Second Hand City Meaning

The Tenant of Wildfell Hall contains one of the earliest examples of marital abuse written in the Victorian Era. It prominently displays women being abused, separated from society and their subsequent solitude. The author, Anne Brontë, did not shy away from certain ‘taboo’ topics, like alcohol abuse, domestic violence, and sexual assault and has been criticised for it, even by her own sister Charlotte. Domestic violence has been around for many years and yet it was, and still is, treated as a forbidden subject that should be handled quietly and without causing a commotion. Anne Brontë does not ignore these issues. She gives a clear look at how someone can change overtime and how the effects of alcohol are not to be taken lightly. The Tenant

Literally what it means is just that the horse is gone. Figurative language, such as simile and metaphor is implicated in the passage. After he washes the blood out of the sheet he hangs the sheet “where it steamed in the firelight like a burning scrim”, it points out the odor of the sheet, but in comparison to “sacred passion” and “sects” reflects back to the religious imagery in which he compares himself. Another example is his imagination that she is “running in the mountain, running in the starlight”, whom he thought as a dead creature has no power, and not able to do what she used to do when she was still alive. He even compare her as “great beauty”, like a “flower” who blooms and shine beautifully and alive. Similarly, to her, whom her youth has bloom and freely expresses her feelings. Through thorough speculation and comparison he explores his mind of her capability of the feeling to be

Michael Gerard Bauer’s moving novel The Running Man is set in Ashgrove, Brisbane during the early 2000’s and tells the story of the unlikely friendship that is established between Tom Leyton, an enigmatic recluse, and his young neighbour Joseph Davidson. Several characters in the story exemplify that our initial perception of someone and what we see and hear about them is in no way an accurate reflection of who they truly are and all there is to see and know about them. As a child, Joseph saw Simon Jamieson as the mysterious ‘Running Man’ despite not being aware of the tragic past that caused him to be this way. Likewise, Mrs Mossop is perceived by the Davidsons to be somewhat of sticky-beak until she reveals the reason for her excessive caution.

And then she made me stand up on a box of books and point, That one? She said, pointing to a row of ugly three-flats, the ones even the raggedy men are ashamed to go into. Yes, I nodded even though I knew that wasn't my house and started to cry. (p. 44)

In Michael Gow’s play ‘Away’, a story of families in the 1960’s and how they come to embrace each other’s differences through gaining self-knowledge. Through identifying the context of act 3 scene 2, as well as the relationships between characters and the reasons behind them, as well as the stylistic devices used by Gow to share a message with his audiences that, even today, an audience can relate too. By analysing quotes from the scene to support conclusions, the purpose of this scene will be identified and a greater understanding the theme of self-knowledge in this scene will be formed.

Mrs Hayward is a contradictory character who is established through Stephen’s fragmented memory to be both a character of smiling perfection and a broken woman, sitting in the dust weeping. She is both the embodiment of a perfect British wartime wife and a character of suspicion; a spy, a traitor, the epitome of deceit and the focus of two young boys’ overzealous imagination.

It also shows a shift from the present situation to a future one then back to the present. In the beginning of the poem the son is currently waiting for his father to tell him a story and has a sense of eagerness to him while the father has a sense of tiredness to him. This scene is depicted as the father being “in a room full of books in a world of stories,” (6-7) yet the father has difficult trying to come up with a story to tell despite how many are around home. The room that they are in is described as having books of stories inside of it and outside of the room is the whole world that is full of stories to tell. At this point the problem is that the father cannot think of a story to tell his son who asked him to tell him a new story which, according to the father, seems to be the beginning of the end. The father believes that since he is not able to tell stories as quickly and easily as he could before then one day soon, “the boy will give up on his father,” (8-9). These thoughts help to prepare and give background to the glimpse into the future when the boy is getting ready to leave his father by packing his clothes and having his keys ready to go. Since the father saw the day he would lose his son to manhood, once the day actually came the father seemed very upset at the boy but not for leaving but more so for the reasons that he is. The father yells at the son, “Are you a god...that I sit mute before you? Am I a god that I should never disappoint,” (16-18). It seems that the father and son have had an argument or disagreement and the son did not want to deal with all the problems that had grown to be too much for him so he chooses to not say anything to his father at all as he is getting ready to leave. The father calls him out on this and claims that he is imperfect and will disappoint

This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had

Glaspell’s commentary is clear regarding the standing of men and women of the time, with the male characters being in positions of duty and respect, and the female characters being in positions of maintenance. These choices made by Glaspell allow the reader to observe the subtle differences in the sexes’ responsibilities and what they view as important details. This difference results in the male characters of the story believing their opinions hold more weight than those of the female characters. It is understood that the men view the women’s opinions as frivolous when upon observing the kitchen of Minnie Wright, the Sheriff makes the statement, “Nothing here but kitchen things,” (Glaspell 784). The reader knows the “kitchen things” eventually tell the tale of the murder of John Wright, but the men are not willing or able to look as closely as Mrs.

In this passage, the author uses many similes and metaphors to describe Patria and her life. It begins with an allusion to the Bible, “And though the rain fall and the floods come and the winds blow, the good wife’s house will stand,” (Alvarez 148). The rain, floods, and winds mentioned are metaphors for any hardships or challenges in Patria’s life that she has overcome. The metaphor later in the passage, “Patria Mercedes was in those timbers… and in that creaky old door on its hinges,” (Alvarez 148) explains how much Patria has done for her family and worked to keep them safe. The tone is strong and commanding, and creates a mood of intimidation.

From this quote the reader can tell the wife is unhappy in her marriage. Foreshadowing is used here as well because the reader knows her husband is going to die soon by this description given of him. There is a different tone though in the “Hills like White Elephants”.

Lucy Honeychurch is a dynamic protagonist in A Room with a View and her voyage to Italy drastically changes her perspective about conforming to society. Lucy is from the English middle class, and her family sends her to Italy with her cousin Charlotte for a cultured experience to become more sophisticated and educated. This vacation is irregular; Lucy develops a romantic relationship with George, and she challenges her past judgements of English society. This vacation signifies the beginning of Lucy’s growth as an individual. The title A Room with a View states the progression of Lucy Honeychurch’s accidental journey of introspection and her desire to find independence and escape from English social norms.

In a century where woman are seen as dumbfound and whimsical a wife commits an unforgivable crime, but is let off the hook because of her friends that hide evidence. that could get her executed in front of the whole town. Mrs. Wright has been changed by her husband to the point that she’s not going to deal with it anymore. Mr. Wright is a hard man that doesn’t make any exceptions to what he wants which ultimately leads to his downfall. Susan Glaspell uses setting to add symbolic meaning in her play Trifles by putting objects in the setting that have background meanings to the story.

“That oppresses, like the Heft of Cathedral Tunes--.” It has a very heavy feeling derived from the word Heft as well as Cathedral Tunes. The Cathedral is considered sacred yet it is such as somber sound that it could easily affect a person’s mood. The use of paradoxes in the poem creates a sense of confusion about the true feelings about the revelation. “Heavenly Hurt” is both wonderful and horrible and suggests that the pain comes from the heavens. This suggestion is support in various situations throughout the poem. “Cathedral Tunes” and “Sent us of the Air” are the prime examples. It shows that this new realization may have been from a divine being therefore the reader is confused on it’s significance because it perhaps a type of gift. “Landscapes Listen Shadows—hold their breathe” is the personification used in the poem. This personification in the work shows that a divine being has arranged for this revelation to occur therefore, all of nature will halt to the being who has been selected to find this new piece of themselves. She also uses a bit of irony as well as parallel structure to set the scene in the poem. The revelation is brought out in the light of an wintery afternoon, this is the parallel yet it oppressive and dark which is ironic because the light brought with it such darkness.

In Jane Eyre, Bertha Mason is a symbol of female oppression, and the confining roles of women in marriages. Bronte depicts Jane as a young woman in attempt to set an example for others by dodging conformity, and expose false stereotypes, marriage and submission to Rochester are counterintuitive to her goals and morals. Bertha serves as a warning to Jane by displaying the effects of marriage. As a woman who had been oppressed and dominated because of her marriage, Bertha symbolizes the damaging effects marriage in a male dominated society on a woman’s individuality and sanity. Bertha is presented as the “madwoman in the attic” by Bronte, her insanity is a dramatization of the ramifications of marriage by personifying the thoughts of women in the victorian era. In Wide Sargasso Sea, Antoinette is tricked into a loveless marriage for monital purposes because of society’s views on femininity which is females are meant to be passive (Anderson, 1982). This common perception on women is what leads Antoinette and many other women to drift into unhappy marriages, and the greater consequence being they lose themselves due to their forced