Self- Sacrifice in the Movie Pan´s Ladyrinth

The film fails to demonstrate each of the sister’s perspective as they fight against Trujillo’s regime and their personal struggles as women in the Dominican Republic during the 1960s. While the novel focuses on all the sisters’ lives as they fought for freedom and equal rights in the corrupt government, the film focuses on Minerva’s perspective as the first sister who decided to stand up against the unfairness of Trujillo’s rule. The focus on Minerva’s perspective in the film, leads the viewer into believing that the other sisters weren’t as important as Minerva when trying to fight Trujillo, “But then again, here in that little room was the same Patria Mercedes, who wouldn’t have hurt a butterfly, shouting, “Amen to the revolution.” And so we were born in the spirit of the vengeful Lord, no longer His lambs.” (Chapter 8) The quote said by Patria in Chapter 8, shows how she risks her faith when trying to protect the life of the innocent. She would rather throw down a vicious dictator than have young innocent people killed. The film fails to demonstrate the strong themes of women and courage expressed through the novel. The film chooses to skip over many important events, such as Patria knocking over the statue of the Virgin Mary to save her

There is no such thing as an accident; an accident fate misnamed. Outside the city gates, Antigone tells Ismene that Creon has ordered that Eteocles, who died defending the city, is to be buried with full honors, while the body of Polynices, the invader, is left to rot. Furthermore, Creon has declared that anyone attempting to bury Polynices shall be publicly stoned to death. Outraged, Antigone reveals to Ismene a plan to bury Polynices in secret, despite Creon 's order. When Ismene timidly refuses to defy the king, Antigone angrily rejects her and goes off alone to bury her brother. This play creates an underlying theme or moral, the moral of a story is often an implied lesson you can learn from a character 's experience. In Antigone, the moral of the story is that of fate. This moral is incorporated through the actions of both Creon and Antigone. The moral also corresponds with a recurring theme of the abuse of power, something that Creon is more than guilty of. This theme is incorporated in the many words and actions brought forward by Creon, the king of Thebes.

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

Pan’s Labyrinth is of a young girl named Ofelia and her expectant mother Carmen who arrives at the premises owned by her mother's new husband, who’s an army officer named Captain Vidal. Upon their arrival Ofelia notice an ancient maze called Pan’s Labyrinth that struck her curiosity. Later, Ofelia returns to Labyrinth with the guidance of a fairy that introduce Ofelia to the Faun, who tells her that she is a legendary lost princess. But, for Ofelia to return to her kingdom she must complete three dangerous tasks. The first task was to bury three magic stones deep down inside the belly of an ancient fig tree. Where Ofelia was met by a giant toad who she fed the magic stones to and retrieved a key. After retrieving the key Ofelia discover that her dress had been ruined as it laid in the mud because of the bad weather that suddenly came about. As Ofelia returns from the woods she later discovers that her mother health is steadily declining. So, the faun gave Ofelia a magical root to place under her mother’s bed in a bowl milk with two drops of blood. The magical root was to ensure the survival of Ofelia’s unborn brother. For Ofelia’s next task, she must go in the underground chamber with a horrifying creature called the Pale Man to retrieve and item using the key she found in the fig tree. But, the only way to access the underground chamber is with drawing of a door using chalk. However, there is a catch, Ofelia mustn’t remain in the chamber too long or eat any of the food in the chamber. So, that the creature wouldn’t be disturbed from its slumber.

In Arthur Miller's play, The Crucible, he specifically writes about the Salem witch trials. This play also tells us about many of their laws, when it comes to witchcraft. I am going to write about what I value and how I would sacrifice for it or someone and tie it back to The Crucible and the character(s).

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

People can become jealous by wanting something that someone else has. Overzealous jealousy leads to desperation in which people act irrationally to obtain the object of their desire. With irrational actions, people can ruin their relationships to ensure that they will never get what they want; however, other factors could intervene to help them get it. William Shakespeare explores these ideas in his play, A Midsummer Night’s Dream. Two characters that he uses to show these qualities are Oberon and Helena. According to Shakespeare in A Midsummer Night’s Dream, jealousy turns people to take desperate measures to get what they want, and they may need intervention to obtain what they desire.

Guillermo Del Toro’s Pan’s Labyrinth tells the story of Ofelia who experiences magical encounters in this fantasy. One night, a fairy leads her into a hidden labyrinth where she meets a faun who tells her that she is a lost princess. He assigns her three dangerous tasks to prove herself and to claim immortality alongside her father. Meanwhile, her step-father, the captain of a merciless, violent army in fascist Spain attempts to stop a guerrilla uprising. Ofelia struggles to meet the demands of the faun before time runs out. Through this quest, she interacts with creatures and challenges that create a monstrous environment.

The hero is one of the most commonly seen archetypes throughout literature and film. While there are many different types of heroes, there are particular characteristics that identify a character as a hero. These characteristics are largely not in regards to who the hero is: personality traits, beliefs, or values – rather, these attributes concern the hero’s journey and the actions the hero takes while on that journey. In Guillermo Del Toro’s film, Pan’s Labyrinth, Ofelia is an archetypal hero because she is born into royalty, leaves her family and land, goes on an adventure, receives supernatural help, proves herself many times, and is rewarded spiritually when she dies.

"Trifles," a one-act play written by Susan Glaspell, is a cleverly written story about a murder and more importantly, it effectively describes the treatment of women during the early 1900s. In the opening scene, we learn a great deal of information about the people of the play and of their opinions. We know that there are five main characters, three men and two women. The weather outside is frighteningly cold, and yet the men enter the warm farmhouse first. The women stand together away from the men, which immediately puts the men against the women. Mrs. Hale?s and Mrs. Peters?s treatment from the men in the play is reflective of the beliefs of that time. These women, aware of

The chosen art piece, from Roman origin, is titled “Dionysus” and portrayed Dionysus, the god of wine, with his follower Pan. This artwork is a great example of Greek art’s influence in Roman artwork. The main elements of Greek’s naturalistic art, specifically of High Classical period, are rendered beautifully in this piece combined with distinctive elements from verism, unique to Roman art. So, the idealism of Greek art and the individualism of Roman art come together to create an art piece that is divine, mythical, and yet very human and therefore, relatable.

What is sacrifice? If you type that question into google the first definition you read is, “An act of slaughtering an animal or person or surrendering a possession as an offering to God or to a divine or supernatural figure.” What do you identify sacrifice to be, How would you define it? This is a two part hidden question posed by Suzanne Collins to her readers as well as Katniss Everdeen in the book The Hunger Games where the daunting future of North America, known as Panem, is divided into 12 districts and governed by the Capitol. Every year they select 24 innocent tributes ages 12-18, 2 from each district to fight to the death on a TV show called the Hunger Games.

Not to mention, Jean Valjean was really brave with a lot of his action throughout the book. He did not care if he was in danger for his actions, he was content with whatever the outcome was. If everyone was brave, everyone would look out for one another. Being brave in a society is advantageous because, it proves how much people care for one another.

MacKay, L.A. "Antigone, Coriolanus and Hegel." Transactions and Proceedings of the American Philological Association 93 (1962): 166-174. Web. 19 Mar 2012. JSTOR <http://www.jstor.org/discover/10.2307/283759?uid=2&uid=4&sid=47698786493307>

A Midsummer Night's Dream is a play about four Athenian lovers. Theseus listens to both Hermia and her father’s request and he tells her to bend to her father’s will or die due to the old Athenian law. Hermia and Lysander flee Athens, into the domain of the fairy kingdom. At this time, Oberon is in a fight with Titania. This fight is over a human child of Titania’s friend. Oberon tells Puck, one of his loyal servants, to get a flower hit by Cupid’s arrow, and drop the oil into Demetrius’s and Titania’s eyes. However, Puck drops the oil into Lysander’s eyes due to Oberon’s vague description, making him fall in love with Helena and despise Hermia. Titania falls in love Bottom, who has the head of an ass, after Oberon places the oil