Self-Determination in Memoirs of a Geisha Essay

Jing-mei did not want to have anything to do with her mother's plans for her to become a child prodigy, but goes along because she can't quite say no to her mother yet.

Frida Kahlo is one of the most famous female painters to originate from the twentieth century, and for good reason. Her art is filled with beauty and creativity, but Frida’s main source of fame comes from the emotions that these paintings invoke, rather than the actual paintings. This is because Frida put herself into every painting she did, leaving traces of her presence all throughout this world and these traces remain long after her physical departure. Frida was a very peculiar and unique individual, hence, Frida’s definition of what a person is, or rather, what a self is, follows accordingly. The self is the reality that one conceives, and this self will live long after the physical body dies, continuing on as long as their

A saying i've kept to myself is to get back up when knocked down. This saying doesn’t just stand for getting up when literally knocked down but can keep a deeper meaning than what it says as for example being knocked down by a difficult obstacle to overcome and getting up to find a way to get past it and achieving it. Some people may not see this as something important but they don’t think about how getting up after knocked down can be something that can or would have been like a positive outcome into their life and how they are given two choices when knocked down which is to stay down or get back up and continue going forward.

Summer vacation, and school ends for about three months, and then you have as much fun as you can, then back to school… right? Well I had to go to summer school, but it wasn’t as bad as I thought it would be. Everything was going fine, I had a job after summer school, and that was going fine as well. They say that summer is supposed to be fun and exciting, and it usually is for me and my family. However in July my father started coughing up blood. My father usually doesn’t make it his top priority to go to the doctors, so he waited about four weeks until he really didn’t feel good.

left my mouth she looked up and studied me with her beautiful grey blue eyes. I felt as if I

life she have been living with her parents and want to live a fulfilling life in her kingdom or

Identity-“Ones personal qualities.”Identiy is something only he or she can fully define. My uncle says I am affectionate,cheerful, and calm. My grandmother sees me as slim, pretty and sweet. My dad described me as perky, cheerful and happy, my mom says beautiful, gentle, and self-conscious. These adjectives describe me accurately, yet they are only abstract versions of me. Adjectives cannot begin to describe me and I aknowlege these descriptions for what they are, a condensed translation from my outward self to the world. It is impossible for anyone to understand me completely because nobody has experienced the things I have. My mother has never cherished a raggedy doll named Katie and my father never

mostly of Caucasian. Although I am a quick learner, it was especially hard for me

Despite our difference in years, my sister and I had always been close. Seeing me again seemed to make her excessively excited, and for a while she did nothing but giggle nervously. But she calmed down somewhat when my father started to question her about Osaka and her university. She answered him with short, formal replies. She in turn asked me a few questions, but she seemed inhibited by the fear that the questions might lead to awkward topics. After a while, the conversation had become even sparser than prior to Kikuko's arrival. Then my father stood up, saying: "I must attend to the supper. Please excuse me for being burdened by such matters. Kikuko will look after you."

As she recalls back on this time by telling her daughter what she calls her Kweilin story, Suyuan describes her feeling during this horrible time as “And inside I was no longer hungry for the cabbage or the turnips of the hanging rock garden. I could only see the dripping bowels of an ancient hill that might collapse on top of me. Can you imagine how it is, to want to be neither inside nor outside, to want to be nowhere and disappear?” (22) At this point in her life Suyuan was separated from her husband who is in the military and eventually is forced to abandon her two young daughters. This aspect of Suyuan’s life parallels the life of Amy Tan’s mother. Daisy tan was also married to a military man during the Chinese Civil War and like Suyuan was forced to abandon her two daughters in Shanghai. This was an experience that would affect her mother for the rest of her life and a story she would continue to tell and never forget. The life of Amy Tan is also a parallel to the life of Jing-Mei Woo of “June”. As a young girl June was forced to play the piano and practice constantly to become the best like Amy Tan was as a child. Along with playing the piano Suyuan also had high expectations for June as far as her future. She wanted her daughter to be the best in her class and go off to medical school to become a well educated doctor, the same expectation’s Amy Tan’s mother had for her. Both daughters decided to follow their dreams and

Jing-mei realized that she was an ordinary individual and that she would not let her mother’s expectations change that. She no longer believed that she “could be anything [she] wanted to be, [rather she] could only be [herself]” (Tan 44). In using a limited, first-person point of view, Tan is able to show Jing-mei’s emotional progress of following her mother’s dreams to finally realizing her own dream.

Jing-Mei finds a new person that was determined to fight against her mother. Moreover, Jing Mei

She sits on the armrest of her wine-stained couch, then falls backward with a cushioned thud. Her thick, kinky hair lays splayed under her. Her large, veiny hands lift up to her tear-soaked face, covering her eyes. She sighs aloud summoning her roommates’ attention.

So it could be said one significant factor in Japanese culture is idealization, and Geisha is a component of this fantasy. They are pulled out from themselves as women and then become an illusory form. When Sayuri wears the twelve layers of elegant kimonos with exquisite makeup, stepped on those expensive black wooden clogs,

When she meets Fan Liuyuan, she takes her chances and follows him to Hong Kong. Her decision to leave Shanghai has two implications. Firstly, she wants an escape from her family. After years of following their rules and hearing their complaints about her presence, she finally has a chance to leave it all behind to find her own independence. Secondly, she is strangely attracted to Liuyuan and securing his love and attention is a conquest for her.