Self Consciousness : Burden Or Benefit? Essay

The areas of productiveness in this session for me included the paraphrasing and minimal encouragers. Throughout this session I felt that my paraphrasing was clear and concise. It allowed the client to think about what he had said, while being able to provide me with feedback and allowed for the conversation to flow naturally.

The Romantic Period centered on creative imagination, nature, mythology, symbolism, feelings and intuition, freedom from laws, impulsiveness, simplistic language, personal experiences, democracy, and liberty, significant in various art forms including poetry. The development of the self and self-awareness became a major theme as the Romantic Period was seen as an unpredictable release of artistic energy, new found confidence, and creative power found in the writings of the Romantic poets Blake, Wordsworth, Coleridge, Keats, and Shelley, who made a substantial impact on the world of poetry. Two of the Romantic poets, William Blake, and Percy Bysshe Shelley rebelled against convention and authority in search of personal, political and artistic freedom. Blake and Shelley attempted to liberate the subjugated people through the contrary state of human existence prevalent throughout their writings, including Blake’s “The Chimney Sweepers,” from “Songs of Innocence”, “London,” from “Songs of Experience” and Shelley’s A Song: “Men of England.”

From a young age, Blake spoke of seeing apparitions. On one of his many trips to the countryside, Blake started to ramble about seeing " a tree filled with angels, bright angelic wings bespangling every bough like stars." After hearing him babbling about his visions of mystical and heavenly creatures, Blake’s parents tried to discourage him from his ‘lying.’ But Blake continued his ‘stories,’ none of which amused his parent. In the end, he was saved from some beatings though his mother’s pleadings, who saw and understood that he was different from his peers. All of Blake’s apparitions would have a profound, lasting effect on his work, from rich imagery to prophetic

To the Romantics, the imagination was important. It was the core and foundation of everything they thought about, believed in, and even they way they perceived God itself. The leaders of the Romantic Movement were undoubtedly Samuel Taylor Coleridge and his close friend, William Wordsworth. Both were poets, and both wrote about the imagination. Wordsworth usually wrote about those close to nature, and therefore, in the minds of the Romantics, deeper into the imagination than the ordinary man. Coleridge, however, was to write about the supernatural, how nature extended past the depth of the rational mind.

Romanticism poetry has four key features that make it stand out from the rest. A new spontaneity and freedom, which is a fancy way of saying that the romantic poets were tired of the bland writings from the neoclassical writers, added expressed emotions paired with the creativity of the imagination. Love of nature describes how romantic poets used nature to help explain their thoughts and feelings. The importance of the commonplace was used in Romanticism to create a bigger audience and appeal to more common folk by including everyday behaviors in their poems. Last but not least, fascination with the supernatural and the exotic, which has to with magic and the unknown in romanticism.

William Blake was a painter, engraver and poet of the Romantic era, who lived and worked in London. Many of Blake’s famous poems reside in his published collection of poems titled Songs of Innocence and of Experience. This collection portrays the two different states of the human soul, good and evil. Many poems in the Songs of Innocence have a counterpart poem in the Songs of Experience. The poem “A Poison Tree” is found in the Songs of Experience and it delves into the mind of man tainted with sin and corruption that comes with experience. In a simple and creative style, the religious theology of the Fall of Man is brought to life. The poem tells the story of how man fell from a state of innocence to impurity, focusing on the harmful repercussions of suppressed anger. Blake utilities many literary devices to successfully characterizes anger as an antagonist with taunting power.

Before taking this course my writing styles and habits were very different. I was the typical procrastinator because I would wait until the night before a paper was due to start it. This did not allow me enough time to properly proofread everything, which resulted in getting points deducted for simple grammatical errors that could have been avoided if I would have had the time to proofread. My writing styles have many strengths and weaknesses and I have been able to improve my writing because of them. I have learned from my strengths and weaknesses how to become a better writer.

How does William Wordsworth's poetry fit into the literary tradition of Romanticism? Q. How does William Wordsworth's poetry fit into the literary tradition of Romanticism? A. Romantic poetry was an artistic movement of the late 18th and early 19th century. It dealt with nature, human imagination, childhood and the ability to recall emotional memories of both happiness and sadness.

Blake also airs his issues with the church’s policy on the spiritual status of “unsaved” people who die, children and adults alike. He addresses the “spiritual status of babies” in several of his poems (Dilworth, 43). The child in “A Cradle Song” is depicted as an “Angel mild” in whose face the

William Blake is one of England’s most famous literary figures. He is remembered and admired for his skill as a painter, engraver, and poet. He was born on Nov. 28, 1757 to a poor Hosier’s family living in or around London. Being of a poor family, Blake received little in the way of comfort or education while growing up. Amazingly, he did not attend school for very long and dropped out shortly after learning to read and write so that he could work in his father’s shop. The life of a hosier however was not the right path for Blake as he exhibited early on a skill for reading and drawing. Blake’s skill for reading can be seen in his understanding for and use of works such as the Bible and Greek classic literature.

Unlike the Enlightenment era, the Romantic period had no order and turned away from given religions, like Christianity. Romantic expressivism is the creation of the poet’s, or expressivists, own meaning of truth and order, since they are turning away from all known religion. Similarly, they fill these holes by writing about non-religious ideas and making them religious instead. For example Early Wasserman in “Sources of the Self” says that “within itself the modern poem must both formulate its own cosmic [order] and shape the autonomous poetic reality that the cosmic [order] permits” (Wasserman and Taylor 31). Instead of having the uniformness he also explains that, “the Romantic poet has to articulate an original vision of the cosmos” (Wasserman and Taylor 31). This created the opportunities for Romantic expressivist, like William Wordsworth and John Keats, to start from a blank slate with everything that they turned away from, including religion. Wasserman’s emphasis on how the Romantic expressivist was placed with, not a burden, but a responsibility to create their own order and incorporate theoretical spirits or presence into their poems.

William Blake, a poet that strongly believed in the power of mind, once wrote, "if we see with imagination, we see all things in the infinite." The Romantic poets use their imagination when gazing at nature, and therefore see and feel the infinite through their poetry. William Wordsworth expresses the serene beauty that nature possesses and its calming effects on the mind. Samuel Taylor Coleridge, one of the poetic geniuses of the age, uses nature and his imagination to create surreal atmospheres. Another Romantic poet, by the name of Percy Bysshe Shelley, shows great longing for the freedom that nature possesses and the freeing effect it has on him. These poets of the Romantic period look at nature from a higher consciousness

One of the most popular themes for Romantic poetry in England was nature and an appreciation for natural beauty. The English Romantic poets were generally concerned with the human imagination as a counter to the rise of science. The growing intellectual movement of the 18th and 19th centuries placed scientific thought in the forefront of all knowledge, basing reality in material objects. The Romantics found this form of world view to be restrictive. They felt that imagination was crucial to individual happiness. The imagination also provides a common human bond; a means of sympathy, of identification. However, the absence of imagination, the Romantics felt, would lead

Some aspects of Romantic poetry were; there was an increasing interest in nature; there was an increased interest in landscape and scenery; human moods were connected to the moods of nature. Although the six poets cohered to create the English Romantic movement they were all extremely different with

Some of William Blake’s poetry is categorized into collections called Songs of Innocence and Songs of Experience. Blake explores almost opposite opinions about creation in his poems “The Lamb” and “The Tiger.” While the overarching concept is the same in both, he uses different subjects to portray different sides of creation; however, in the Innocence and Experience versions of “The Chimney Sweeper,” Blake uses some of the same words, rhyme schemes, and characters to talk about a single subject in opposite tones.