Selena Movie: Family Cultural Assessment

Living in Mexico throughout her teen years was very rough. Unlike other teenagers where their parents constantly provide for their children, Marisela’s life was a lot different than the usual parent- child relationship. She lived with her Abuela ( Grandma) Lupe, along with her 3 brothers and sister. She constantly had to take care of her brothers and sister at such a young age, that she became the mother-like figure of the

In America today, we are faced with several different minority groups arriving to the United States. The most common of all minority groups are the Hispanics. America is known for their language being English, but as the year's approach, that language has faded and a new face in English language has taken over, it's called Spanish. We as the people of America have become controversial over this major change, and due to that major bilingualism and political movements that have occurred from the government to the education departments. In this paper, I am going to talk about the four most common Hispanic groups in our country today and the political, social, linguistic, economic, religious, and familial conventions and/or statuses that they

1.Describe the main characters of the film: Who are they? What are their motivations? What are their strengths and weaknesses? What are the obstacles they face?

To help me understand and analyze a different culture, I watched the film Selena. The film tells the life story of the famous singer Selena Quintanilla-Pérez. Not only does it just tell personal stories from her life, it also gives insight to the Mexican-American culture. Her whole life she lived in the United States, specifically in Texas, but was Hispanic and because of that both her and her family faced more struggles than white singers on the climb to her success. Even though the film is a story about a specific person, it brought understanding into the culture in which she lived. Keeping in mind that these ideas that I drew about the Mexican-American culture is very broad and do not apply to every single person in the culture, there

You can see how Maria’s El Salvador is empty of people, full only of romantic ideas. Jose Luis’s image of El Salvador, in contrast, totally invokes manufactured weapons; violence. Maria’s “self-projection elides Jose Luis’s difference” and illustrates “how easy it is for the North American characters, including the big-hearted María, to consume a sensationalized, romanticized, or demonized version of the Salvadoran or Chicana in their midst” (Lomas 2006, 361). Marta Caminero-Santangelo writes: “The main thrust of the narrative of Mother Tongue ... continually ... destabilize[s] the grounds for ... a fantasy of connectedness by emphasizing the ways in which [Maria’s] experience as a Mexican American and José Luis’s experiences as a Salvadoran have created fundamentally different subjects” (Caminero-Santangelo 2001, 198). Similarly, Dalia Kandiyoti points out how Maria’s interactions with José Luis present her false assumptions concerning the supposed “seamlessness of the Latino-Latin American connection” (Kandiyoti 2004, 422). So the continual misinterpretations of José Luis and who he really is and has been through on Maria’s part really show how very far away her experiences as a middle-class, U.S.-born Chicana are from those of her Salvadoran lover. This tension and resistance continues throughout their relationship.

In the film “Mi Familia,” we follow the story of the Mexican-American Sánchez family who settled in East Los Angeles, California after immigrating to the United States. Gregory Nava and Anna Thomas introduce the story of this family in several contexts that are developed along generations. These generations hold significant historical periods that form the identity of each individual member of the family. We start off by exploring the immigrant experience as the family patriarch heads north to Los Angeles, later we see how national events like the great depression directly impact Maria as she gets deported, although she was a US citizen. The events that follow further oppress this family and begins separate identity formations. These

In “The House on Mango Street”, the young daughter desires to leave her neighborhood as a way to escape her Mexican-American culture. One of the cultures which are most powerful in this story is the Hispanic culture that Esperanza and all of her neighbors emerge from. Her Hispanic culture has such a powerful influence on her

In the book The House on Mango Street, author Sandra Cisneros presents a series of vignettes that involve a young girl, named Esperanza, growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular, Cisneros provides the chapters “Boys and Girls” and “Beautiful and Cruel” to portray Esperanza’s stages of growth from a questioning and curious girl to an independent woman. Altogether, “Boys and Girls” is not like “Beautiful and Cruel” because Cisneros reveals two different maturity levels in Esperanza;

The film Selena uses the themes of discrimination, music, and family to express the struggle Mexican-Americans go through to find and establish their sense of identity. Through the musical career of Selena’s father, we see the difficulty of finding acceptance and establishing an identiity. After having his family, we see the effects his past experiences through his kids. Through Selena’s success, we see the crossing of borders and establishing of new identities.

Many young second generation daughters of Mexican heritage has grown up with a distinctive gender norm. In the midst of the second world war, the expression of freedom and equality spread throughout the country. This initiates for women to become more tuned to the social affairs the men had left behind. Thus, immigration brought a lot of Mexican families into Los Angeles. Double exposure to familial expectations and the American way of life brought in a sense of desperation of trying to balance both. The second generation daughters who have been exposed to the loudly spoken

First of all, the setting of this novel contributes to the Rivera family’s overall perception of what it means to be an American. To start this off, the author chooses a small American city where groups of Latino immigrants with their own language and traditions, lived together in the same apartment building. All these immigrants experienced similar problems since they moved from their countries. For example, in the novel after every other chapter the author

When one visualizes Latino culture, the prevalent images are often bright colors, dancing, and celebrations. This imagery paints a false portrait of the life of many Latino’s, especially those that are forced to leave their home countries. Latinos often face intense poverty and oppression, whether in a Latin country, or a foreign country, such is true in Pam Ryan’s novel Esperanza Rising. Ryan chronicles the issues that many Latino immigrants face. The first is the pressure from the home country. Many of the countries face turmoil, and many are forced to leave their homes and culture. Once in a foreign place, people often struggle with standing by their own culture or assimilating to the new culture. Latino authors frequently use young adult literature as a platform to discuss the issues they face, as young adults are coming of age they struggle with their identities, personifying the struggle of old culture against the new culture.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Cristina Garcia’s Dreaming in Cuban tells the story about three generations of a Cuban family and their different views provoked by the Cuban revolution. Though part of the same family, an outsider might classify them as adversaries judging by relationships between one another, the exiled family members, and the differentiations between political views. Although all of these central themes reoccur over and over throughout the narrative, family relationships lie at the heart of the tale. The relationships between these Cuban family members are for the most part ruptured by any or a combination of the above themes.

The opening to Selena Gomez’s video is an establishing shot of her on a wide mountain road riding a bike to school. This shot is utilized to establish the 70’s era the music video takes place in. The establishing shot also shows that Selena is poor and abnormal since she lives in the mountains and does not drive a car to school, despite the cheap prices of cars in the 70’s. The alienation of Selena can also be observed through eyeline matches when she walks down the hall. The audience sees what she sees then the camera refocuses on her. This temporal continuity includes many people looking with displeasure at her based on the way she is dressed, how she arrived to school, and where she lives. There is also some collision of shots during the chemistry class which makes the audience guess who or what Selena is focusing on. This discontinuity creates misleading information in these shots which leads the audience to engage and wonder who Selena is so enthused with. The misleading idea is only resolved at the very end, resulting in the audience’s engagement for the entire duration of the video.