Seestucke-Welle Essay

I think the artist is able to communicate the bad condition of the ship and its crew is in. The mood of the work is scary and gloomy. The design and intensity of the waves, the changing weather, and the ships in the ocean seem to make the scene come alive. It really conveys a since of naturalism in the painting the way it depicts the environment around the ship.

I remember viewing Portrait of Dr. Heinrich Stadelmann by Otto Dix during an eleventh grade field trip to the Art Gallery of Ontario, and being completely entranced by the painting—unable to look away from it. At the time, I was not fully aware of the world of art and did not have the vocabulary and knowledge to articulate my interest in this particular painting. Now, after returning to the painting three years later, the experience is quite different. Being recently exposed to a fairly wide range of art last semester has allowed me to experience the painting under a more knowledgeable light. During this most recent viewing of the painting I paid more notice to the painter’s decisions regarding the paint application, the textures, the colouration, the lines, the composition, etc. The core of this different experience during this viewing is due to a newfound consciousness of artistic choice.

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

Two of the paintings I came across, Ludolf Backhuysen, Ships in a Stormy Sea off a Coast, and Philips Wouwerman, Stag Hunt in a River were very similar in many ways. First of all, they were both European art, they are both 200 plus years old, and they both show very hectic times. The first painting, Ships in a Stormy Sea, displays several ships, (although it is hard to see the other 4), being almost entirely swallowed by an angry, wavy ocean, during an extremely stormy journey. All of the ships are at different levels and some are leaned over, and tipped more than others, allowing the viewer to realize the true horror occurring in this painting. The amount of line that this artist uses in this painting is tremendous as well, as he presents plenty of diagonal lines throughout the painting, such as on all of the ships sails. This piece of art is extremely realistic and gives me chills when I imagine what these sailors must have been dealing with that night. Not only does this painting show a hectic time, but another painting titled, Stag Hunt in a River. This painting displays a village, in the mountains, lying on a river, where hunters, horses, and dogs of the village are attacking a deer that is attempting to escape from them. This painting seems to describe a very hectic time for everyone, as the dogs are desperately trying to do their job, the deer is attempting to escape, and the hunters are relying on the deer for their food. Although there are many obvious differences in these two paintings, the roles are reversed in the two, as in Ships in a Stormy Sea, nature is doing the damage, while the people are trying to avoid danger. On the other hand, Stag Hunt in a River, displays nature being attacked and endangered by the people themselves. My favorite

It was painted and completed by Joseph Mallord William Turner in England around 1820 and is an oil on canvas painting created during the romanticism era. The story behind this piece is, when a slave ship set out on a voyage they would pack the ships full of slaves, and along the way the slaves would get sick and die so the crew would throw them over board to avoid paying cargo tax. In the painting viewers see a satanic sky and dark murky water with limbs sticking out of it (Museum of Fine Arts, Boston). The brush strokes are all sort of slanted down to the right and some are even curled to depict waves that look to be swallowing up the slaves as well as the ship. This painting is very sublime because it has beautiful colors and form yet the meaning behind it all is

My first selection is the “Rough Sea at a Jetty.” The reason I chose this piece is because of the colors and drawing techniques used, as well as the balance of the overall piece. The piece is a dark-hued painting (oil on canvas) made in the 1650s, depicting a very stormy sea with small sailboats in the background. The foreground consists of two men standing on a jetty that has a pole-like wooden structure standing on it; the two men appear to be conversing, probably about the storm. The painting is asymmetrical because if you cut it down the middle vertically then one side would have the wooden pole, most of the jetty and the two men in it, while the other side would have virtually nothing except some distant (almost obscure) sailboats, part of the jetty and a distant smaller jetty. The painting is unified by its theme: A stormy sea by a jetty. The waves are painted so as to show them crashing into one another by painting the caps white and using bold curves to emphasize the choppiness of the sea. The dark clouds in the background are a testament to the severity of the storm. The emphasis is on the jetty and men in the foreground. There are also about four sailboats positioned across the piece in the background to contrast against the dark grey sky and grey

background of the painter in order to facilitate my understanding of the painting. When Berger

The element and research made me realize what this piece really meant and why Tamayo painted it. He drew this mural because it was a perfect opportunity to fulfill lifelong dream of the them the aspirations of mankind. The Dallas Museum of Arts is an amazing place for the community because it is a great way to learn about different cultures through there art work and sculptures. It has painting from around the world and is open to anyone that wants to see. I think it’s a great place and everyone should go check it out at least

My experience to the Dallas Museum of Art was a bit different from the last time I had attended the museum. I was curious to see what pieces of art there would be and if it would be the same as the previous visit which was long ago, but to me all the pieces of art were so different and very interesting. It may have been because I saw all the pieces in a new perspective since learning about the different types of paintings there can be and knowing how and where sculptures come from. Even though I do not know much of art I really gave it a try into seeing what the artist may have wanted us to get out of his work. By reading a view of the chapters made me aware of art, I wouldn’t call myself an expert, but it was actually nice knowing that a

I don’t think one artist on this planet could ever copy or imatate his work because its so complicated. Some would say his work was imature but I think the talent level was beyond regular. Most of the faces on this painting are more created images then distinct lines on a paper. If Dali was alive today he would be more then a multi-millonare. The paints go from dark to light to show form. For some reason the gowns of one of the female statues is being held on by a botton. The breasts on the females go from a lighter shade to a darker shade. Which gives the statues a fading qaulity. I think this painting was done with some sort of oil paints. He did showing the ripples of light on the lake. This lake is some what invisible. The head of a statue goes from larger to smaller and smaller. This particular painting doesn’t depict religion , which is why I find it caught in space. His mother is painted on the side of a cliff and light shows a man inside the face of his mother. This painting shows qualitys of figure, contour and light. There are many minitures and copys of figures in this painting. The toreador its self looks like coluseum in heaven. Ther are

This is one of the earliest sea painting which depicts numerous wind powered and steam sailing boats cruising on the sea. In this painting probably influenced

The Sea at Le Havre, painted by Claude Monet in 1868, is a 23 5/8” x 24 3/8” oil on canvas landscape painting. Monet was a French artist who lived from 1840 to 1926 and was considered to be an impressionist. A unique quality of Monet was unblended “sloppy” brushstrokes combined with a use of precise choice of color, as seen clearly in The Sea at Le Havre. Because of his vigorous and richly textured painting style, Monet was able to capture the look and feel of the movement of water, which was demonstrated in The Sea at Le Havre, using an impasto style. He used erratic brushstrokes to show the ripples of forming waves and the foam of the waves crashing on the shore. His brushstrokes are also almost completely horizontal, which seemed to make the painting feel heavier. In the sky, Monet used thicker, longer, and more opaque strokes, as well as of varying hues of blue and gray, along with white, to create a look of overcast. To give the clouds fluffiness and substance, the paint that was used for the sky was inconspicuously smudged in some places, with more defined clouds layered overtop. The depth of the painting is attributed to his choices of color. Black is rarely used in the painting aside from where necessary, but rather replaced with darker shades of blue to show divots in the water, heavy clouds, and the distance of the village of houses that line the horizon. The different shades also give a more realistic form of light to his paintings, which was a focus of the impressionism era. His painting appears to be slightly gloomy, but doesn’t convey sadness. The piece is uniform in color, to emphasize the overcast, darkened day. Monet also used symmetrical spacing, with the canvas split nearly in half between the sea and the sky. The only thing that separates the sea and the sky is a piece of jutted-out land that shows he is on a gulf or an inlet. On that piece of land, that goes a little over a third of the way onto the canvas, Monet used heavy contrast, then continues the horizon with a slightly thick, darker blue-gray line to clearly separate the halves of sea and sky. There are three places where it appears that Monet used black along with darker shades of purple and blue, and each of those three places are

I personally get a sense of perfection in a human world when I look at this painting, which is a bit misleading but appropriate for a time in which men were beginning to question the divine and finding answers in the natural world where science and mathematical solutions were starting to make sense of everything around us.

The use of light and color by Friedrich contributed to the calm and peaceful mood which is created. The main source of light in this painting comes from below the man and the rocks he is standing on. There is no visible sun in the sky and it is most likely behind the clouds. The light from below the rock illuminates the air around the man, directing your focus to him and his calm stance. The fact that the main light source from the painting is below him could represent the man's past and how he is reflecting on it while he is standing here looking out at the landscape. There is very little darkness in the painting, and this contributes to the peace of the painting because everything has the same level of light. It shows a sense of evenness and calmness in the landscape. This evenness is also displayed through the colors