Semiotics of Music

Black and white teenagers listen alike to rock music on the radio and attended clubs to hear it, together. Rock ‘n’ Roll’s roots helped accustom white teens to black music through the lenses of white, male vocalists—a normalcy to ground these drastic changes in race relations. The stars, like Elvis Presley—know for his sexual and riveting performances—began to blur the line between different forms of music and more importantly, black and white music.3 Rock ‘n’ Roll music was a blend of these two different cultures, demonstrating the enormous consumer power of this emerging youth culture and giving it the power to unite an entire

The social and political context of the 1950’s is crucial to any understanding of the birth of rock n roll.

     Rock ‘n’ roll music came of age in the sixties which was a period in the nation’s history when a young generation expressed their anguish and sense of alienation to the country’s social establishments by searching for new answers to the age-old questions concerning the meaning of life, the value of the individual, and the nature of truth and spirituality (Harris 306). The classic rock music which was created during this period gave form and substance to this search. Songs such as “My Generation” by the Who recorded the keen sense of alienation that young people felt from the past and the “Establishment” and it also showed the keen sense of community they felt among themselves.      Classic albums such as the Beatles’ “White Album,” the Who’s “Who’s Next,” Dylan’s “Highway 61 Revisited, and Pink Floyd’s “Dark Side of the Moon” capture what was essential about the time because they were both a result of that time and because they helped to produce it by reinforcing the younger generation’s feelings of alienation and separation.      Although

The song “I Get a Kick out of you” was originally composed by ‘’Cole Albert porter’’, who unlike other Broadway composers, wrote the lyrics as well as the music for his songs. Through this particular song of his, he was trying to express the singer’s love and his relative disinterest in perfume, champagne, cocaine, and planes. It was published in November 1934 and introduced in ‘Anything Goes’ by Ethel Merman. This song has since then, been covered on numerous occasions by popular singers such as Frank Sinatra, each with their own unique interpretation and style of the song. In this paper, I will be comparing the version of “I Get a Kick Out of You” Performed by Ethel Merman with the cover version of Ella Fitzgerald (on Ella Fitzgerald Sings

To understand why music is a product of human intention and perception, we start by defining or understanding the nature of music. Music is defined as the sounds or combination of vocals and instruments in a way that it produces a form of beauty, expression, or harmony of emotions. Arguably, people compose or make music through many ways (Resnicow, Joel E., 20-29). While some people might compose music without incorporating instruments, others use instruments to produce beats that match with their sounds. However, to argue that the

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Rock ‘n’ roll presented us with the emergence of a cultural phenomenon, which the book lays out for us. Altschuler sees rock as a “metaphor for integration, as the focal point for anxiety that cultural life in the U.S. had become “sexualized”, a catalyst

Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.

* Tone – the duration (length), frequency (pitch), amplitude (loudness), timbre (quality of sound). * All sounds have the potential to be tones

     The Rolling Stones were the second most successful band of the British invasion and dived into the mainstream with their hit “(I Can’t Get No) Satisfaction.” The Rolling Stones had a more aggressive style with loud guitar tones and driving rhythms. And while The Beatles touched on more clean-cut topics, the Stones shocked people with songs about casual drug use and careless sex. Other influential bands of the British Invasion include The Who, Cream, and The Kinks who are now some of rocks greatest legends.

1963 proved to be the beginning of the Beatles phenomenon with the release of their hit “Please Please Me”. This hit topped the British charts early in 1963 and remained there for 30 weeks (Unterberger, 2005). The Beatles continued evolving rock by adding a unique style of their own and continuously trying new ideas and adding a new flare to their music. Each of the albums showed a progression of the artists.

The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as

Many artists created a new form of music through the influence of the black artists. The first signs of this influence appeared in the music of Elvis Presley and Buddy Holly. It carried on to artists like Bob Dylan, The Beatles, and various other musicians.4 A new form of music emerged, rock and roll. This new style of music was fueled by emotion. One of the first stages in the development of rock and roll was sacrificing musical complexity for the sake of capturing an audience. The jazz and blues songs that were popular before rock and roll emerged, consisted of several chords and elaborate rhythms, while rock and roll songs are comprised of only three or four chords and very simple rhythms.5 More direct expressions of emotions were used, and lyrics of personal and political significance were brought into the mix. The relationship between artists and their audiences changed. Fans related to the musicians’ opinions rather than simply the style of the music. As a result of the bold lyrics, a general respect for musicians

The off-beat sequences of the electric guitar create a reggae feel for the song endorsing it to be mellow. Throughout the song, the electric guitar does not have any solos but variations of its sequence are repeated throughout the structure of the song. Doing so gives the lead singers’ message more priority. The domination of the classic drum kit creates a ‘head-bobbing’ motion for some when listening to this song, helping it become more popular and an easily enjoyable song.

There are many pop cultural songs that are listened to today while waiting for the beat to drop rather than taking a moment to understand the words. What happens if the time is taken to comprehend the true depth behind the lyrics? Vampire Weekend's song, "Ya Hey," is a song with enormous intellect within the lyrics. The number is eclectic with references to the story of Moses prominently standing out. The lyrics of "Ya Hey" are both an obvious and secret innuendo to the Moses story.