. The way the text describes is also similar. Both texts use colloquial and familiar language, the effect it has on the reader is of relaxation and casual aspect but in ‘On Paris’ it shows a sped up, almost ranting style format even though it uses familiar and friendly

Paris lacks the spirit of battle that his comrades and brother possess. He is scorned for this but still feels no obligation or determination to change his attitude. Through the epic, Paris prefers to strut around the city flirting with girls and being just the

During the nineteenth century, Paris further developed into the entertainment capital of the world. Alistair Horne, the author of the Seven Ages of Paris, vividly illustrates several historical moments that occurred in Paris. Through the horrors and triumphs, Paris was able to endure through it all for ages and still emerge greater than before. In comparison, Vanessa R. Schwartz, the author of Spectacular Realities: Early Mass Culture in Fin-de-siècle, demonstrates how the explosive popularity of the boulevard, the newspapers, wax museums, panoramas, and early cinema led to the creation of a new culture in Paris. Driven by consumerism, a cultural revolution was happening, who’s new culture transcended gender and class divisions. Both authors

In order for our business, The Broadway Café, to become more competitive in this environment, I deem it necessary to build a collaboration tool that will stimulate contact, knowledge, information, and events among employees, customers, suppliers, and all others who are interested in the business.

The third and forth chapters continue to look at French classes and cultures. In chapter three you jump into the world of the Bourgeois in Montepellier. Darnton describes with the aid of Joseph Berthele, every nuance of the Bourgeois in Montpellier. "The Bourgeois is the modes of production, a certain variety of Economic Man with his own way of life and his own ideology." (Darnton Pg. 110) The fourth chapter instead of looking at another economic class Darnton examines the Intellectuals of French Culture enlisting the aid of a policeman, Joseph d'Hemery "an inspector of the book trade". (Darnton Pg. 145) Joseph you might say was a little obsessed often in addition to inspecting the books that came through he would also investigate the writer. The Officer built up a rather large census of the literary population in Paris, every one "…from the most famous Philosophes to the most obscure hacks." (Darnton Pg. 145) Darnton in this chapter talks about a lot of published literary

What is one to make of the city of Omelas? It is a fantastical place so transcendental that the author herself struggles to properly detail its majesty. Omelas has everything— it is beautiful, technologically advanced, and bears no need for organized religion. The atmosphere is rich with music, festivities, and orgies. And even with all this excessive indulgence, the people manage to remain elite: expert craftsman in every art, scholars of the highest caliber, gentle mothers and fathers, and all-around good people. However, all this prosperity comes with a price. The success and happiness of Omelas stems from the immense

LeGuin’s description of Omelas engages all of one’s senses through her usage of rich visual, auditory and tactile imagery to ‘prove’ to the reader that Omelas is undeniably a utopia. The city of Omelas can be described as a place in which the inhabitants’ senses are constantly overwhelmed by sensations which are pleasing to their eyes, beautiful to their ears and sweet to their tongues. The unchanging state of this society which is surrounded constantly by sensory delight can be found in these descriptions; for instance, the “child of nine or ten [who] sits at the edge of the crowd, alone, playing on a wooden flute […] he never ceases playing” (LeGuin 275). In addition to the wooden flute, LeGuin describes, “a shimmering of gong and tambourine” (LeGuin 273). Following the narrator’s stunning description of everything which makes Omelas a utopia, her statement that the reader may, if he pleases, “add an orgy” in order to make the Omelas less “goody-goody,” makes it apparent that Omelas in many ways does not have to be concrete and limited to the previously provided descriptions. Her aim is not to describe a particular city, although it is named and its characteristics are already expressed, but to present the idea of a perfect city, a utopia in which bliss is fixed, and good fortune is wholly

Corresponding to how the Salisbury Cathedral is the epitome of English Gothic Architecture, the Amiens Cathedral is the essence of French Gothic Architecture, the difference however is that with the Amiens Cathedral it is rather uniform in its appearance compared to the contrast of conflicting architectural styles of the Salisbury Cathedral. Amiens Cathedral serves as a testament to the beauty and grace of the French Gothic movement in the 13th century. This stunning cathedral stands in the once thriving and bustling town of Amiens, France, located roughly 140 kilometers north of Paris. The Amiens Cathedral was commissioned by Bishop Evrard de Fouilloy to replace a smaller church dedicated to St. Mary and St. Firmin that had burned down in 1218. The destruction that the fire had wreaked over the city was so disastrous that nothing remained from any of the former churches. Construction of the nave began in 1220 and finished in 1288, a period of sixty eight years. The master of the work was named Robert de Luzarches. Master Thomas de Cormont came after him and eventually his son, Regnault, succeeded him. There were several additions made at the times, and repairs and restorations have been carried out from time to time; but Amiens and its main features stands accurately to that of a thirteenth-century French cathedral. In 1258, another fire broke out that threatened to undo the work that the architectures spent so many years working on. Luckily the building survived, but not

The environment in which people live in demonstrates the societal norms and values of said culture. In Émile Zola’s The Belly of Paris, Florent, a political outcast, returns to Paris only to find that the regime has drastically changed. Napoleon III, a self-elected emperor, has torn down many of the streets of Old Paris to make room for the angular and orderly streets of New Paris as well as the new markets of Les Halles. Throughout the novel, the character’s lives revolve around the various markets in Les Halles and the streets of Paris. Zola uses descriptions of architecture and city planning as well as how people use space within Paris to demonstrate the city’s corruption, signifying that the architecture of a city is a reflection of

exhibition of his longing for the familiarity of Paris and the sanctity of his past, a

In Charles Rearick’s book, Paris Dreams, Paris Memories, he describes the various ways in which Paris is “represented” through various images he identifies as the City of Light, Old Paris, the Capital of Pleasures, and Paname. Rearick further writes how and why these images of Paris came of importance and how they shaped the geographical layout of the city we know today. All of these images together have likewise produced the city of Paris while also providing the framework of Parisian events and experiences.

His version of the city was so different that “I kept my Paris from you”. It was the wartime city, occupied by the Germans, As Hughes registers their different responses to the city, and he finds a way of telling the truth about their different selves and the tension between them. The irony of this is that the situation is taking place on their honeymoon, although this is a biographical fact to which Hughes does not explicitly refer.

China is becoming more westernised, particularly the ‘cosmopolitan’ city of Shanghai, where demand for Western products is increasing rapidly as disposable income rises in line with China’s strong economic growth. Michel’s wanted to establish a foothold in the market at an early stage to demonstrate a long-term commitment, which has been identified as essential to compete successfully in the Shanghai market (per Tim Harcourt, Austrade Chief Economist).

Paris is like no other place on earth, its beauty is indescribable, the amount of famous structures is astounding, and is attraction draws many tourists there every year. My experience touring Paris will always be on of my favorite memories. Everywhere I looked, it was as if I was in a dream. There was so much elegance in such simple structures it seemed unrealistic. Wherever I went, it seemed as if the magnificence only grew with each passing step.