Self Analysis Of Mirror By Sylvia Plath

    As the time passes she can clearly see the woman in the paper. The woman in the paper is quiet and peaceful during the day, but at night she is imprisoned by the bars in the paper. This is reflection helps the narrator identify her own bars--her husband John. He is away during the day and at home in the same bed with her at night. She also identifies with the woman in the paper by sharing their similar routine. "At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be"..."by daylight she is subdued, quiet. I fancy its the pattern that keeps her so still. It is so puzzling. It keeps me quiet by the hour".

The poem the Mirror is about beauty standards. She talks about how, as a mirror, she shows exactly what she sees and she tells no lies. The narrator states, “I am not cruel, only truthful.” When the narrator becomes a lake, she can also only show truth and reflection of one’s self. The Mirror represents the truth of who we actually are, even if society has portrayed us as or forced us to be someone else.

Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the

Under my feminist reading, I see the poem as an attempt by the poet to exist as an independent autonomist woman by rejecting the traditional patriarchal ideology that women were subjected to at the time. Plath begins the poem with the line ‘stasis in darkness’, symbolic of the fact that women at the time were trapped in the darkness of patriarchal society. She uses the term ‘God’s lioness’ as a reversal of gender expectations to show her support for the rise of feminism.

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

Sylvia Plath was an American Poet who was renowned for poetry mostly in the United States. She, however lived a difficult and depressing life which led to a few futile suicide attempts, but ultimately led to a successful suicide attempt leaving her children to live on without a mother. This end result was due to a multitude of issues in her life from Sylvia’s sanity. She wasn’t the most stable child. Her marriage also played a role in her suicide. Her successes weren’t acclaimed until after her death, when a majority of her work was released. There were two major aspects to her life: her poetry and her sanity. These three combined make up a majority of Sylvia’s life.

After reading “what the mirror said”, some readers may say that this poem was not written to embrace the woman’s beauty but to explain that she is confusing and hectic. A reader with this point of view would

Doesn’t everyone wish they could grow up faster when they are younger, but when they actually start to grow up, they just want it to slow down? Aging is a unique experience to everyone and each person deals with it differently. This theme of aging and how people see themselves can be seen both similarly and differently in “Mirror” by Sylvia Plath and “The Road Not Taken” by Robert Frost. These similarities and differences can be seen through each author’s tone, each poem’s structure, and each poem’s overall message.

Plath uses an intriguing personification to start off her poem as the mirror speaks as a human saying “I am a silver” and “I have no preconception”. A first person narrator as if the mirror is an object that express thing from an honest observation. The stanza demonstrates the goal of the mirror from the way it described itself. The objectivity of the mirror is even more accentuated in the second line when the poet writes “whatever I see I swallow immediately”. (Plath 2) Human qualities are also given to the mirror when it says “on the opposite wall, it is pink, with speckles. I have looked at it so long I think it is part of my

In this reflective essay, Stewart discusses the struggles her and her family went through. He family has faced a lot of struggles and throughout all these struggle a mirror was there to see it all. The essay starts off when Stewart is arguing with her mother then blinded by anger she broke the family mirror. It all started with her great-grandmother Elsie when she lost her husband in a tragic fire. The mirror was the only thing left in this fire. Elsie passed this mirror on to her daughter Ruby.

The first thing one can notice in Sylvia Plath’s poem “Mirror” (rpt. In Thomas R. Arp and Greg Johnson, Perrine’s Literature: Structure, Sound, and Sense, 9th ed. [Boston: Wadsworth, 2006] 680) is that the speaker in the poem is the mirror and the woman in the poem is Sylvia Plath. As you read through the poem, the lake is relevant because of the famous mythological story of narcissus. He was extremely beautiful and one day while drinking from a lake he saw his reflection. He looked at it for so long and so close that he fell in the river and died. This shows the consequences of vanity. Sylvia Plath uses this metaphor to show that the little girl that used to look in that mirror has now

Mirror is a poem that is full of imagery, symbols, and riddles. It is straight-forward enough in the first stanza to be able to detect who the speaker is, but riddled enough in the second stanza to require an interpretation of the purpose, that’s what makes this poem so enticing.

This is what society saw as their ‘mental illness,’ but the real suffering they experienced is reflected the same way their mentalities are. Esther’s breakdown, for example, is “precipitated by the discovery of an inner deathliness concealed under the glossy surface of New York and her own compulsive drive to achievement” (Harris). The process of this is lengthy, whereas with Sylvia it seems to happen all at once, which is the only difference between them. Plath’s discovery of her inner deathliness being concealed under a perfect New York life happened in May of 1953, where she wrote “New York: Pain, parties, work… Carol vomiting outside the door all over the floor- and interviews for TV shows, and competition, and beautiful models…” (Hughes 87). She began to realize how her high expectations had ruined her trip, and how her mental illness was feeding off of the life she was living, which, like Esther, causes her to go back home in July more depressed than when she left.

mirror. Who are almost getting in the way so to speak of its life and

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a