Self Reflexive

Artists in the early 1900s commonly utilized techniques of distortion and exaggeration, characteristics of expressionism, to establish the element of emotion. According to Wolf (2017), expressionist artists often incorporate “swirling, swaying, and exaggeratedly executed brushstrokes to convey the turgid emotional state of the artist reacting to the anxieties of the modern world” (p. 1). Amplification of the human figure often evokes strong emotions for audiences of many different cultures. Additionally, the style reflects the consequences of urbanization, such as the alienation of individuals in society (Wolf, 2017). Expressionism allows artists to surpass realism and reflect the tribulations of living in a modern society.

Expressionism sought to give shape to emotions through stylized visuals, particularly using high contrast lighting and exaggerated colors, lines and shadows, most of the examples given before. The style combines moral values and emotional expreience. It is a unique and very different style of art.

a film. It is what the viewers sees, hears and experiences while watching a film. A film’s Mise en Scene subtly influences viewer’s mood as they watch a film, much like decor, lighting, smells and sounds can influence our emotional response to an actual place. In Film Art: An Introduction, Bordwell (2001), explained that in Mise en Scene, realism can be achieved by giving the settings an accurate and convincing look or letting actors express their emotions through performance as naturally as possible. This paper will discuss and analyse the significance of Mise en Scene in Wong Kar Wai’s In The Mood For Love

Defined by www.news.artnet.com/, German Expressionism is defined as “an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.” In Nosferatu, the film contains a plethora of distorted realities in an attempt to evoke the “emotional effect” from the audience. This is shown by the director of the film, F.W. Murnau’s usage of lighting and makeup & costume design.

Expressionism can be described as a movement in the fine arts that emphasized the expression of inner experience rather than realistic portrayal, looking to obtain not objective reality, but the subjective emotions and responses that objects and events arouse in the artist. Several characteristics of expressionism are distortion, exaggeration, primitivism, and fantasy. “The Green Table,” a ballet by Kurt Jooss, 1932, is an ideal example of expressionism because it depicts the choreographer’s personal interpretation of war through the use of movement, music by Fritz Cohen and lighting by Hermann Mankard.

Whenever books are adapted for film, changes inevitably have to be made. The medium of film offers several advantages and disadvantages over the book: it is not as adept at exploring the inner workings of people - it cannot explore their minds so easily; however, the added visual and audio capabilities of film open whole new areas of the imagination which, in the hands of a competent writer-director, can more than compensate.

Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

Stylistically, M appears to be a continuation of the style that was established in cinema through the German Expressionist movement and developed through the Kammerspielfilm, which focused on the actors, lighting, and set design to further investigate the psychological foundations of characters in middle and lower-class environments (150). M can be considered to be part of the third type of film that was produced during the Weimar period that is known as die neue Sachlichkeit (New Objectivity), which portrays "fatalistic and grimy lower-class realism" through the cinematic lens (150). M is able to marry characteristics found in each of these three periods of German cinema.

Characteristics of Abstract Expressionist Paintings-optical buzz, all-over composition, Matisse sometimes painted images on large canvases, as did Picasso but paintings still retained an object like character- the viewer needed to stand back to see the complete composition. Abstract expressionist paintings, on the other hand, draw the spectator into them. The field of vision is thus larger than the field of vision of the spectator, who finds himself in a world beyond measurement (class handouts) "Portable Mural"

Booker, M. K. (2013). The Twenty-First-Century Fantasy Film Explosion: Redefining a Film Genre. In M. i. Booker (Ed.) , Contemporary Speculative Fiction (pp. 231-245). Ipswich, MA: Salem

As we look deeper into the historical contexts that came about in Germany during the 1920’s, Germany was confined due to the isolation the country was experiencing during World War I. During this solitude, the German government banned foreign films. German Expressionism was formed in result of the conclusion of World War I which compelled Germany to establish its own style of cinema. German Expressionist films produced in the Weimar Republic

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

world as did in the Paris to New York shift of the 1940's and 1950's.

Before minimalism in the 1950s, the dominant art movement in the United States was Abstract Expressionism. The artists at that time’s goal were to express their personal emotions through their artwork (“Introduction to Minimal Art”). One popular branch of Abstract Expressionism was called Action Painting. This style of painting was spontaneous; paint would be