Self-Motivation and Egocentrism in John Updike’s A&P

In "A&P," Sammy is initially drawn to three girls, Queenie, Plaid, and Big Tall Goony Goony, perusing the grocery store and while he is drawn to the leader of the group, Queenie, he soon begins to note how they are a contrast of what middle-class suburbanites consider to be acceptable. Sammy notes,

Sammy begins the story by describing the three girls in bathing suits who have walked into the A & P grocery store. The girl who catches his attention is a chunky girl in a plaid green two-piece swimsuit. As Sammy continues to observe the girls, his interest seems to focus only on the girl who leads the other two into the store. Sammy refers to the girl he likes as "Queenie",someone showing poise and leadership, while the other girls

Transition -- In fact, Supporting point 2 -- when he contemplates what Queenie might be thinking Quote -- he wonders if her head is empty or “a little buzz like a bee in a glass jar” (824). Explain/relate quote to point -- In his mind she and the other girls are objects, not human beings. Transition -- Even the nicknames he makes up show the sexist attitude of an immature teenage boy. Supporting point 3/Quote -- Referring to the one he likes as “Queenie,” to her tall friend as “Big Tall Goony Goony” or other female shoppers as “houselaves” indicates that women in his view have no place or identity beyond themselves(825). Explain/relate quote to point -- indicates that women in his view have no place or identity beyond themselves Transition – further Supporting Point 4 -- His false-chivalric gesture at the end reveals his immaturity. Quote -- He assumes that the girls need an “unsuspected hero” to save them Explain/relate to point --, that they cannot take care of themselves or handle a little embarrassment (827). Concluding sentence -- Clearly, Sammy has much to learn about heroism, chivalry, and

“Sammy, you don’t want to do this to your Mom and Dad,” he tells me. It’s true, I don’t. But it seems to me that once you begin a gesture it’s fatal not to go through with it (323). This statement made by Sammy after quitting his job, was made towards the end of John Updike’s story “A&P”. Sammy had quit his job, a job that his parents helped him to get. Sammy opened up a whole new world; a world that I don’t think Sammy was ready for. He made a quick and irrational decision, rather if it affected his life or not we would never know.

Sammy’s obsession with Queenie shows how Sammy doesn’t get much action. He is about a twenty year old guy who is obsessing over a 16 or 17-year-old girl. Sammy gives every single detail about Queenie; for example, he says, “She was the queen. She kind of led them, the other two peeking around and making their shoulders round. She didn’t look around, not this Queen, she just walked on slowly, on these white prima-donna legs.” About 80% of the story is dedicated to the description of Queenie.

In John Updike’s coming of age story “A&P,” the protagonist Sammy sees what he believes to be an unfair act to three teenage girls in bikini in the grocery store. He makes an immature decision and quits in front of his manager that decided to address the girls about their clothing choice in front of the entire grocery store, instead of talking to them in private. Unfortunately, the teenage girls do not notice Sammy’s heroic act, and he is left alone in the parking lot to face the repercussions of his childish actions. John Updike chooses to write in first-person, so the reader gets to know the narrator’s real character. In his short story “A&P,” John Updike demonstrates that Sammy is an immature character immaturity from his disrespectful personality, judgmental attitude, and misogynist beliefs.

John Updike, one of the most forward-thinking and socially provocative writers of the 50s and 60s, is known for his “incisive presentation of the quandaries of contemporary personal and social life.” (Lawn 529) Updike graduated from Harvard University and wrote for one of the more cutting edge publications like The New Yorker- both are notoriously ahead of their time and harbor controversial ideas. In his short story “A&P”, Updike reveals a young man named Sammy in a society on the brink of a social revolution- one in which a group of girls and an innocent cashier will unknowingly lead. Updike, through symbolism and syntax, shows how the girls are leading the revolution, how Sammy is feeling the wrath of this revolution, and

In the story “A+P”, Sammy is immediately interested in the three females that enter the grocery store. His interest possibly provoked by the natural tendency of being a young teenage boy and they being three girls dressed in bathing suites alone. Once the three girls make their way through the grocery store, Sammy immediately begins making his own judgment of their character based on the way they walk and the way they look. Sammy while observing the three girls, names the middle girl, “Queenie” simply based on her appearance and the way she walks. He describes Queenie in a condescending way, “She didn’t look around, not this queen, and she just walked straight on slowly, on these long white prima-donna legs. She came down a little harder on her heels…” (Updike 259) After watching the girls walk through the grocery store to find their item he insults their intelligence without having spoken to them, “…(do you really think it’s a mind in there or just a little buzz

      A more likely explanation for Sammy's abrupt resignation from his job is his complete boredom with it. This dissatisfaction with his work situation is plainly seen in his regard for a group that Sammy holds in even more contempt than the girls: the regular, paying customers. His references to them as "sheep," "houseslaves" and "pigs" reveals his attitude toward the group that keeps his employer in business--and Sammy in a job that he hates. His diatribe in the story's beginning directed at the "witch" who points out to him that he rang up the same purchase twice shows the unreasonable nature of this contempt for the customers: the mistake was quite clearly Sammy's fault, yet he lashes out at a customer who simply did what any

Status is the social or professional standing of a person, and it is often a unifying factor which John Updike uses to show comparisons of several different characters. Through Sammy’s point of view, several comparisons are shown between the employees of the A&P, even though their ages are different. Firstly, Lengel and Sammy assume the girls are ignorant and incompetent. Sammy’s demeaning view is viewed when he says, “Poor kids, I began to feel sorry for them, they couldn't help it.” In Sammy’s mind he saw the girls as helpless prey that had walked into a trap he needed to save them from. The manager saw the way they were dressed and proceeded to scold them the way a principal in a school scolds disruptive students. Another parallel between the two men is they both objectify the girls. Lengel is shown to look the girls up and down before he passes his judgement. Sammy’s defense of the girls, while it seems honorable, has ulterior motives. His hope is the girls hear him quit his job so that he can impress them; this action further objectifies the girls making them passive objects of passion. In the A&P there is another comparison between some of the repressed customers; the group of women he calls houseslaves and the trio of girls. Houseslaves are women whose only job was to cook, clean, and care for children. When the trio passed by these women there is a moment of shock from the girl’s appearance, but they look a second time possibly out of envy for the freedom they lack. The women in this story seem to all lack a voice and in the 1960s that was not uncommon; men in this time were still seen as the ultimate providers for the households. Queenie, like

He describes the girls’ bodies in terms of the physical features most notable by first glances, including a reference of one girl being overweight with a large, but attractive rear end (Updike 561). I was thoroughly disgusted when he compared a woman’s empty mind with a buzzing bee in a glass jar (Updike 561). The girl referred to as “the queen” is the object most attracted by his affection and his roving eyes. “There was nothing between the top of the suit and the top of her head except her…it was more than pretty” (Updike 561). At the end of the story, the narrator refers to the “Big Tall Goony-Goony” as “not bad for raw material” (Updike 564) and while taking the money, compares Queenie’s breasts to raw scoops of vanilla ice cream (Updike 563). When he loudly announces his intentions to quit his job, the narrator is upset that the girls don’t seem to notice or appreciate him and he seems disappointed to find “his girls” gone from the parking lot and his life without noticing his martyrdom (Updike 564). I was offended as I imagined this was a stand easily taken by many man for pretty girls. I wanted to run home and smack my boyfriend on the head with a rolled up copy of Vogue.

Bentley, Greg W.. "Sammy's Erotic Experience: Subjectivity and Sexual Difference in John Updike's 'A & P'." Journal of the Short Story In English 43 (2004): 121-141. Gale Group. Web. 18 Nov. 2013.

In the story “A&P” by John Updike he tries to portray the conventional lifestyle and tendency of his community. The story “A&P” proves how feminism was a large part of the conservative lifestyle and is still present today. A&P helps you visualize how sexism could be happening right under our noses. The story is told through the main character Sammy, who is an ordinary teenager in the small town. Sammy makes a courageous effort to fight feminism and introduces ideas of liberalism but sadly loses his job in the process. The story A&P, based in the 1950’s, directly correlates to how women were treated in that time period. From the story A&P we can learn the distinct and harsh gender

On the surface, the hero of John Updike's much-anthologized short story "A&P" does not seem like a hero on the level of an Odysseus or a Hercules. Sammy is a cashier at a local grocery store. However, when three girls wearing bathing suits enter the A&P, Sammy begins to experience a call to action. For the first time in his life, he takes a stand when he feels as if the pretty girls are being treated with a lack of respect. Sammy feels the first stirrings of rebellion within him, as he chafes against the constraints of his life. Campbell divides the three parts of the hero's quest into a circular journey of departure, initiation, and return. Over the course of "A&P" Sammy makes his 'departure' into the world of the hero.

In a continuing attempt to reveal this societal conflict, Updike introduces the character of Lengel, the manager. He accosts the girls and starts to make a scene accusing them of being indecent: “‘Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy.’ He turns his back. That’s policy for you. Policy is what the kingpins want. What others want is juvenile delinquency” (Updike, 600). When the store manager confronts three girls in swimsuits because of their indecency (lack of proper clothes), they are forced to leave humiliated. At this moment Sammy makes the choice to quit his job in protest of the manager’s handling of the situation. In his mind, and arguably in John Updike’s mind, the standards of walking into a grocery store in a bathing suit and humiliating someone in front of other people are both unacceptable. This part of the story is pivotal for one main reason: a voice in the business community is speaking. As a manager at A & P, Lengel is the voice of The Establishment and guards the community ethics (Porter, 321). Queenie’s (the ringleader of the girls) blush is what moves Sammy to action. Here are three girls who came in from the beach to purchase only one thing, and this kingpin is embarrassing them in order to maintain an aura of morality, decency,