Sections Of The Orchestra

There were a lot of instruments you could hear when you first listened to this piece. The first instruments that I heard right away were the violins, flutes, and oboes. As I kept listening I noticed the clarinets, bassoons, cello, viola, and the French horn. The instruments that seemed like they were the most important in this piece were the violins, because they started the piece and through-out the rest of the piece they were always there being the main part of this piece.

The introduction opens with a descending minor scale by pizzicato strings, followed by  three sforzandos in the orchestra. Section A begins with strings, woodwind and brass playing a waltz rhythm, which modulates to major. The strings play melody 1, which is then repeated with piccolo countermelody. Brass and string crescendo and cymbal crash before strings play melody 2 which is dotted, and followed by suspensions and an imperfect cadence. The suspensions are repeated with a perfect

On April 11, 2014 The Florida Orchestra performed Wolfgang Mozart’s Symphony No. 28 in C major, K, 200, David Diamond’s Symphony No. 4, and Johannes Brahms Quartet No.1 for Piano and Strings in G minor at the David A. Straz Center for the Performing Arts, Ferguson Hall in Tampa, Florida. Gerard Schwarz, guest conductor, led the Florida Orchestra for each of the compositions. According to The Florida Orchestra Program the list of performers for the violin is Jeffrey Multer, Nancy Chang, Jeffrey Smick, Lei Liu, Sarah Shellman, Lucas Guideri, Valerie Adams, Toula Bonie, Saundra Buscemi, Mary Corbett, Linda Gaines, Oleg Geyer, Cynthia Gregg, Linda Hall, Yan Jiang Lu, Evelyn Pupello, Claudia Rantucci, and Virginia Respess. The list of performers for the viola is Ben Markwell, Kathie Aagaard, Karl Bawel, Lewis Brinin, Alan Gordon, Alison Heydt, Kenneth Kwo, Warren Powell, and Barbara Rizzo. The list of performers for the violoncello is James Connors, Lowell Adams, Rebecca Bialosky, Alfred Gratta, Gretchen Langlitz, Laura McKey Smith, and Merrilee Wallbrunn. The list of performers for the bass is Dee Moses, John DiMura, Roger Funk, Alan Glick, James Petrecca, and Deborah Schmidt. The list for performers for the flute is Clay Ellerbroek, Daphne Soellner, and Lewis Sligh. Lewis Sligh was the only piccolo performer. The list of performers for the oboe is Shawn Welk, Lane Lederer, and Jeffrey Stepehenson. Jeffrey Stephenson also performed during the night playing the English

The strings were the most important; first violins had the melody, along with clarinet melodic solos, while the lower strings accompanied. The brass filled out the harmony, but did not play the main melody. Timpani were used for rhythmic bite and emphasis.

The concert opened with A Moorside Suite from England; it began quietly accompanied by the clarinet and saxophone. The tempo started out slowly, then shifted to fast and back again to slow, throughout the entire piece. There was an appearance of a few soloists including the oboe, clarinet, and saxophone. This movement ended with the entire orchestra leading to a final chorale that builds to a fortissimo climax.

At 0:46 they introduce the first orator/conductor by the name of Michael Tielsson Thomas. Everyone applauds him. He explains what the audience will be in for for the evening. Then, clips of some of the orchestra members appear on the wall via projection. At 07:15 the orchestra then begins to play Allegro giocoso from Symphony No.4 in E minor, Op. 98 by Johannes Brahms from the Baroque Period. It was written in Austria by 1880s. The symphony is scored for two flutes (one doubling on piccolo), two oboes, two clarinets, two bassoons, contrabassoon, four horns, two trumpets, three trombones, timpani, triangle and strings.

The rhythm section consists of the piano by Paul Mertz, drums by Tommy Gargano, and banjo by Howdy Quicksell. Throughout the piece, the cornet, which is accompanied by the clarinet, plays the main tune as the trombone and piano keep the tempo like a bass. The piano plays the chords as the trombone plays consistent quarter notes which helps the whole ensemble keep time.

The first performance consisted of a piano, flute and a cello. The piano was the first instrument to play and established the melody before the flute and cello came in. Next, the flutist started playing and was given a chance to take over the melody as the cellist set a steady tempo for them to follow.

The section then repeats itself, but this time, the melody is taken by the strings. In addition, clarinets enter, filling in the former

In a typical symphony Orchestra, there are four groups of related musical instruments called the woodwinds, brass, percussion, and strings (Got this info via.google) Each of those groups are lead-or controlled- by a conductor so they would all perform their notes with an unbreakable synchronization . Within this symphony, there will be one instrumentalist who gets to break out of this group and play a solo. Only to fall back in unison with the rest of his band mates. The individuals in the audience listening to the music will either be effected in a negative or positive way. In an Orchestra there is a centralized control (the conductor), conformity (the band members following the conductor) and uniformity (all of the band members playing one

In this concert, Simi Strings Orchestra, there were twelve performers, who were teenagers and adults, in the ensemble. Most of them were adults, which some of them were college professors and professionals, who sometimes performed in a small orchestra. There were only two college students who had ever been participated in their high school and college orchestras. The instrumentation of this

The first song played from the Orchestra was Infernal Dance. The whole orchestra plays a loud chord to show the intensity of the piece. The rhythm of this movement is syncopation due to the rhythm not being on the beat. This makes the strong beat weak, thus giving a chilling ambience. Infernal Dance then transitions to the soothing movement Berceuse. Berceuse is a lullaby played by the bassoon. The Orchestra concludes the concert with Finale. Finale is the finishing piece of The Firebird and uses one french horn for the melody in a dynamic of piano. The whole orchestra soon joins in creating a hymn like choral. Instead of ending with a grand note, the brass takes the melody at a faster pace developing a celebratory ending. With its uneven rhythmic and extravagant arrangement this Suite fashions a spellbinding

It was performed by the CSU Graduate Brass Quintet, consisting of Nikolas Valinsky, Matthew Chanlynn, Emelie Pfaff, William Gamache, and Heather Ewer. While Valinsky and Chanlynn played the trumpet, Pfaff played the horn, Gamache the trombone and Ewer tuba. This quartet accomplished a wonderful work by the different melodies, pitches and dynamics. While the tuba was heard more in the background due to its low pitch, the most significant instruments were the trumpets. Not only did they provide the highest pitch but it was also heard as the main instrument because of their rhythm. Together, this group of brass instruments created a dense rhythm by providing the audience with several layers of music on top of each-other. Altogether, I enjoyed this piece the most. It made me feel happy, excited and joyful.

The first piece that was played was Mozart’s Symphony No.40. This is a beautiful piece of music. There are 38 players in the orchestra for this piece. And they all played

String section and basso continuo central to the orchestra. Other instruments are occasional additions. Standard group of four sections: strings, woodwinds, brass and percussion. Different instruments treated individually.